Category: Mexican Markets

Noche de Muertos (Night of the Dead) in Michoacán, A Journey of Love and Respect

Mexico Cooks!' full body bone scan, 2009.

Remember me as you pass by,
As you are now, so once was I.
As I am now, so you will be,
Prepare for death and follow me.
…from a tombstone

What is death? We know its first symptoms: the heart stops pumping, breath and brain activity stop. We know death's look and feel: a still, cold body from which the spirit has fled. The orphan and widow know death's sorrow, the priest knows the liturgy of the departed and the prayers to assuage the pain of those left to mourn. But in most English-speaking countries, death and the living are not friends. We the living look away from our mortality, we talk of the terminally ill in terms of 'if anything happens', not 'when she dies'. We hang the crepe, we cover the mirrors, we say the beads, and some of us fling ourselves sobbing upon the carefully disguised casket as it is lowered into the Astroturf-lined grave.

Octavio Paz, Mexico City's Nobel Laureate poet and essayist who died in 1998, is famously quoted as saying, "In New York, Paris, and London, the word death is never mentioned, because it burns the lips."

Tzintzuntzan, Michoacán panteón (cemetery), Mexico Cooks! photo. These fellows sing to la Descarnada (the fleshless woman) on November 2, 2009.

In Mexico, on the contrary, every day is a dance with death. Death is a woman who has a numerous affectionate and humorous nicknames: la Huesuda (the bony woman), la Seria (the serious woman), la Novia Fiel (the faithful bride), la Igualadora (the equalizer), la Dientona (the toothy woman), la Pelona (the bald woman), la Patrona (the boss lady), and a hundred more. She's always here, just around the next corner or maybe right over there, behind that pillar. She waits with patience, until later today or until twelve o'clock next Thursday, or until sometime next year–but when it's your time to go, she's right there, ready to dance away with you at her side.

November 2013 altar to La Santa Muerte (Holy Death), Sta. Ana Chapirito (near Pátzcuaro), Michoacán. Devotees of this deathly apparition say that her cult has existed since before the Spanish arrived in Mexico.

In Mexico, death is also in the midst of life. We see our dead, alive as you and me, each November, when we wait at our cemeteries for those who have gone before to come home, if only for a night. That, in a nutshell, is Noche de Muertos: the Night of the Dead.

In the lower center portion of this photograph, you can see the Quiroga, Michoacán, panteón municipal (town cemetery). Late in the afternoon of November 1, 2013, most townspeople had not yet gone to the cemetery with candles and flowers for their loved ones' graves. Click on any photograph for a larger view.

Over the course of the last 30-plus years, Mexico Cooks! has been to countless Noche de Muertos events, but none as mystical, as spiritual, or as profoundly magical as that of 2013. Invited to accompany a very small group on a private tour in Michoacán, I looked forward to spending three days enjoying the company of old and new friends. I did all that, plus I came away with an extraordinarily privileged view of life and death.

A magnificent Purépecha ofrenda (in this case, a home altar) in the village of Santa Fe de la Laguna, Michoacán. This detailed and lovely ofrenda was created to the memory of the family's maiden aunt, who died at 74. Because she had never married, even at her advanced age she was considered to be an angelito (little angel)–like an innocent child–and her spirit was called back home to the family on November 1, the day of the angelitos. Be sure to click on the photo to see the details of the altar. Fruits, breads, incense, salt, flowers, colors, and candles have particular symbolism and are necessary parts of the ofrenda.

Detail of the ofrenda casera (home altar) shown above. Several local people told Mexico Cooks! that the fruit piled on the altar tasted different from fruit from the same source that had not been used for the ofrenda. "Compramos por ejemplo plátanos y pusimos unos en el altar y otros en la cocina para comer. Ya para el día siguiente, los del altar pierden su sabor, no saben a nada," they said. 'We bought bananas, for example, and we put some on the altar and the rest in the kitchen to eat. The next day, the ones in the kitchen were fine, but the ones from the altar had no taste at all.'

Preparing a family member's ofrenda (altar) in the camposanto in the village of Arócutin, Michoacán. The camposanto–literally, holy ground–is a cemetery contained within the walls of a churchyard. The candles used in this area of Michoacán are hand made in Ihuatzio and Santa Fé de la Laguna.

Come with me along the unlit road that skirts the Lago de Pátzcuaro: Lake Pátzcuaro. It's chilly and the roadside weeds are damp with earlier rain, but for the moment the sky has cleared and filled with stars. Up the hill on the right and down the slope leading left toward the lake are tiny villages, dark but for the glow of tall candles lit one by one in the cemeteries. Tonight is November 1, the night silent souls wend their way home from Mictlán, the land beyond life.

At the grave: candlelight to illuminate the soul's way, cempazúchitl (deeply orange marigolds) for their distinctive fragrance required to open the path back home, smoldering copal (frankincense) to cleanse the earth and air of any remnants of evil, covered baskets of the deceased's favorite foods. And a low painted chair, where the living can rest through the night.

Waiting through the night. This tumba (grave) refused to be photographed head-on. From an oblique angle, the tumba allowed its likeness to be made.

"Oh grave, where is thy victory? Oh death, where is thy sting?"

Noche de Muertos is not a costume party, although you may see it portrayed as such in the press. It is not a drunken brawl, although certain towns appear to welcome that sort of blast-of-banda-music reventón (big blow-out). It is not a tourist event, though strangers are certainly welcomed to these cemeteries. Noche de Muertos is a celebration of the spirit's life over the body's death, a festival of remembrance, a solemn passover. Years ago, in an interview published in the New York Times, Mexico Cooks! said, "Noche de Muertos is about mutual nostalgia. The living remember the dead, and the dead remember the taste of home."

One by one, grave by grave, golden cempazútchiles give shape to rock-bound tombs and long candles give light to what was a dark and lonely place, transforming the cemetery into a glowing garden. How could a soul resist this setting in its honor?

"Our hearts remember…" we promise the dead. Church bells toll slowly throughout the night, calling souls home with their distinctive clamor (death knell). Come…come home. Come…come home.

Watching. Prayers. No me olvido de ti, mi viejo amado. (I haven't forgotten you, my dear old man.)

Next year, come with me.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours

7 de November de 2015
Revisiting Día de los Muertos (Day of the Dead) in the Tzintzuntzan, Michoacán Cemetery

Graves decorated for Noche de los Muertos (Night of the Dead) in the Tzintzuntzan, Michoacán panteón (cemetery). These recent graves lie within easy sight of the yácatas (Purhépecha pyramids, mid-center in the photograph) just across the road. The yácatas, dating to as early as 900 A.D., were formerly both a priestly burial site and the site of ancient Purhépecha religious ceremonies.

Rituals for the traditional Noche y Día de los Muertos (Night and Day of the Dead) take place all over Mexico on the night of November 1 and the day of November 2. One of the best-known celebrations of this enormously important spiritual holiday takes place in the town of Tzintzuntzan, Michoacán. A visit to the town cemetery on November 2 gives just a small idea of the beauty of the events. During this very Mexican, very special festival, the dead–at least in spirit–pay a visit to their loved ones here on earth. In an article in 2005, The New York Times quoted Mexico Cooks! as saying, "It's about mutual nostalgia: the living remember the dead, and the dead remember the taste of home."

The packed-earth paths among the graves at the cemetery in Tzintzuntzan wind through old trees and dappled sunshine.

This little car, decorated with cempasúchil (marigold) flowers, fruits, and pan de muertos (bread of the dead) in the shape of human figures, is the cemetery ofrenda (altar, or offering) for a baby born in October 2005 and dead the same November. Tiny white baby shoes are on the car's hood, along with a baby bottle. Click on any photo to enlarge it.

The faithful Purhépecha believe that the angelitos, the dead children, are the first of the departed who come to re-visit their loved ones each year during the day of November 1, arriving early in the evening. Their parents take an ofrenda (offering) of fruit, candies, and wooden toys to the children's graves and invite the little ones to come and eat. Late in the night, the godfather of a dead child goes to the cemetery with a boveda (arch) made of cempasúchil (marigolds). At home, the parents have already prepared beautiful altars to honor the memory and spirits of their children.

Cempasúchiles, gladiolas, and candles adorn this grave. The cross is made of red veladoras (candles in holders) in a framework of blue and white.

Each year, late in the night of November 1, the spirits of deceased adults make their way back to this earthly plane to visit their relatives. The living relatives, bearing food, bright golden flowers, strong drink, and other favorites of the dead, file into Purhépecha cemeteries to commune with those who have gone before. The assembled lay out blankets, unfold chairs, bring out plastic cups, cartons of beer, a bottle of tequila, and assorted food for their own consumption as they settle in for the long, cold night of vigil.

A band or two or three often wander the cemetery, hired for a song or two or three to entertain the living and the dead.

Copal incense burns, its mystic scent calling the souls of the dead home. Candles, hundreds and hundreds of candles, flicker on and around the graves, showing the way home to the wandering spirits. Food–especially corn tamales and churipo, a beef soup for festivals–and other personal gifts for the 'visitors' show the spirits that they are still valued members of their community. Special Purhépecha-style pan de muertos (bread of the dead) in the form of human bodies represents the relationship between the living and the dead. Seasonal fruits, including bananas, oranges, and limas, are hung on the ofrendas de cempasúchil to represent the relationship between nature and human beings.

This elaborate bóveda de cempasúchil (marigold arch) hung with an old family photograph and topped by a feather dove (the symbol of the Holy Spirit) decorates a family grave. Under the photograph, an angel stands vigil.

During the Día y Noche de Muertos fiesta, a loved one's grave becomes a place to pray, party, and reminisce. Candles, a glass of water to quench the deceased person's thirst, a bottle of his or her favorite liquor, and favorite foods such as mole or tamales, pan de muertos, calabaza en tacha, and seasonal fresh fruits are always placed on the grave. Baskets of favorite foods, prepared especially for the spirits of deceased family members, are covered with beautiful hand-embroidered cloths. The spirits partake of the food's essence; the living gather at the grave to partake of the material food.

Marigolds are used as symbols for their yellow color, which resembles the gold that was used as decoration for the ancient grand festivals. The flowers were used to adorn the visitor in the form of crowns or necklaces. Today, the belief is that the ofrendas de cempasúchil (marigold arches) aid the visiting spirits to identify their homes. Cempasúchil petals are also strewn over the bare earth mounds of the graves.

These modern coronas (wreaths) are made of ribbons and plastic, much more durable than fresh flowers. The brilliant colors eventually fade over the course of a year, but the wreaths will stay up till next October.

Cempasúchiles, pata de león (lion's paw, as cockscomb is known in this part of Michoacán), freshly cut gladiola, nube (baby's breath) and just-in-season flor de las ánimas (flowers of the souls–wild orchids) from the mountains are the flowers most commonly used on Tzintzuntzan's graves.

My favorite ofrenda of 2009: a terrific full-size bicycle made of cempasúchiles, decorated with various fruits–including a pineapple on the seat! The flowers at the base of the grave marker are flores de las ánimas (wild orchids). This elaborate style of figural ofrenda is very unusual.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

31 de October de 2015
Día y Noche de los Muertos: Another Look at the Day and Night of the Dead in Michoacán

Catrinas de papel maché (death-mocking skeletal figures made of paper maché). The catrín (male figure) and catrina (female figure) come from the late 19th and early 20th Century drawings by political cartoonist José Guadalupe Posada. Posada drew his skeletons dressed in finery of the Porfiriato (the era between 1875-1910 when Porfirio Díaz, a Francophile, ruled Mexico) to demonstrate the pointlessness of vanity in one's life that, in the end, covers nothing but bones.

Día (y Noche) de los Muertos (Day or Night of the Dead) is celebrated in Mexico each year late on November 1 and early on November 2. It's a festival both solemn and humorous, both sacred and profane: it's a wildly and uniquely Mexican fiesta (party), although other Latin American countries–Guatemala, Honduras, and Perú, among others–celebrate the dates in other ways.

Called Día de los Muertos in most of Mexico, in Michoacán the fiesta is known as Noche de los Muertos. The traditional celebrations in Purhépecha pueblos (indigenous towns) near Morelia are among the most famous in Mexico.

Everywhere in Mexico, it's traditional to eat pan de muertos (bread of the dead) before, during, and after the early November Día de los Muertos. Mexico Cooks! photographed this gorgeous pan de muertos at Panadería Hornos Los Ortiz on Av. Vicente Santa María in Morelia.

These catrínes de barro (clay) are tremendously elegant. They are the creations of acclaimed painter and bronze sculptor Juan Torres Calderón and his wife, clay sculptor Belia Canals. Maestro Torres and Belia Canals work in Capula, Michoacán, where in the early 1960s they started the now Mexico-wide tradition of clay catrines.

Cohetes (rockets) are another tradition for Día de los Muertos and other fiestas. Coheteros carry bundles of long-stick rockets in local processions, lighting one after another during the duration of the parade. The young boy walking behind the cohetero is carrying a pole to move electrical wires out of the way of the rockets. The intense boom! boom! boom! of the cohetes announces the arrival of the procession.

Calabaza en tacha (squash in syrup) is one of the most traditional foods for a Diá de los Muertos ofrenda (home or cemetery altar to honor the deceased). Delicious for breakfast or for a light supper, this squash brings the flavors and scents of home to the dearly departed.

During the Día y Noche de Muertos fiesta, a loved one's grave becomes a place to pray, party, and reminisce. Candles, a glass of water to quench the deceased person's thirst, a bottle of his or her favorite liquor, and favorite foods such as mole or tamales, pan de muertos, calabaza en tacha, and seasonal fresh fruits are always placed on the grave.

During this very Mexican, very special festival, the dead–at least in spirit–pay a visit to their loved ones here on earth. It's a mutual nostalgia: the living remember the dead, and the dead remember the taste of home.

An acquaintance in Pátzcuaro dedicated this very large ofrenda (offering, or altar) to his deceased parents and other family members. The colors, the candles, the foods, the photos, and the flowers are all part of the old traditional altar decoration.

Next week, Mexico Cooks! will take you to one of the most important cemeteries in Mexico for a last look at the special Michoacán traditional commemoration of Noche de los Muertos .

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

24 de October de 2015
Día de los Muertos en México: Day of the Dead in Mexico, A Primer

Highly decorated cardboard skull for Noche de Muertos.

Pantéon Municipal (Municipal Cemetery), Tzintzuntzan, Michoacán.

Mexico Cooks! will be touring Morelia and surrounding areas again during this special time of year. We'll be attending one or another special Noche de Muertos event every day for an entire week. Traditional ofrendas (altars dedicated to the dead), spectacular crafts exhibits, concerts, and annual concursos (contests) will fill our days and nights. Known in most parts of Mexico as Día de los Muertos (the Day of the Dead), here in Michoacán we call it Noche de los Muertos (Night of the Dead). By either name, the festival as it's celebrated in Mexico is unique in the world.

These four-inch-long skeletal figures, laid out on their petates (woven rush mats), are hooked up to intravenous bottles of either beer or tequila!

Tiny sugar footwear, in styles from baby booties to high-heeled pumps, are ready to be given as gifts or for placement on an ofrenda.

Mexico celebrates death as it celebrates life, with extreme enjoyment in the simplest things. Life and death are both honored states.

The home ofrenda (altar) may memorialize a cherished relative, a political figure (either reviled or beloved), or a figure from the entertainment world. Traditional decorations include cempasúchil (marigold) and cordón del obispo (cockscomb) flowers, which are used in profusion in churches, cemeteries, and homes.

Sugar skulls are often inscribed in icing with a living friend's name and given to that person as a small token of admiration.

Relatives take favorite foods and beverages to the grave of a loved one gone before. It's said that the dead partake of the spirit of the food, while the living enjoy the physical treats at the cemetery.

Pan de muertos (bread of the dead) is decorated with bone-shaped bread and sugar. The bread itself is flavored with orange and anise.

This miniature ofrenda (altar) is filled with tiny representations of treats that the deceased loved in life.

Several years ago, an article in the New York Times quoted Mexico Cooks! about the Noche de los Muertos: "There's a mutual nostalgia. The living remember the dead, and the dead remember the taste of home." That nostalgia imbues the cities and villages of Michoacán at this time of year just as surely as do woodsmoke and the scent of toasting tortillas.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours. And be sure to book your Mexico Cooks! 2016 Dia de los Muertos tour as soon as possible! We'll reserve space for you and your group to make sure you don't miss anything!

17 de October de 2015
Eat My Globe and The Day of the Dead, Revisited

For the next month, Mexico Cooks! will publish a retrospective of articles about the Day (and Night) of the Dead in Mexico. This brief article was published originally on November 24, 2007, when Mexico Cooks! was just a few months old.

Mexico Cooks!' friend Simon Majumdar, on his first tour of Mexico, joined us for a week-long whirlwind crawl to some of our favorite food sites in Guadalajara and Morelia. In between restaurants, taco stands, and walking-around food, we introduced him to the Day of the Dead in both cities.

Papel maché skull masks at the Tianguis del Día de los Muertos, Guadalajara.

Fancy-dress clay catrines (skeletons), each about 7" high, ready for an evening out on the town.

Little clay calacas (skeletons) in sombreros and serapes, the perfect size for hanging from your car's rear-view mirror.

Muñecas de cartón (cardboard dolls) dressed in crepe paper and sequins.

Part of a large ofrenda (altar) in Morelia's Centro Histórico. This altar was dedicated to Don Vasco de Quiroga, one of Michoacán's most historic figures and the first bishop of the state.

A traditional ofrenda (with a twist–click on the photo to get a better view of the hand creeping out of the grave) at Morelia's Hotel Virrey de Mendoza. Click on any photo to enlarge it.

The Plaza San Agustín in Morelia. The ofrenda covered the entire plaza. The central pyramid is made of carrizo (bamboo) and ears of corn. It's surrounded by cempasúchil and terciopelo (marigolds and cock's comb flowers). The cempasúchil fragrance leads the spirits of the dead back to earth and the deep maroon terciopelo is a color of mourning.

A skeletal pair in the Jardín de las Rosas, the garden outside the Conservatorio de las Rosas in Morelia.

This ofrenda, in front of Morelia's Santuario de Nuestra Señora de Guadalupe, is dedicated to Frida Kahlo.

At the time of this 2007 article, our guest was traveling the world to research his first book, Eat My Globe. Today, Simon Majumdar is a well-known and well-respected Food Network personality, with several more books to his credit. His most recent, published a bit earlier in 2015, is Fed, White, and Blue: Finding America With My Fork.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

10 de October de 2015
Patron Saint of The Impossible: Saint Jude Thaddeus–San Judas Tadeo–in Mexico City

Mexico City's Templo San Hipólito, built starting in 1559 to commemorate the 1520 victory of the Mexica (later known as the Aztecs) over the Spanish invaders in a battle that became known as la Batalla de la Noche Triste (the Battle of the Sad Night), one of the worst defeats the Spanish suffered at the hands of the people they subsequently conquered. The church was finished late in the 17th century.

The church location has been a major influence in Mexico City since those early times. Prior to the building of the church, the first mental hospital in the Americas, founded by Bernardino Álvarez, stood on this corner. San Hipólito was the first patron saint of Mexico's capital city.

A prayer card image of St. Jude Thaddeus, patron saint of difficult or impossible causes. Your Catholic mother or grandmother–or maybe you yourself– probably have an image like this tucked into a Bible.

Not your grandmother's version of St. Jude. Photo courtesy Tattoomuch.com.

Today, Templo San Hipólito is the site of enormous devotion to Saint Jude Thaddeus, known in Spanish as San Judas Tadeo. The most venerated statue of the saint in Mexico is here, and Mexico is deeply devoted to him and to his image. San Judas's feast day is celebrated on October 28 each year, when as many as 100,000 faithful converge on the small church. The huge number of faithful who visit their beloved saint–starting with the first Mass celebrated at midnight–inevitably cause chaotic traffic jams at the corner where the church is located, one of the busiest junctions in Mexico City.

[youtube=https://www.youtube.com/watch?v=yoEsO7rDFoA&w=420&h=315]
The video will give you an idea of the devotion to St. Jude.

Devotion to San Judas in Mexico City is so great that his feast day is celebrated not only on October 28 each year, but also on the 28th of every month. In July of this year, Mexico Cooks! went to visit the saint on his day.

Merchandise sold by vendors around the perimeter of the church–merchandise like these rosaries–is often colored green, white, and gold, the traditional colors of San Judas's clothing.

My companion and I arrived at Templo San Hipólito relatively early, but people had been pouring into the church for each Mass of the day; on the 28th, Masses are said on the hour, all day. This view, from outside the church entrance, did not prepare us for the packed sanctuary.

Once we entered the sanctuary, we were unable to advance beyond the half-way point due to the enormous number of people already inside. At the top middle of this photo, you see a very large statue of the Virgin Mary. Below her is San Judas.

Unlike predominately female crowds at Masses in other churches or at prayer services devoted to other saints, the majority of this crowd is male. While women are certainly present, you can see in the photo that the people in front of us were almost all male.

Custom here is to wrap a figure of San Judas in scarves, scapulars, beads, and medals. When I asked this woman, seated on a bench along the inside of the church, if I might take a picture of her statue, she said yes, but bowed her head to show him, not herself. It's also customary to take small gifts, such as the candy this woman is holding, to share with others at the church.

St. Martín de Porres is also much-venerated in Mexico. This life-size statue of him, holding a real broom, is at one side of the San Hipólito interior. Notice that much of the broom straw has been broken off and taken by the faithful. Click on the
photo (and any photo) to enlarge it.

This young man gave me permission to photograph him and his statue.

Many parents dress their babies in the green, gold, and white colors of the saint. Usually they have made a vow to St. Jude to do this in thanks for a favor granted; oftentimes, the favor granted is the birth of a healthy child after complications of pregnancy.

The man who carried this elaborately wrapped statue during the entire Mass set it on a stone wall so that I could photograph it.

Vendors along the sidewalks sell every kind of St. Jude-related goods. People carry these candles into the church to be blessed, and then carry them home to light their personal altars dedicated to the saint.

We visited many of the booths selling figures of San Judas. The sizes range from about six inches high–like the ones at the left in the front row–to life size or larger. The seated figure just right of center represents Jesús Malverde, an 'informal' saint (one revered by the people but not a saint in the church). Jesús Malverde, a Sinaloa legend, is also known as the 'narco saint', the 'angel of the poor', or the 'generous bandit'. The green sign refers to the copitas (little goblets) filled with San Judas's seeds of abundance just above it. Each goblet with seeds costs 10 pesos. That's approximately 60 US cents, at today's exchange rate.

Feeling like your world is standing on its head? You might want to try a chat with St. Jude.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours

3 de October de 2015
Seasonal Chiles en Nogada: The Mexican Flag on Your Plate
Mexico Cooks! couldn't start the month of September without paying tribute to our iconic chiles en nogada (chiles in walnut sauce), the Mexican flag on your plate.

Mexico celebrates its independence the entire month of September with parades, parties, and traditional food and drink in restaurants and at home. The traditional festive dish during the weeks before and after the Independence Day holiday is chiles en nogada, a magnificent tribute to the seasonal availability of granadas (pomegranates) and walnuts. From mid- August till mid-October, fresh pomegranates and walnuts make chiles en nogada possible. Mildly spicy chiles poblano, stuffed with picadillo and topped with richly creamy walnut sauce and pomegranate seeds, flaunt the brilliant green, white and red of the Mexican flag.

This festive dish is traditionally served especially on September 15 or 16 in honor of Mexico's Independence Day, though it is popular anytime in the late summer and early fall. During August and September in the highlands of Mexico, particularly in Mexico City and Puebla, the dish is very popular. On streets bordering city markets and tianguis (street markets), you will see village women sitting on blankets painstakingly cracking open nutshells and peeling the thin brown skin from each freshly harvested walnut. It is important to use the freshest walnuts possible, as they produce such a creamy, rich sauce that it is worth the effort demanded to peel them. Yes, the recipe is time-consuming…but you and your guests will jump up and shout "VIVA!" when you've licked the platters clean.

Fresh peaches, in season now.

Ingredients

For the Meat
- 2 pounds beef brisket or other stew meat or 1 pound beef and 1 pound pork butt
- 1 small white onion, quartered
- 2 large cloves garlic
- about 1 Tablespoon sea salt
Biznaga cristalizada (candied barrel cactus).

For the picadillo
- 4 Tablespoons freshly rendered pork lard or canola oil
- 1/3 cup chopped white onion
- 3 large cloves garlic, minced
- 1/2 teaspoon ground cinnamon
- 1/4 teaspoon freshly ground black pepper
- 1/8 teaspoon ground cloves
- 3 heaping Tablespoons raisins
- 1 or 2 chiles serrano, finely minced
- 2 Tablespoons chopped walnuts or pecans
- 2 Tablespoons chopped candied biznaga (cactus)
- 2 fresh peaches, skinned and diced
- 1 fresh pear, peeled and chopped
- 1 apple, peeled and chopped
- 1 extremely ripe platano macho (plantain)
- 1 large potato, peeled and diced
- 3 large, ripe tomatoes, roasted, peeled and chopped
- sea salt to taste
Chiles poblano. Choose the largest chiles with the smoothest sides for easy roasting.

For the Chiles

6 fresh chiles poblano, roasted, peeled, and seeded, leaving the stem intact

Newly harvested, freshly peeled walnuts. All of the shell and the thin brown skin must be removed to make smooth, creamy-white nogada (walnut sauce). Photo courtesy Gabriela.

For the Walnut Sauce
- 1 cup fresh walnuts
- 6 ounces doble crema or full-fat cream cheese at room temperature
- 1-1/2 cups crema mexicana or 1-1/4 cups sour cream thinned with milk
- about 1/2 teaspoon sea salt
- 1 Tablespoon sugar
- 1/8 teaspoon ground cinnamon
- 1/4 cup dry sherry
Fresh, seasonal pomegranates, available now in Mexico's markets.

For the Garnish
- 1 Tablespoon chopped flat-leaf parsley
- 1/2 cup fresh pomegranate seeds
Method

Cut the meat into large chunks, removing any excess fat. Place the meat into a large Dutch oven with the onion, garlic, and salt. Cover with cold water and bring to a boil over medium-high heat. Skim off any foam that collects on the surface. Lower the heat and allow the water to simmer about 45 minutes, until the meat is just tender. Take the pot off the stove and let the meat cool in the broth. Remove the pieces of meat and finely shred them.

Warm the oil in a large, heavy skillet and sauté the onion and garlic over medium heat until they turn a pale gold. Stir in the shredded meat and cook for 5 minutes. Add the cinnamon, pepper, and cloves, then, stir in the raisins, the 2 Tablespoons chopped walnuts. Add the chopped pear, apple, and potato, and mix well. Add the tomatoes and salt to taste, and continue cooking over medium-high heat until most of the moisture has evaporated. Stir often so that the mixture doesn't stick. Let cool, cover, and set aside. The picadillo may be made 1 day in advance.

Make a slit down the side of each chile, just long enough to remove the seeds and veins. Keep the stem end intact. Drain the chiles on absorbent paper until completely dry. Cover and set aside. The chiles may be prepared a day in advance.

At least 3 hours in advance, place the 1 cup walnuts in a small pan of boiling water. Remove from the heat and let them sit for 5 minutes. Drain the nuts and, when cool, rub off as much of the dark skin as possible. Chop into small pieces. Place the nuts, cream cheese, crema, and salt in a blender and purée thoroughly. Stir in the optional sugar, cinnamon, and sherry, if using, until thoroughly combined. Reserve at room temperature.

The stuffed chiles pictured above were dipped into an egg coating and fried prior to finishing with walnut sauce and garnishes. In Mexico, passionate diners argue the pros and cons of coating the chiles; many insist that coating and frying is not traditional, and many insist that it is. Mexico Cooks! prefers chiles en nogada with no coating.

Preheat the oven to 250ºF. When ready to serve, reheat the meat filling and stuff the chiles until plump and just barely closed. Place the chiles on a serving platter or on individual plates, cover with the walnut sauce, and sprinkle with parsley and pomegranate seeds.

Chiles en nogada as presented at Restaurante Azul/Histórico, Mexico City. This beautiful service is only surpassed by the flavors of the chiles.

This dish may be served at room temperature, or it may be served chilled.

Note: Many people in today's busy world prefer to make this recipe using a mixture of ground rather than shredded beef and pork. Using this quick method, simply brown the ground meats and add the rest of the picadillo ingredients once the meats are browned. The results will be excellent!

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12 de September de 2015
Mexico Cooks! and the Joy of the Purépecha Language in Michoacán

A portion of the language-teaching wall in Santa Fe de la Laguna, Michoacán.

In early March, Mexico Cooks! and a friend spent a glorious day in Santa Fe de la Laguna, Michoacán. We walked in the village, basking like lizards in the warm sun, slipping into one tiny shop and then another searching for the best rebozo (a type of shawl). We stepped into the welcome shady patio of an artisan friend, a potter. When we finished at the potter's home, we took our time ambling to the car. Turning a corner, we found ourselves face to face with a vocabulary lesson!

In the Purépecha language, misitu means gato, or cat, if you speak English.

I am always surprised by the number of well-educated people, both native Spanish-speakers and people whose native language is English, who believe that Mexico's indigenous people speak dialects of Spanish. Consider that the indigenous groups of what is now Mexico lived on this land for thousands of years before the arrival of the conquistadores (Spanish conquerers). Until the 16th century, no one in what is now Mexico spoke Spanish. Each indigenous group spoke its own language and each group continues, to one degree or another, to use that language today. Here's a link to a list of the indigenous languages spoken in today's Mexico: Mexico's indigenous languages.

Tindi is the mosca–the common house fly.

In the state of Michoacán, four indigenous languages are spoken. The most common is Purépecha, with approximately 100,000 native speakers. Next is Mazahua, with nearly 4,000 speakers, followed by 2700 coastal region speakers of Nahúatl. Approximately 600 people in the easternmost part of the state speak Otomí.

Purépecha is considered to be an isolate language, with no connection to any other language spoken in the region, in the country, or in any other country. Linguists have found only remote ties to the Quechua language in Perú.

Xanchaki: the burro, or donkey.

Kuanasï is the rana–the frog. Note the umlaut over the letter ï. Because of the umlaut, the pronunciation of the preceding 's' becomes 'sh'. Kuanashi!

Axuni, or venado–the deer.

Most Purépecha children learn their parents' native language as a first language, often learning Spanish only after they are more than halfway through primary school. Although Purépecha has been a written language since the 16th century, standard written Purépecha only began to come into existence in 1939. Even now there is no consensus as to how the language should be written.

Uakasï, the vaca–the cow. Note that uakasï is pronounced with the 'sh' sound.

Utuksï, the caracol–snail! Now you know how to pronounce that sï at the end of the word.

Like all of the languages native to what is now Mexico, Purépecha is in danger of becoming extinct. Fortunately, both the state government as well as the native speakers are coming to understand the cultural and historic importance of keeping the language alive. It's taught in primary schools for the first three years. Once a child starts fourth grade, classes are bilingual Purépecha and Spanish.

K'útu is the tortuga–the turtle.

Puki is the jaguar–the big native cat. Its scientific name is Panthera onca, and it is the only big cat native to the Americas. In this painting, you see a person dressed in the jaguar dance costume, rather than the actual animal.

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29 de August de 2015
A Pre-Hispanic Treat in a Modern Kitchen: Mexico Cooks! Makes Alegrías

Mexico Cooks!' homemade alegrías, freshly turned from the parchment-lined baking sheet onto the cutting board and ready to cut into pieces.

Lots of people are like Mexico Cooks! when it comes to cookbooks. We own hundreds of them, but actually cook from very few. For over a year, I've read and sighed with delight over the stories and recipes in Fany Gerson's My Sweet Mexico–and last week I finally prepared alegrías from her recipe. Fany calls them 'amaranth happiness candy'. Why? Happiness or joy are the English meanings of the Spanish word alegría.

A couple of weeks ago, friends at the superb web page Cocina al Natural invited Mexico Cooks!' household to a wonderful comida casera (main meal of the day at their home). For dessert, they proudly carried a big tray of alegrías to the table. "They're home made!" they proclaimed. "No way!" we remonstrated. Well, yes, güey, it was the absolute truth. The alegrías were beautiful, professional, delicious, and prepared from Fany Gerson's cookbook, which is actually in my kitchen library. We joyfully crunched these delicacies down.

According to Ricardo Muñoz Zurita, legendary Mexico City chef and author of the Diccionario Enciclopédico de Gastronomía Mexicana (Encyclopedic Dictionary of Mexican Gastronomy), among other books, alegrías are the oldest candy in Mexico. In pre-Hispanic times, before sugar cane had been introduced to New Spain (now Mexico), the amaranth candy was sweetened with maguey cactus syrup. In that long-ago era, this candy had a highly religious meaning. Shaped in the form of a cookie or cracker, it was utilized for communion in indigenous rituals and also was made into huge sculptures of pre-Christian gods. Because these god-figures appeared so horrible to the Spanish, they outlawed the use of this candy after the conquest. But in the 16th century, a Spanish monk had the idea to mix amaranth with bee honey. Rejoicing over the return of the right to eat this sweet treat, the ancient inhabitants of Mexico named it what they felt 'alegría'–joy.

The topping mixture for the alegrías–raisins and lightly toasted pecans, peanuts, and pepitas (pumpkin seeds), spread onto the parchment-paper lined baking sheet.

The following week, Betty Fussell, our wonderful friend from New York, invited us once again to visit her in Tepoztlán, just south of Mexico City. The light bulb went on: alegrías would make a great gift to take to Betty!

The recipe for alegrías is simplicity itself. Here's the recipe, taken straight from My Sweet Mexico.

Alegrías (Happiness Candy)

Ingredients
1/2 cup chopped toasted pecans
1/2 cup chopped toasted peanuts
1/2 cup toasted pepitas (pumpkin seeds)
1/2 cup dark raisins
8 ounces chopped Mexican piloncillo (coarse brown sugar) or standard dark brown sugar, packed
1/2 cup honey
1/2 teaspoon freshly squeezed lemon or lime juice
4 ounces puffed amaranth seeds

Equipment
Large bowl
Large spoon
15" X 10" X 1/2" baking sheet
Parchment paper
Medium sauce pan
Cutting board
Sharp knife

Preparation
Line the baking sheet with parchment paper. Combine the pecans, peanuts, pumpkin seeds, and raisins in a bowl and then spread them on the prepared pan.

Piloncillo, honey, and lemon juice in the pot.

Combine the piloncillo, honey, and lemon juice in a medium pot over medium heat and cook until the piloncillo has melted and the mixture has thickened slightly, about 5 to 10 minutes.

Squeezing the jugo de limón (lemon juice) into the mixture is simplicity itself using a Mexican lime squeezers. You can find one in metal or plastic at your local Latin market.

Remove the syrup from the heat and add the amaranth seeds, stirring quickly to mix everything well.

Mixing the cooked and thickened piloncillo, honey, and lemon juice mixture with the amaranth seeds.

The amaranth mixture, patted firmly into the parchment-lined baking sheet. Remember that the nuts and raisins are the topping–they're on the other side of the alegrías. Once this rectangle is completely cool, it will be firm and you will easily be able turn it over onto a cutting board.

Pour the amaranth mixture into the baking pan with the nuts, seeds, and raisins, and carefully press down with slightly dampened hands (so you don't burn yourself) to compact the mixture.

Allow to cool completely, 30 to 40 minutes at least, then invert onto a cutting board. Cut the mixture into the desired shapes with a sharp knife. If your mixture seems to be sticking to the knife, simply dip the knife into hot water, dry, and continue cutting.

Freshly made alegrías, ready to travel!

Mexico Cooks!' alegrías turned out overly crispy and difficult to cut, so instead of battling with the knife, I simply broke them into reasonable-size pieces and packed them in a tightly sealed container to travel the next day.

Were the alegrías a hit? They definitely were! Five of us ate almost all of them. We left all but a couple of the remaining pieces with our hosts, but we had to bring a little bit home. Minimal ingredients, minimal cooking, and maximal enjoyment: what more can you ask for from pre-conquest Mexico! Your family will love them and you can send a big thank you to Fany Gerson at My Sweet Mexico–and to Mexico Cooks!.

If you don't have your copy of the book yet, look over on the left-hand sidebar and just click on the book cover. That click will take you to My Sweet Mexico's Amazon.com page. Grab the book today and make your family a sweet Mexican treat as soon as it's in your kitchen.

And by all means visit our friends at Cocina al Natural. Their website and their videos are marvelous. In the very near future, Mexico Cooks! will be partnering with them to post some of the videos with English-language subtitles. We're all very excited about this new venture.

Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

1 de August de 2015
Michoacán’s Own Soup: The Mystery of Sopa Tarasca

North-central Michoacán is frequently and with much reason called paradise on earth. Autumn's wildflowers, ripening corn, green mountains, and a partly cloudy sky combine to give you the sense that 'paradise on earth' just might be exactly where you are: in this case, near Senguio, Michoacán.

The state of Michoacán is well-known both for its lovely scenery and its even more lovely–and delicious–regional cooking. The indigenous Purépecha kitchen, in particular, is Mexico Cooks!' favorite. If you look back at the Mexico Cooks! archives (found listed on the right-hand side of this page), you'll see many, many articles about this marvelous cuisine, which dates back to pre-Hispanic days.

Misnamed "Tarascos" by unknowing 16th century Spanish invaders, the Purépecha have, just within the last 25 to 30 years, largely reclaimed their actual tribal name. Nonetheless, one of the most popular dishes in the Michoacán culinary repertoire bears the name sopa tarasca (Tarascan Soup).

Not precisely traditional, but certainly not modern, this pot of beans is cooking over a wood fire built in a deep tire rim in an open patio in Tzintzuntzan, Michoacán.

You might well ask, "Sopa tarasca must be a pre-Hispanic dish, right?" Or maybe, "Sopa tarasca was first made for her family by a long-ago Purépecha housewife, no?" Over the course of years, most people who have eaten and fallen in love with this remarkably delicious and filling soup have asked me these same questions. Much to their surprise, the answer is always, "No…but let me tell you the story I know."

Once upon a time, before Mexico Cooks! was born, the small plaza in Pátzcuaro, Michoacán looked like the above photo. Part of the two-story building with the arches, just to the right of the photo's center, became the home of the Hostería de don Felipe, which had a dining room to serve its guests. Later, the Hostería was renamed Gran Hotel. In the 1960's, Rafael García Correa was a young cook in the Gran Hotel kitchen.

When I met Rafael García Correa in 1982, he was the head of the kitchen at the Gran Hotel. The photo above, taken in 2004 by Luis Jiménez of the New York Times during an interview where I was present, is don Rafa (don is an honorific title given to a revered older man) showing us a bowl of sopa tarasca in the foreground, along with a plate of corundas (a kind of Michoacán tamal).

Don Rafa told me that in the mid-1960s, he himself, along with the hotel's then-owner and the owner's American wife, invented a dish that, once offered to the public, became an almost instant classic: sopa tarasca was born, not created in an indigenous kitchen but for a tourist hotel's dining room. Today, we'd call that cocina de autor: the cook's invention.

Sopa tarasca as served at Lu Cocina Michoacana in Morelia. Read more about the restaurant here.

Sopa tarasca as served at the Hotel de la Soledad, Morelia. Some sopa tarasca is based on beans; some, like don Rafa's, is not.

Was don Rafa the inventor? He swore his story is true. He also gave me a hand-written recipe which he promised is the original. Don Rafa passed away a few years ago, and any possible secrets of sopa tarasca's origins were buried with him.

Don Rafa reported that sopa tarasca was served for the first time as part of a Pátzcuaro wedding banquet, on May 8, 1965. Years later, he opened his own restaurant near Plaza Gertrudis Bocanegra (the plaza chica) in Pátzcuaro. If you go to the restaurant, you can still enjoy a bowl of his own sopa tarasca.

Today, sopa tarasca is a Michoacán icon, prepared in almost every restaurant around Lake Pátzcuaro as well as in further-flung establishments. It's one of those you-have-to-try-it local dishes that people who know you've been to Michoacán will ask you about: did you taste it at so-and-so's restaurant? How about at this other place, did you like it there?

Sopa tarasca as served at Pátzcuaro's Mansión Iturbe, a hotel and restaurant.
Click on any picture to see a larger view.

Fortunately, sopa tarasca is a relatively easy soup to prepare at home. The ingredients should be readily available, if not in your nearby supermarket then at a Mexican market not far from you. The recipe I offer you here is don Rafa's, but there are others (notably an excellent one from Diana Kennedy) that are available either in books or on the Internet.

Sopa tarasca as served by chef Alma Cervantes Cota at Restaurante Azul y Oro Ingeniería, UNAM, Mexico City.

Sopa Tarasca Don Rafael García

Ingredients
500 grams tomato purée
2 tortillas
5 corn tortillas, cut into very thin strips and fried until crisp
100 grams chile pasillo, cut into thin strips and fried until just crisp. Be very careful not to burn the chiles, they fry quickly and burn in the blink of an eye.
250 grams Mexican table cream
100 grams Oaxaca cheese, shredded
50 grams all-purpose flour
100 grams unsalted butter
1 clove garlic
1 small white onion
10 cups rich chicken stock
Worcestershire sauce to taste
Salt and pepper to taste
1 sprig fresh thyme
1 sprig fresh marjoram or oregano
2 bay leaves

Preparation
In a heavy pot, prepare a roux with the butter and flour, stirring constantly so that no lumps form. Allow to cook until the roux is a deep caramel color.

In a blender, liquify the two tortillas listed, some of the fried chiles, and the onion. Add this mixture to the roux and continue stirring until it is well incorporated. Next, add the tomato purée, the chicken broth, the herbs, and salt and pepper to taste. Add half a teaspoon of Worcestershire sauce and taste; if you think more is needed, add bit by bit. Allow to simmer for 15 minutes.

Put equal amounts of the soup into each of 10 bowls. Garnish with fried tortilla strips, fried chile ancho or negro, some Oaxaca cheese, and some cream. You can add some cubed avocado and a few sprigs of cilantro. Take your cues from the photos I've included in this article.

Sopa tarasca, garnished in this serving with fried shredded tortillas and fried shredded chile pasilla.

Serves 10.

Provecho!

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4 de July de 2015