Category: Travel

  • Amatenango del Valle, Chiapas

    Amatenango_1

    Amatenango del Valle, Chiapas

    Two or three days after our trip to Zinacantán, we wound our way through the streets of San Cristóbal de las Casas and took the highway south toward Comitán de Domínguez, bound for Amatenango del Valle, a town of 6,000 inhabitants.   Amatenango’s language is Tzeltal, although the name of the town is Nauhatl for "fortified place of the fig trees".  Its women wear the town’s traditional red and yellow huipil (blouse).  The town square, dominated by the peak-roofed 18th Century Templo de San Francisco de Asís, is surrounded by steep 6600-foot hillsides. 

    The artesanía in Amatenango is pottery, created by women.  As we approached the town, we saw roadside stands filled with clay pots, clay animals, and clay doves lining both sides of the highway.  Women dressed in Amatenango’s ropa típica painted fresh clay vessels while they waited for customers.

    Amatenango_palomitas
    Las palomas (doves) are the most common Amatenango clay figure.  The birds are finished in a technique called bruñido (burnishing).

    Clay for making the pots comes from hillside locations several hours on foot from the center of town.  Hard oak firewood for firing the pots comes from the high hills, brought down in a wild go-cart ride to the potters’ homes.  Most women of the town dedicate themselves to creating pots, and most begin their clay work in early childhood.  Many Amatenango women have no memory of their lives before they began to make pots. 

    The women of Amatenango fire their clay goods in pre-Hispanic bonfire kilns, one of the world’s oldest firing methods. Pots are fired in the open air with firewood stacked all around and over the clay. 

    Amatenango_pollos_3

    Painted gallinas de barro (clay hens) are nearly as numerous as las palomas.

    Amatenango_pollos_2

    The hens are distinctive and differ from artist to artist.

    Juana Gómez learned pottery-making by observing her relatives working
    with clay.  Arguably the most gifted potter in today’s Amatenango, her
    work ranges from intricately designed small jugs to her current work,
    monumental jaguar sculptures.

    Amatenango_juana_y_jaguar

    Juana Gómez Ramírez with one of her nearly complete, monumental jaguares de barro (clay jaguars).

    Juana showed me around her small property and the firing lot just beyond her one-room cement block studio.  On the bare ground of the firing lot, she had constructed a wrought iron stand for balancing the life-size jaguar figures. "Their legs and bodies are hollow," Juana said, "so they are very fragile.  You can see the holes in their legs and in their stomachs, where the fire goes through them.  Firing them inside and out makes them very dry and sturdy, although they’re clay and can’t take a lot of abuse.  My uncle used to make jaguares this size, but the legs of his were solid, not hollow like mine, and they didn’t fire all the way through.  A lot of his jaguares broke in the kiln.  Mine don’t."

    Amatenango_jaguar
    The second of Juana’s latest pair of jaguares.  She has just started painting the spots of the big cat.

    Like the other Amatenango potters, Juana fires her pots and jaguares in the open air.  "First the jaguar has to dry.  Then I pile the wood under and over and around the figure and then burn the whole pile.  It takes hours to burn, and the oak burns so hot.  But I have to be careful that the fire is hot enough to bake the jaguar, but not too hot to burn it."

    We ordered two pots from Juana Gómez Ramírez and reluctantly left her workshop.  Once again we turned the car to the south, toward Aguacatenango, where we hoped to meet a rug weaver.  As we came down from the hills into view of the town, our traveling companion gave us a bit of information about Aguacatenango.  A Tzotzil-speaking village well-known for its cottage industry textiles, Aguacatenango politically casts its lot with EZLN (Ejército Zapatista de Liberación Nacional), the Zapatista revolutionaries whose front-man is known as Sub-Comandante Marcos.  In Aguacatenango, no photos are permitted due to politics rather than, as is the case in San Juan Chamula and Zinacantán, religion.

    Amatenango_dios
    Máscara de barro (clay mask) of a Mayan god, Juana Gómez Ramírez, 2008.

    The rug weaver wasn’t at home and we left Aguacatenango to return to San Cristóbal de las Casas. 

     

     


     

  • The Sacred and the Profane: San Cristóbal de las Casas, Part Two

    Amor_eterno
    Fancy trimmings and even fancier names grace many truck tops in San Cristóbal.

    Hamacas_2
    Hammocks hang from this store’s ceiling like graceful butterflies.

    Siesta
    Naptime at the mercado de artesanía.

    Piatas
    Piñatas for sale in the market, including orange and pink rose blossoms.

    Santo_nino_san_cristobal
    Niño Dios with basket of flowers, Templo Santo Domingo, San Cristóbal.

    Peach_blossoms

    February peach blossoms, San Cristóbal.

    Woman_with_chicken

    Lunch.

  • The Sacred and the Profane: San Cristóbal de las Casas, Chiapas, Part One

    Cruz_chamula
    The Maya used the cross as a religious symbol before the arrival of the Spanish Dominican priests. The Mayan interpretation is different from the Christian interpretation.  Mayans believe that the four points of the cross symbolize the sun, the earth, the moon and the people. The crosses usually appear in sets of three, symbolizing the three holy mountains of this area. Maya consider mountains to be gateways into Heaven.

    The Maya believe that the First Father propped up the sky with huge ceiba (kapok) trees at its four corners (north, south, east and west) as well as in the center of the world. The crosses are normally green and are the symbol of the ceiba tree, the Mayan “World Tree”. They are decorated with carvings of bromeliads and pine boughs and are sometimes adorned with real flowers and pine boughs.  Crosses like the one above are also found inside churches.  The indoor crosses are often dressed in velvet casings.

    Casa_san_cristbal
    Sunshine and shadow, San Cristóbal de las Casas.

    Roof_cross
    Wrought iron roof crosses are traditional in San Cristóbal.  This cross includes two angels, two pitchers, and other elements.  More often, the crosses include the symbols of Christ’s passion: a ladder, a rooster, a lance, a pair of dice, the crown of thorns, and others.

    Cohetes_y_juegos_pirotcneticos
    Juegos pirotécnicos (fireworks) for sale at the market.  The tall ones are small cohetes, like bottle rockets.

    Bush_come
    Anti-US graffito spray-stenciled on a wall in San Cristóbal de las Casas.  Click on the photo to enlarge it.  Can you read it?

    Llaveros_de_fresa_2

    Beaded key chains from the Santo Domingo artisans’ market.  We brought back several for little gifts, and we’ve already given them all away!

  • Al Mercado Indígena (At the Indian Market): Photos, San Cristóbal de las Casas, Part Two

    Candles
    Artisans from San Cristóbal de las Casas hand roll these glorious candles, available in the market.  The flowers as well as the candles themselves are made of wax.  They’re almost impossible to transport.  The last time Mexico Cooks! tried to bring some home to Michoacán, all of the flowers broke in transit despite their packing materials.

    Cream_puffs
    When I saw this tray of pastries in the market, I stopped dead in my tracks. Could they be cream puffs, here at the indigenous market?  Indeed they were.   Called mocas, these delicacies are prepared exactly as cream puffs are and are filled with a custard similar to creme patissiere.  The little cups with pink spoons contain just the custard, with a raisin on top.

    Caracol_del_rio
    Called xuti, shuti, or zoque, these large (2-3" long) freshwater snails come to market in San Cristóbal de las Casas during the first few weeks of Lent.  They’re purged and prepared as caldo de xuti (snail soup), seasoned during cooking with tomato, onion, garlic, and hoja santa.

    Colorn
    The red spiky blossoms on the left are flores de colorín (flowers from the coral tree).  They’re prepared in pipián and seasoned with epazote.

    Flores de Colorín en Pipián

    Ingredients:

    1/2 pound pumpkin seeds
    3 chiles anchos
    1/2 pound flores de colorín
    Sea salt to taste
    1 stem epazote

    Preparation:

    Over a low fire, toast the pumpkin seeds hull and all.  Remove the seeds and grind with the chiles until the mixture is like a paste.

    Remove any seeds from the colorín flowers and bring them to a boil in enough water to cover.  Allow them to boil until the flowers are cooked.  Take them off the heat.

    Heat the water again with a pinch of sea salt and add the flowers.  Incorporate the pumpkin seed/chile mixture until it is the consistency of a soup.  Allow the soup to rest for a bit so the flavors can marry.  Add sea salt to taste and flavor with the epazote.

    Masa_preparada
    Prepared blue and yellow corn masa.

    Chicken_heads
    Chicken heads!

  • Al Mercado Indígena (At the Indian Market): Photos, San Cristóbal de las Casas, Chiapas, Part One

    Calabaza_amarilla
    The brilliant jade green and cream squash skin contrasts beautifully with the pale yellow interior.  These calabaza amarilla (yellow squash) are about five to seven inches in diameter.  When I asked the proprietor of the booth how he prepares them, he shrugged and said, "Se pelan y se ponen a cocer en agua.  Después se guisan, con cebolla, chile y jitomate." (‘Peel them, boil them, and just cook them, with onion, chile, and tomato.’)

    Ajo_en_ristras
    Trenzas (braids) of recently harvested garlic.

    Fresas_y_ms
    I loved this market puesto (booth) for its colorful symmetry.  On the left are fresh strawberries.  At the middle on the bottom are containers of ground pumpkin seeds for pipián.  Fiery hot dried chiles de árbol are in the bowls in the upper right hand corner.  The tiny green balls are miltomate, small tomate verde  grown in the milpas (corn fields) and known in English as tomatillos.  On the right are bowls of zarzamora (fresh blackberries).  The yellow objects in the bottom right corner are chiles manzano.  To the right of the zarzamora are bowls of small chiles blanco.

    Achiote_2
    A young woman’s booth offered small (5 pesos) and large (10 pesos) packets of soft, freshly made achiote.  The achiote is a tropical shrub or small tree (the word comes from the Nauhatl for bush). The inedible fruits are heart-shaped, brown or
    reddish brown at maturity, and are covered with short stiff hairs. When
    fully mature the fruits split open, exposing the numerous seeds.
    Although the fruit is inedible, the achiote is widely
    grown for the orange-red pulp that covers the seeds.  The pulp is prepared as a fresh or dried paste which is used as a coloring and flavoring condiment in southern Mexico and other parts of the Americas.

    Black_beans
    Black beans are a staple on the table all over southern Mexico.  Mexico Cooks! ate sopa de frijol negro (black bean soup) prepared with the following ingredients:

    Sopa de Frijol Negro Estilo San Cristóbal de las Casas

    Ingredients
    Cooked black beans
    Chicken broth
    Garlic cloves
    Fresh tomatoes
    Onion
    Oregano
    Salt

    Preparation:
    Sauté the garlic, tomato, and onion together until the tomato gives up its juices.  Blend  until well puréed and strain.  Add oregano and salt to taste.

    Heat the soup.  Serve in flat soup plates garnished with a swirl of crema mexicana or creme fraiche.

    The person who gave me the recipe was unable to give the proportions of ingredients, but the soup is simple to prepare.

    Guajes_con_hule_amarillo
    Guajes (Leucaena leucocephala) for sale in bunches.  Guaje pods contain tiny bean-like legumes which are prepared as tortitas (little fritters).

  • Crafts, Food, and Mayan Culture in Zinacantán, Chiapas: Part Three

    If you have not yet read Parts One and Two of Mexico Cooks! visit to San Lorenzo Zinacantán, Chiapas, please see the articles dated March 1 and March 8, 2008.

    Zinacantan_restaurant
    Restaurant J’Totik Lol, San Lorenzo Zinacantán, Chiapas

    As we walked through the Templo San Lorenzo atrium to the main streets of Zinacantán, our stomachs grumbling for food, we noticed that the first three cocinas económicas (cheap-eats restaurants) were closed.  At three o’clock in the afternoon–time for the main meal of the day–we couldn’t understand what was (or better said, what wasn’t) cooking.  Then light dawned: it was a Lenten Friday.  In Mexico, many restaurants serving primarily meat or chicken close on Fridays in Lent.  It appeared that none of the restaurants around the plaza chose to offer a menú cuaresmeño (meat-free Lenten menu).  Even though we were considerably past ready for lunch, we weren’t ready to leave Zinacantán and head back to San Cristóbal de las Casas to find food.  What to do!

    "Look!"  My partner pointed to a sign: Centro de Artesanía y Restaurantes.  An arrow directed us to a short flight of steps carved into the hillside.  We crossed our fingers and started up.  At the top of the steps was Restaurant J’Totik Lol, jam-packed with San Cristóbal secundaria (middle school) kids on a field trip.  We felt sure that unless the ravening teenage hordes had eaten all that there was to be had, we would soon have lunch. 

    The school group filled every table inside the restaurant and overflowed into the yard.  We settled ourselves outside at the single remaining table and gratefully received menus from the wait staff.  Would it be the menú del día or something a la carta?  Our choice is usually the menú, and today was no exception.  The menú at a home-style restaurant in Mexico is nearly always a treat.  It normally includes a choice of two or three sopas aguadas (soups), choice of sopa seca (rice or pasta), choice of several guisados (main dishes), frijoles, tortillas, and dessert.  Judy picked asado de puerco estilo chiapaneco as her main course and, at the waitress’s recommendation, I asked for the menú con carne asada.   

    Zinacantan_restaurant_interior

    Restaurant J’Totik Lol interior with clay and brick oven.

    The asado de puerco estilo chiapaneco was definitely the pick of the day.  Fork-tender chunks of pork covered with a deep-brown sauce redolent of chiles filled Judy’s plate, the thick sauce running gently into her rice.  She tasted it and I knew from the ecstatic look on her face that I wasn’t going to finagle more than a nibble.  Yes, my carne asada was delicious.  But after I snagged a shred of her pork and a bit of sauce, it was obvious that she had bet on the winner. 

    Zinacantan_tortillas

    Both of us ate fresh tortilla after fresh tortilla as we enjoyed our meal.  We were joined at table by a middle-size dog which had apparently recently delivered a litter of pups.  Her beguilingly silent pleas for a snack resulted in a bone or two from Judy’s asado and the crusty ends of my carne asada.

    We all ate well.  You will, too.

    Asado_de_puerco

    Asado de Puerco Estilo Chiapaneco

    Ingredients
    1/2 kilo (1 pound) fresh pork                    1 onion, quartered
    1 kilo (2.2 pounds) small pork ribs             1 corn tortilla
    2 cloves garlic                                          Thyme to taste
    2 chiles cascabel                                      Oregano to taste
    2 chiles pasilla                                         Salt and pepper to taste
    1 large or two small tomatillos                  Oil

    Procedure
    Cut the meat into 2" cubes.  Cut the ribs into 2" sections.  Salt and pepper well.  Using a frying pan, sauté in hot oil until well-browned, adding the quartered onion to the meat.  Reserve the meat and onion in the frying pan.

    In another pan, carefully toast the garlic, the chiles cascabel and pasilla.  Don’t let them become too dark or they will be bitter.  Reserve the mix in a separate bowl.  In the same frying pan, sauté the corn tortilla.  When all the ingredients are well-toasted, put them in the blender, add a bit of water, and blend until the ingredients are well blended.  Add the blended mixture to the meat in its frying pan.  Add the thyme and oregano to taste. 

    Allow to cook over a very low flame for about an hour, adding water little by little as needed so that the meat and sauce do not dry out.

    Serves 4-6, accompanied by arroz a la mexicana (Mexican-style rice), frijolitos negros (black beans), and plenty of freshly made hot tortillas.

    Provecho!

          

          


          
  • Crafts, Food and Mayan Culture in Zinacantán, Chiapas: Part Two

    If you have not yet read Part One of Mexico Cooks! visit to San Lorenzo Zinacantán, please see the article dated March 1, 2008.

    Zinacantan_store
    One of several Centros de Artesanía (craft stores) in the town of San Lorenzo Zinacantán, Chiapas.

    As we drove into Zinacantán, we noticed many large invernaderos (greenhouses) here and there on the mountain slopes.  In addition to the work of artesanía, there is a large
    flower-growing industry in the town.  Roses, daisies, chrysanthemums
    and other flowers grow profusely in greenhouses that dot the hillsides
    around this tiny town in a valley.  The flowers are produced for use in the town as well as for export.

    When Mexico Cooks! arrived in the town center, the parish church bells were ringing over and over again–Clang! Ca-CLANG! Clang! Clang!  Ca-clang!–in a pattern that was neither the usual call to Mass nor the clamor (the mournful ring that indicates a parishioner has died). Although the Centros de Artesanía
    (crafts centers) beckoned and we had really come to shop, we decided to
    answer the call of the bells and visit the church first.  Many
    villagers crowded the entryway, watching one of the most beautiful
    processions I’ve seen in Mexico.  No photographs are permitted in
    either the church atrium or the church itself, and I wished so deeply
    that I had the talent to draw what we were watching.

    Young men wearing white cotton shorts embroidered along the hems, thickly furry woven wool cotones, beribboned pañuelos
    and straw hats processed from a shadowy side chapel carrying huge
    wicker baskets filled to overflowing with every color rose petal.  The
    procession came slowly, these young zinacantecos scattering
    thousands and thousands of petals throughout the candlelit main part of
    the church.  The wooden floor disappeared under a pink, yellow, red,
    and white carpet.  Other men wearing ritual black or white woolen cotones followed, stepping reverently on the rose petals, releasing their scent into the air along with the scent of copal burning in the clay incensarios (incense burners) they waved high above their heads. 

    Then followed twelve highly honored town elders dressed in even more
    elaborate ritual clothing bearing three life-size statues on their
    shoulders.  The statues, each dressed in the finest ropa típica zinacanteca,
    represented the Virgin Mary, Jesus, and San Lorenzo, the patron of
    Zinacantán.  The tremendous statues processed, crowned with gold and
    surrounded by candles and artfully arranged flowers of every
    description.  The three saints gently tipped this way and that on the shoulders of their
    bearers as they moved through the nave of the church. 

    The first young
    men of the procession rained thousands more rose petals on the statues
    as they wended their way slowly through the small church and back into
    the half-light of the side chapel, where the saints were situated in
    places of honor in front of the communion rail and altar.

    Santo_domingo_church_san_cristbal_2
    This image, taken inside Templo Santo Domingo in San Cristóbal de
    las Casas, Chiapas, shows candles similar to those lit before the
    saints in Templo San Lorenzo, Zinacantán.

    Beneath swooping banners, strings of brightly colored metal
    ornaments, and tired-out balloons from prior fiestas, church elders lit
    hundreds of candles to honor the three saints.   Men clad in garments
    resembling ribbon-festooned woolly black or white sheep hurried back
    and forth placing candles in large stands, stopping to kneel and pray
    aloud in Tzotzil.  Meantime, women elders clad in brilliant blue and
    teal embroidered chales (shawls) crouched on the church floor.  Ritual white cotton rebozos covered
    their heads and faces, leaving only their black eyes visible, watching
    the men.  The men lit candles and more candles.  Young boys left
    greenery around the statues.  In the dimness, a solemn father pinched
    his laughing son’s ear to remind him to respect the ceremony and the
    saints.

    When we could tell that the ceremony was drawing to a close, I asked
    one of the elders to tell me its significance.  "This is the first
    Friday of Lent," he replied.  "We’ll have this procession the first
    Friday of every month from now until All Saints Day in November."  He
    smiled, bowed briefly, and moved away from me.  My partner and I walked
    slowly out of the church and back into the brilliant Zinacantán
    afternoon light.  We felt that we had been centuries and huge distances
    away from this millennium.  And of course, after that much mystical
    time and space travel, we were starving.  Lunch!  Where would we have
    lunch?

    Chiapas_view_zinacantn_2

    View of Zinacantán from the floor of the valley, 8500 feet above sea level.

    Next week, read Part Three as Mexico Cooks! continues its visit to San Lorenzo Zinacantán, Chiapas.

  • Crafts, Food and Mayan Culture in Zinacantán, Chiapas: Part One

    Zinacantan

    The highlands of Chiapas, the southernmost state in Mexico, are unlike any region of the 27 other Mexican states I know.  The indigenous culture of the highlands is still fiercely Mayan, albeit with a veneer of Catholicism.  The Chiapanecan Maya are for the most part unwelcoming to outsiders, holding their customs and celebrations close to their chests as jealously guarded secrets.  Some regions forbid entry to both mestizos and foreigners, some forbid the taking of photographs, and some have essentially seceded from Mexico, allowing no access to services commonly accepted as essential everywhere else in the country.

    There are a few small indigenous towns where outside visitors are at least superficially welcome, including the pueblo called San Lorenzo Zinacantán, located in a valley at 8500 feet above sea level, just six miles from the small but cosmopolitan city of San Cristóbal de las Casas.  In Zinacantán, where the women dress like flocks of exotically beautiful bluebirds, a prominent sign on the church door reads, "Se prohibe matar pollos durante sus rezos," (‘Killing chickens during your prayers is forbidden’), and the vernacular is Tzotzil, derived from Mayan.  The name Zinacantán means "place of the bats".  Mexico Cooks! missed seeing bats, but we lucked upon certain mystically Mayan Zinacantán ceremonies that left us wide-eyed and pensive.

    Zinacantan_women
    Zinacantecas Juana Hernández de la Cruz, Josefa Victoria González, Juana Adriana Hernández Hernández, and Yolanda Julieta González Hernández laughed with delight when they saw their photographs.

    Village residents wear ropa típica (native dress) made by their own hands.  Women use hand-woven long black wool skirts, hand-embroidered red or blue blouses embroidered in teal blue, deeper blue, and green thread, and stunning tassel-embellished shawls.  It’s possible to identify the families that men, boys, and young girls are from based on the style of weaving and embroidery in the garments their wives, mothers and aunts make for them.

    Zinacantan_ritual_dress_2_2
    For their weddings, Zinacantán women wear the k’uk’umal chilil, an elaborately woven huipil (long blouse).  White feathers are woven among the colored borders of these wedding dresses, which are  nearly long enough to reach the ground.  Under the huipil, the bride wears a finely hand woven and embroidered navy blue woolen skirt.  The bride’s white dress takes approximately five months to weave on a back strap loom.  The people of Zinacantán say that the hen is a domestic animal that has feathers but cannot fly, walks on two legs just like people, is dependent on them for its nourishment, and is always near the house even when it runs loose.  So the feathers that women weave into the bridal garment represent the attitude of the hen, which the bride is expected to adopt: she will not leave the household, even though she is capable of doing so, and she will shape a relationship of interdependence with her husband.   Hence the feathers are a symbol of good marriage, as are the three borders of multicolored embroidery.  In addition to the long blouse and the navy blue skirt, the bride wears a long white embroidered shawl which covers most of her head and face during the marriage ceremony.

    Zinacantán men wear short pants and a knee-length cotón (a sleeveless garment made of one piece of hand-woven fabric sewn up the sides to the armpits, with a cut-out for inserting the head).  The cotón is fastened with a wide red cotton belt wrapped several times around the waist and knotted.  Over that, a man wears a hand-woven and embroidered pink fabric vest with long, elaborate tassels.  A large scarf wraps around the man’s head, either with or without multi-colored ribbons trailing down his back, and over the scarf the men wear a handmade hat woven of palm fronds, long colorful ribbons cascading from the peak of the sombrero.

    Because many people in Zinacantán are reluctant to have their pictures taken, I took the photo of traditional wedding clothing in a women’s cooperative crafts store with the permission of the women in the second photograph, who staffed the store the day Mexico Cooks! visited.

    Backstrap_loom_2

    Sra. Pascuala Pérez Pérez weaves using a back strap loom.

    Backstrap_loom_3

    The loom with a portion of Doña Pascuala’s weaving lies neatly where she left it momentarily to tend the cooperative store.

    Crafts work such as weaving traditional brides’ huipiles, rugs, tablecloths, blouses, shawls, and straw hats has become the major source of income for many zinacantecos (residents of Zinacantán).  Doña Pascuala told me, "We start as children, learning to separate the colored threads and put the same colors together.  Many learn how to embroider, but the bad thing is that no one helps us export our crafts to anywhere outside the area."

    Next week, read Part Two as Mexico Cooks! continues its visit to San Lorenzo Zinacantán, Chiapas.

  • Indigenous Market: Color and Craft in San Cristóbal de las Casas, Chiapas

    San_cristbal_toys
    Hand made woolen animal toys at the San Cristóbal de las Casas, Chiapas, artisans’ market.

    Mexico Cooks! is home again in Morelia, Michoacán.  We have just enough oomph left to give you a photo essay from San Cristóbal de las Casas.  You’ll have a brief but very colorful idea of what we saw during our stay with friends in Chiapas.  By next week we will have had enough respite from our vacation to write about local customs, incredible crafts, and, of course, the food.

    Every day of the week, indigenous artesanía (crafts) makers and vendors gather to wait for the tourist trade in the plaza of  Templo Santo Domingo in San Cristóbal de las Casas.  Embroidery and other textiles, leather goods, beads, toys, and trinkets of every kind are on the sellers’ tables.  Mexico Cooks! was particularly taken with how many of the artisans’ goods march along in patterns of vertical and horizontal stripes.  Be sure to click on the individual photographs to appreciate the details. 

    Come look:

    Stripes_8_san_cristbal_collares_2

    Bright yellow-dyed corn and colored beans strung as necklaces.

    Stripes_3_san_cristbal_hamacas
    Hamacas (hammocks) made of handmade string, lined up along a wall.

    Stripes_1_san_cristbal_scarves
    A stack of finely woven shawls.

    Stripes_4_san_cristbal_hule
    Bolts of shiny tela de hule (oilcloth), the top roll featuring Day of the Dead figures.

    Stripes_san_cristobal_9_cintas
    Woven textile belts finished with leather.

    Stripes_7_san_cristbal_estuches
    Hand-embroidered zippered eyeglass holders.

    Stripes_2_san_cristbal_cintas_tejid
    Hand-woven bracelets.

    Stripes_5_san_cristbal_headbands

    Headbands, headbands, headbands!

     

  • Paisajes (Landscapes) of Mexico

    Los_altos_flower_field
    Los Altos de Jalisco, near Jalostotitlán, October 2005.

    Cosmos
    Near Capula, Michoacán, November 2006.

    Capula_countryside_2

    Flower field, Zona Lacustre near Ihuatzio, Michoacán, Fall 2006.

    Templomazamitla

    Mazamitla, Jalisco.

    Volcano_and_horse_2

    Volcán de Fuego, Colima, May 2005.

    Volcano_after

    Volcán de Fuego, Colima, May 2005.  (Two hours later)

    Mexico Cooks! is on vacation.  Coming soon: our adventures in Chiapas!