Category: Art and Culture

  • Casa Limonchelo, Morelia: An Oasis in the Heart of Downtown

    Fruit Plates Limonchelo
    Just a few of the fresh seasonal fruits and house-squeezed juices from the full breakfast buffet at Hotel Limonchelo B&B, Morelia.  Other breakfast treats on the fruit bar include yogurt, granola, nuts, and honey.

    A few weeks ago, our friend Sheila Velazco mentioned that she had found a new hotel in downtown Morelia that we just had to see.  Last week, Sheila invited Mexico Cooks! to join her for breakfast at Casa Limonchelo Bed and Breakfast in Morelia's Centro Histórico (historic downtown). 

    It was a great day to be in downtown Morelia.  Just for the day, the Centro Histórico was closed to vehicular traffic; our taxi dropped us two blocks from the hotel and we ambled the rest of the way under blue skies and bright sunshine. 

    Limonchelo Sign
    The young Duarte family opened Casa Limonchelo in April 2010.  Raúl Duarte Ramírez, who trained as an architect, was actually born in this late 17th Century house that he and Susana Carrasco, his wife, now run as a bed and breakfast.

    Gift Shop Limonchelo
    A view of the gift shop at Casa Limonchelo, which features some of Michoacán's regional products–candy, jewelry, and hand-made souvenir items.

    Raúl Duarte grew up just down the street from the 225-year-old building.  Ten years ago, as a young single man, he moved into a few upstairs rooms in the old building.  During the years of his architectural studies, he grew more and more concerned about signs he noticed of the slow deterioration of his family home.  His main preoccupation became the restoration of the historic house.

    INAH, Mexico's Instituto Nacional de Antropología e Historia, closely monitors the restoration of homes in Morelia's Centro Histórico.  Even though the restoration and minor remodeling of Casa Limonchelo was primarily cosmetic, INAH's strict regulations for historic preservation governed Sr. Duarte's work.

    Patio Central
Limonchelo
    A covered terraza (terrace) surrounds three sides of the sunny
    central patio at Casa Limonchelo.

    After Raúl and Susana married, they continued to live upstairs while they dedicated themselves to the work on the house.  Opening the hotel became their joint dream.  Due to their hard work and determination, they have been able to open the hotel sooner than they expected.  Even so, they say that more amenities will be added to the public rooms and the guest quarters as time goes on.

    Sala Limonchelo
    Furnished in typical highly decorative late-17th Century style, the sala principal (guest living room) is elegant but relaxing and comfortable. 

    Limonchelo Cantina
    The charming bed and breakfast has nine guest rooms, a large, comfortable living room, two patios, a cozy bar, and a small gift shop specializing in Michoacán's regional products. 

    Double Room Limonchelo
    One of the two double-sized guest rooms at Casa Limonchelo.  Susana Carrasco took charge of all the hotel's decoration and added everything that was, as her husband said, 'the woman's touch'.  The B&B also offers free wireless Internet service to all guests.

    Single Room Limonchelo
    One of the six Casa Limonchelo guest rooms suitable for one person or a couple.

    The nine available rooms at Casa Limonchelo:
    Six individual rooms:
    –1 person…….400 pesos
    –2 people…….500 pesos
    One double room:
    –2 people…….500 pesos
    –4 people…….700 pesos
    These seven rooms share bathrooms.

    One individual room with en suite bath:
    –1 person……550 pesos
    –2 people…….650 pesos

    One double room with en suite bath:
    –2 people……700 pesos
    –4 people……950 pesos

    All beds in all rooms are double bed size.  All prices include a full breakfast every day of each guest's stay.  All prices are as of May 2010 and are subject to change without notice.

    Patio Limonchelo
    The dining patio at Casa Limonchelo.  Cheerful umbrellas offer plenty of morning shade.  Breakfast the morning that Mexico Cooks! was at the bed and breakfast included a guisado (prepared hot dish) of chicken and potatoes, aporreadillo (a dish of eggs, cecina [spicy dried beef], and broth from Michoacán's Tierra Caliente [hot lowlands]), beans, house-made salsa picante (hot table sauce), freshly made hot tortillas, a variety of seasonal fresh fruits and juices, and bread brought oven-hot from a nearby bakery.

    Pan Limonchelo
    The delicious fresh-baked bread offered at the bed and breakfast.

    José Raúl y su papá
    Little Raúl, age two and a half, with his father, arquitecto Raúl Duarte Ramírez.

    This new bed and breakfast offers a terrific and inexpensive option for a stay in Morelia's Centro Histórico.  Whether you're coming from out of town or have more guests coming than your Morelia home can accommodate, Casa Limonchelo is super-comfortable, and close to all of Morelia's main tourist attractions.  Its guest rooms are set far enough back from the street that normal city noise will not intrude on your times of relaxation or sleep.  The owners are charming and willing to go the extra mile to please their guests.  You'll have a great time here.

    Casa Limonchelo Bed and Breakfast
    Avenida Madero #742
    Col. Centro
    Morelia, Michoacan, México
    Casa Limonchelo
    Tel: 443.232.2114

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  • Art and Beauty in Erongarícuaro, Michoacán: A Riot of Color at UNEAMICH mfa/eronga

    UNEAMICH
    The unprepossessing doorway to UNEAMICH mfa/eronga, the Erongarícuaro, Michoacán artists' cooperative originally founded in 1981 by Steven and Marina Rosenthal.  "Go to the corner where the primary school is, turn right, and go halfway down," read Marina's directions.  'Halfway down to what,' wondered Mexico Cooks!, but the building was easy to find.  All photos by Mexico Cooks! except as noted.

    Pátzcuaro, the original capital of Michoacán, is a well-known destination for tourists, whether they are interested in pre-Hispanic religious sites, centuries-old architecture, modern working artisans, or regional Purhépecha cuisine.   Just a few minutes' drive away, another side of Michoacán exists: small-town, little-visited, and still very much oriented toward Mexico's traditional way of life.  In Erongarícuaro, the day bustles gently around the small plaza.  The pace is slower even than that of Pátzcuaro.

    La Primavera
    In the Erongarícuaro, Michoacán taller (workshop) of Muebles Finos Artesanales Erongarícuaro–the UNEAMICH wholesale entity branded as mfa/eronga–Marina Rosenthal stands before a custom-painted panorama of canvas nudes.  You can put your own face in one of the vacant spots.

    Erongarícuaro, attractive in a well-worn, frayed-cuff style, is home to about 13,000 people, including a few souls from 'away'.  Europe, Canada, and the United States are equally represented.  Long a bohemian outpost (according to local legend, Frida Kahlo and Diego Rivera and their international cohorts were frequent visitors), Erongarícuaro still attracts the slightly eccentric foreigner: a handful of people setting up a sustainable community, another handful interested in communal housing, and one or two long-time residents working in town.

    Where We Talked
    The sales and reception room at UNEAMICH mfa/eronga, where we talked with Marina.  Photo courtesy Bernie Frankl, Tucson, AZ.

    Steve and Maureen Rosenthal, originally from Arizona, have lived and worked in Erongarícuaro for nearly 40 years.  Their commitment to the town and its people runs deep; they've put their lifework into training artists, producing incredibly beautiful furniture and home decoration over the course of the years.  Their business, UNEAMICH mfa/eronga, has evolved from its 1980s-era origins as an Escuela Taller (Workshop School) to the worker-owned cooperative that it is today.  Along the way, the Rosenthals and the artist owners have created a living heritage for Erongarícuaro.

    Artist Cubicle 1
    One of the artists' workrooms at UNEAMICH mfa/eronga.  Most of the 40-plus artist members of the cooperative were attending a community funeral on the day that Mexico Cooks! visited the UNEAMICH/mfa/eronga taller.

    Mfa/eronga (the name of the UNEAMICH store that Steve runs in Tucson) has talleres (workshops) on both sides of its quiet Erongarícuaro street.  One is the carpentry workshop for building and carving the wooden furniture; the other is filled with artists' cubicles where the fine decoration work takes place.  Mexico Cooks! greeted Marina (Maureen's name loosely translated into Spanish) Rosenthal with a happy, "Finally!  We've wanted to visit you for years!"  We hugged and laughed that our meeting had been delayed for so long.

    Chair Back Sun 1
    The painted backrest of a UNEAMICH mfa/eronga chair.  Click on any photo for a larger view.

    While giving us a running history of the business, Marina took us on a tour of the two talleres.  "Steve and I came here in 1970 to finish writing a screenplay, but the option to make the movie just never panned out.  By then, we were so in love with this part of Michoacán that we didn't want to leave.  We started making painted furniture, and little by little, customers started seeking us out.

    Dry Bar Outside Dry Bar Inside
    The exterior and interior of one of mfa/eronga's fabulous painted pieces. Photo courtesy mfa/eronga.

    "When Cuahutémoc Cárdenas was governor of Michoacán (1980-86), he was a huge supporter of the state's regional arts.  You know that he was the son of Lázaro Cárdenas del Rio, Mexico's forward-thinking president from 1934-1940, and he had a lot of his father's sensibilities.  One of his projects was to open Escuelas Talleres–workshop schools–where artisans could receive training that would enhance the quality of their work and make it more easily sold.  That's where we came in: our workshop began to receive state support for training artists.  Literally dozens of artists have trained with us; some continue to work with us now, and some of our current workers are the children of those men and women who initially trained here.

    Ariel
    Work facilities at UNEAMICH mfa/eronga are primitive, but the cooperative of artists creates glorious work in spite of the harsh conditions.

    "Most of the artists we've trained knew some carving or painting techniques before they came to us.  Their level of general knowledge of art was practically nil, though: none knew of the great European classical or modern painters and none had heard of any artists north of the Mexican border.  Few knew of Mexico's great artists: Rivera, Kahlo, Tamayo, the Coronel brothers, and Juan O'Gorman, just to name several.  One of my greatest joys has been taking our extremely talented artists to Morelia, to Guadalajara, and to Mexico City to show them art's possibilities outside their limited frame of reference.  

    Bateas
    UNEAMICH mfa/eronga artists hand-paint and hand-finish bateas (hand-carved shallow wooden bowls) from their own designs–or from your special-order design.

    "We've made furniture using classic Michoacán designs, in bohemian designs, in our own designs, and with every painted decoration you can imagine.  You'll find anything from a still life of hybrid roses to a caricatured cat on our furniture and home decor.  Our artists, wonderfully inventive talents, can take the simplest thing and bring it to a level of beauty that attracts the most discriminating client.

    Artist Cubicle 2
    Another artist's workspace at UNEAMICH mfa/eronga.

    "The work that comes from our talleres has spread all over the world.  Right now, we're working on furnishing a hotel–not the first one, and we surely hope not the last!  Disney commissioned pieces for a restaurant, we have other long-time restaurant clients who decked out their restaurant with our pieces and need frequent replacements, and we have years of background making custom pieces for private customers.

    Orange Clamp
    The man carving intricate hand-drawn orchids into this chair back said, "Solo soy carpintero."  ('I'm just a carpenter.')

    "Our stories range from the sublime to the truly ridiculous.  We've gone through times of terrible famine, when we couldn't make our payroll–think of the horrors of the 1994 devaluation of the peso!  But our artist workers stayed with us, even when we couldn't pay regularly.  Really, it's the workers who have always made our business a success.  You don't measure success just by looking at your bank balance.  Loyalty to one another: that's a huge measure of success, in my mind.

    Cine Seats artists
    For your home, mfa/eronga sells cinema seating made in the old-fashioned style,  but of new materials–and in this case, painted with artists' stylized portraits.  Other styles are available.  Photo courtesy mfa/eronga.

    "Right now, because economic times are really challenging, Steve is staying across the border in Tucson, running our retail operation.  I'm here with our youngest daughter, running the talleres.  Our staff here in Erongarícuaro currently numbers about 43, down from a high of 160 working artists.  But we keep on going; our loyalty is to our cooperative artists, and their loyalty is to the cooperative and to us.

    Controlled Chaos
    Nothing is wasted, everything is recycled.  Out of this chaos of wood trimmings come works of art.

    Wall Flowers
    Flowers in a vase, hand-painted on an artist's workspace wall.  Making art is more than a job; art is a way of life.

    You can see more mfa/eronga furniture and home decor on their website, mfa/eronga.  The website includes an online store as well as a catalog, a price list, and a newsletter.  If you're planning to be in the Morelia/Pátzcuaro region, please contact Mexico Cooks! for a guided tour of Erongarícuaro, the mfa/eronga workshop, and more entrancingly beautiful villages in Michoacán.

    Chair Back Cactus 2
    Cactus in bloom on mfa/eronga chair backrests.

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  • Ay, Qué Chulo (Oh, How Cute…): Animal Photos from Mexico

    Ardillita 1
    Ardillita
    (baby squirrel), one of twins, on the roof of Mexico Cooks!' bodega (outdoor storage closet).  January 2008.

    It occurred to Mexico Cooks! today that we rarely (make that never) play the 'cute animal' card, but there are certainly a lot of cute critters to enjoy in Mexico.  Call them bonito, lindo, or chulo, the result is the same: a long sigh of awww.

    Hat and Dog in the DF
    This extremely cosmopolitan cocker spaniel, out for a stroll in Coyocacán, Distrito Federal.  November 2009.

    Foal and Mare
    Mother and daughter, on the road to Erongarícuaro, Michoacán.  May 2008.

    Chepo in his Sweater January 2010
    Our very own Chepo, looking piratical in his sweater.  January 2010.

    Burrito
    Qué burrito más bonito! (What a cute little burro!) Zirahuén, Michoacán.  July 2008.

    Tigres Sentados
    Tigers at the Circo Atayde Hermanos, Morelia, Michoacán.  August 2008.

    Cargados
    Find the burro…  Ajijic, Jalisco.  March 2007.

    Conejito de Flores
    Conejito de flores (little bunny made of flowers), Festival Internacional de Música de Morelia.  November 2009.

    Xolo pup 1
    All together now: awwwwww.  It's a xoloitzcuintle puppy from Pátzcuaro, eight weeks old.  September 2008.

    Next week Mexico Cooks! promises to bring you something from the kitchen.

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  • State Support for the Artisan Community in Michoacán, Mexico

    Muchacha con Olla
    At Morelia's Casa de Artesanía: a Purhépecha girl with traditional clothing, jewelry, and clay jug, all part of Michoacán's folk art heritage.

    The Morelia Casa de Artesanía (its acronym is CASART), has provided government support to the artesanos (artisans) of Michoacán for 40 years.  Earlier this year, more than 400 artesanos participated in a lively and beautiful exhibition, competition, and sale at the Casa de Artesanía.  More than 700 pieces were entered into competition, representing more than 40 communities in Michoacán.  Fifty-seven Michoacán artisans won prizes for their traditional and/or innovative work.

    Conjunto Pirekua
    A conjunto de pirekuas–traditional Michoacán musicians singing Purhépecha songs–participated in the opening reception at the Casa de Artesanías.

    The competition included four artisan categories: pottery (including low- and high-fired pieces, pieces that are lead-free, and pottery in general); wood (furniture and miscellaneous decorated pieces); textiles (wool and cotton, including clothing, embroideries, tablecloths, wall hangings, rugs, and blankets); and fibers and vegetable matter (palm fibers, bamboo, reed, and other fibers).

    Metates Minaturas
    Three miniature decorative metates (grinding stones) on a tray.  Each individual metate, made in Zinapécuaro, Michoacán, is no bigger than three inches long.

    In spite of mid-winter unseasonably heavy rain, the CASART exulted in a very large and exuberant turnout for its 40th anniversary celebration.  Mexico Cooks! was delighted to be among the guests for the opening exhibition and sale.

    Tócuaro
    Traditional dancers from Tócuaro, Michoacán, wearing their masks, capes and be-ribboned straw hats.

    Cenaduría Ocumicho
    Made in Ocumicho, Michoacán, this is a representation in clay of an outdoor cenaduría (supper spot).  The largest figures are no more than four inches high; the hand-modeled and painted clay food is tiny.  Click on the photo for a bigger and better view.

    Cenaduría Menú Ocumicho
    Detail of the cenaduría menu–written on a clay tablet.  The offerings: an order of fried tacos with beef, an order of enchiladas with chicken, an order of buñuelos (foot-wide disk of fried dough) with white atole (sweetened corn drink, served hot), pozole (pork and hominy stew), and a list of drinks. 

    Calabazas Miniaturas
    Miniature calabazas (squash similar to pumpkins) on a tray.

    Emilia Reyes Oseguera, president of the Unión Estatal de Artesanos (State Artisans' Union), said that the various artisan communities are developing new designs to meet the needs of today's market.  Sergio Herrera, director of the Casa de Artesanía, acknowledged that commercialization of their work is the Achilles heel for the artisans.  He added that this is a global problem and is not unique to Michoacán or to Mexico.

    Bordado Fino
    Embroidery from the Lake Pátzcuaro region, sewn with a fine, fine hand, shows numerous daily activities of la vida campestre (country life).  Stitched along the top of the piece are "Los Viejitos", representing one of Mexico's best-loved folk dances.

    Leonel Godoy Rangel y Magdalena Ojeda Arana
    Michoacán's Governor Leonel Godoy Rangel and his wife, Magdalena Ojeda Arana, support their state's arts and crafts.  Governor Godoy presided over the opening ceremonies for CASART's recent anniversary.  He and his wife are wearing ribbon necklaces festooned with miniature hand woven baskets made in Michoacán.

    CASART manages several state-run folk art stores located across Michoacán.  Through its program of acquisitions, the government offers financial support either to community artisans' cooperatives or to individual artisans.  CASART's beautiful flagship store is located next to Templo San Francisco on Plaza Valladolid in downtown Morelia. 

    Tops
    Hand-made wooden tops on display (and for sale) at Morelia's Casa de Artesanía.

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  • Pulque: Pre-Hispanic Drink, Gift of the Gods from the Maguey Cactus

    Agave atrovirens
    The agave atrovirens cactus.  This enormous blue-gray plant, native to the ancient land which became Mexico, continues to provide us with pulque (POOL-keh), a naturally fermented alcoholic beverage.  The maguey, with pencas (thick, succulent leaves) which can grow to a height of seven to eight feet, matures in ten to twelve years.  At maturity, the plant can begin to produce liquor.

    Pulque, native to Mexico, is suddenly all the rage in countries far from its origin.  Folks who have never seen a maguey cactus 'on the hoof' argue the relative merits of natural versus flavored pulques, canned versus straight from the barrel, and so forth.  Mayahuel, the goddess of the maguey, is laughing up her sleeve at this current rash of pulque aficionados: pulque has been well-loved in what is now Mexico for longer than humankind can remember. 

    Legend has it that a thousand years ago and more, Sr. Tlacuache (Mr. Opossum) scraped his sharp claws through the heart of the maguey and slurped down the world's first taste of pulque–and then another, and another, until he had a snoot full.  His meandering drunken ramble allegedly traced the path of Mexico's rivers.

    Codice Borbonico
    A drawing from the Codice Borbónico (1530s Spanish calendar and outline of life in the New World) shows Mayahuel, goddess of the maguey, with a mature cactus and a pot of fermented pulque.  The first liquid that pours into the heart of the maguey is called aguamiel (literally, honey water); legend says that aguamiel is Mayahuel's blood.

    Aguamiel actually comes from the pencas (leaves) of the cactus.  In order to start the flow of liquid into the heart of the plant, the yema (yolk) of the plant is removed from the heart and the heart's walls, connected to the leaves, are scraped until only a cavity remains.  Within a few days, the aguamiel begins to flow into the cavity in the heart of the plant.  The flow of aguamiel can last anywhere from three to six months.  Today, the men who work the maguey to produce pulque are still called tlaquicheros.  The word is derived from the same Nahuatl origin as the name for the original tlaquichero: Sr. Tlacuache, Mr. Opossum.

    Pulque y maguey
    An early tlaquichero removes aguamiel from the heart of the maguey by sucking it out with a long gourd.  Today, workers use a steel scoop to remove up to six liters of aguamiel per day from a single plant.  Aguamiel is not an alcoholic beverage.  Rather, it is a soft drink, sweet, transparent, and refreshing.  Once it ferments, however, it becomes the alcoholic drink pulque, also known as octli.

    The fermentation of pulque can start in the plant itself.  Aguamiel, left in the plant's heart to 'ripen' for a few days, begins to ferment.  For the commercial production which began in the 19th century, tlaquicheros remove aguamiel from the maguey and transfer it to huge steel tanks, where it ferments.

    Pulque dentro de maguey con popote
    The heart of the maguey, full of aguamiel.  The tool balanced in the liquid is the same type gourd that is pictured in the early drawing seen above.  Between extractions of aguamiel, the leaves of the maguey are folded over the cavity where the liquid collects to prevent insects and plant debris from falling into the heart.

    Pulque Postcard
    Mexican photographic postcard dating to the 1940s or 1950s.  The women and children pose in front of huge maguey plants.

    By the end of the 19th century, pulque was enormously popular among Mexico's very rich and very poor.  Weary travelers in the early 20th century could find stands selling pulque–just for a pickmeup–alongside rural byways.  Travelers riding Mexico's railroads bought pulque at booths along the tracks.  Pulquerías (bars specializing in pulque) were in every town, however small or large.  In Puebla and Mexico City, legendary pulquerías abounded.    

    La Palanca Tina Modotti 1926 Gelatin Silver Print
    Italian expatriate Tina Modotti, a member of the Diego Rivera/Frida Kahlo artists' circle, photographed Mexico City's pulquería La Palanca in 1926.

    Medidas de Pulque
    This common image hung in pulquerías all over Mexico.  Clients could order the amount of pulque they wanted according to the drawings–and be reminded of what they had ordered when the pulque had laid them low.  Image courtesy of La Voz de Michoacán.

    PulqueGlasswareMAPDF
    In the foreground are the actual pitchers and glasses used in Mexico's pulquerías.  Compare them with the vessels in the drawing.  Image courtesy of Museo del Arte Popular (DF).

    Pulque lovers spent long evenings in their favorite pulquerías in an alcoholic haze of music, dancing, laughter and delight.  Far less expensive than other hard liquors, pulque carries with it the romance of ancient legend, the tradition of a nation, and the approbation of the gods.

    Pulquería Charrito Edward Weston 1926
    Edward Weston, American photographer, immortalized Mexico City's pulquería El Charrito, also in 1926.

    Natural pulque is a pale white, semi-viscous, liquid with a slick, thick feel in the mouth; many people are put off by that feel, as well as by its slightly sour taste.  Even for those who dislike natural pulque, another kind of pulque–called curado (in this instance, flavored)–is delicious.  Natural pulque, combined with blended fresh fruit, vegetables, or ground nuts, becomes a completely different drink.   Bananas, guavas, strawberries, and the tuna (fruit of the nopal cactus) are particular favorites.  

    1.- Inicia la Expo-Feria del Pulque y la Salsa en La Magdalena Contreras
    Feria de Pulque
    (Pulque Fair) in the State of Mexico.  Each of the jars holds pulque curado, each flavored with a different fresh fruit, vegetable, or type of nut.

    Mexico Cooks!
    first tasted pulque about 30 years ago, in Huixquilucan, in the State of Mexico.  Huixquilucan, known to its inhabitants as Huixqui (pronounced whiskey), used to be a small town, and Mexican friends took me to its small-town fair where home-made pulque was for sale in what seemed like every booth offering food and drink.  "Try it, you'll like it a lot!" my friends giggled.  "Just a little taste!  C'mon!"  I was nervous: I'd heard about pulque and its slippery slimy-ness and its inebriating qualities.  Finally we stood in front of a booth offering pulque curado con fresas: pulque flavored with fresh strawberries.  "Okay, okay, I can try this."  And I liked it!  The first small cupful was a delicious, refreshing, slightly bubbly surprise.  The second small cupful went down even more easily than the first.  And then–well, let it be said that I had to sit down on the sidewalk for a bit.  I truly understood about pulque

    Try it, you'll like it a lot…c'mon, just a little taste!

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  • Ana Pellicer Forty Year Retrospective at Palacio Clavijero, Morelia

    Ana La Tehuana 3
    La Tehuana (1996).  Silver-plated copper, resin, and electroformed lace fabric.  Click on all of the photographs for a larger view of each sculpture.

    In September 2009, Mexico Cooks! met and interviewed James Metcalf and Ana Pellicer, internationally acclaimed artists who are long-time residents of Santa Clara del Cobre, Michoacán.  Privileged to photograph a number of their sculptures at their home in September, I was nevertheless unprepared for the visual and emotional impact of Poemas Forjados (Hand-wrought Poems), a lifetime retrospective of Ana Pellicer's work that opened on March 27, 2010 at the Palacio Clavijero in Morelia. 

    Ana Libertad Purhépecha
    La Libertad Purépecha (1987).  Mixed media: fiberglass, wood, plaster of Paris, textiles, copper, and brass.  In honor of Frederic Auguste Bartholdi, the French sculptor who created the original Statue of Liberty, the pleated skirt which represents the traditional guari (Purhépecha woman) garment is the colors of the French flag.  I asked Ana Pellicer why she chose to create the body of the sculpture in purple.  The simple answer: "She is in mourning."

    The 75-sculpture exhibit, which fills several huge rooms at the Clavijero, is divided into themes: Secretos, Mujer, Luz, Poder, Libertad, and Juego (Secrets, Woman, Light, Power, and Sport).

    Ana Caja Los Secretos
    Caja, Jugadores de Pelota (Box, Ball Players), Serie Secretos 2003.  Hammered copper, repoussé and silver plate, approximately 20cm long, 12cm wide, and 3cm deep.  The sculptured box top represents the pre-Hispanic Purhépecha ball game that may have been the forerunner of both baseball and basketball.  The 'Secrets' portion of the exhibit includes boxes, books, clouds, and other sculptures.

    Ana Pellicer sculpts predominately in copper, hand-forging and
    hammering every piece.  She works directly on the metal in the
    traditional pre-Hispanic "technique of fire" that is still practiced by
    Santa Clara del Cobre's artisans.  She begins her labor directly on the tejo (round ingot) of copper.  Her sculptures also may include bronce (bronze), hule
    (hand-harvested rubber), chuspata (lake reed), resina (resin), latón (brass),
    and plata (silver).

    Ana Libro 1
    Libro 1 (Book 1), 1970.  Hammered repoussé brass, plastic, and paper, approximately 20cm square.  Ana Pellicer produced this and other mixed-media sculptured books to record her creative process.

    Ana Medusa
    La Medusa, Serie Mujeres, 2010.  Cast bronze, repoussé copper, marble and wood.  Ana Pellicer points out details of the sculpture; the Medusa's head opens on a hinge, revealing her brain.

    For more than two years, Ana Pellicer worked to gather the pieces in this current exhibit.  Dispersed in public and private collections around the world, the owners have loaned the sculptures to Michoacán, where they were originally made.  "It gives me so much pride to exhibit my sculptures in the enormous rooms of the Palacio Clavijero, where the proportions of the building suit the proportions of the work," said Pellicer.

    Ana Querubines
    Querubines, Serie Luz, 1998. Repoussé copper, resin, and iron.  Many of the pieces in the series Light include resin, which collects and concentrates the light in each of the sculptures.

    The recurrent themes of Pellicer's work–light, power, women, secrets, sport–develop in strength and beauty as the viewer passes from gallery room to gallery room in the Palacio Clavijero.  Quotations from philosophers as diverse as Greece's 700 BC poet Sappho and Mexico's 15th century AD poet Netzahuacóyotl dot the exhibit's walls, both taking from and giving depth and comprehension to the works.  From Netzahuacóyotl, for example:

        "Percibo lo secreto, lo oculto:
        Así somos,
        somos mortales.
        de cuatro en cuatro nosotros los hombres,
        Todos habremos de irnos,
        todos habremos de morir en la tierra…"

        "I perceive the secret, this hidden thing:
        we are this way,
        we are mortals. 
        Four at a time we men,
        All of us must leave,
        All of us must die to this earth…"

    Ana Arete Purhepecha Monumental Libertad
    Arracada Monumental de la Libertad (Monumental Earring for the Statue of Liberty), 1986.  The hand-forged hollow copper earring weighs approximately  45 pounds.  Ana Pellicer sculpted the single earring and several other pieces of jewelry to fit the Statue of Liberty on the occasion of her 100th birthday.

    Ana Anillo
    Anillo de la Libertad (Ring for the Statue of Liberty), 1986.  The repoussé copper and resin ring, made to the same scale as the earring above, fits the ring finger of the Statue of Liberty.  The statue measures 305 feet from its base to the tip of her torch.

    Ana El Hacha Santificada
    Objeto Encontrado en la Tumba de una Reina (Object Found in the Tomb of a Queen), Serie Poder, 1996.  Hammered copper, glass, and tempered mica.  The axe is the pre-Hispanic Purhépecha power symbol.  Ana Pellicer described this piece as el hacha santificada (the sanctified ax) because of its halo.

    Ana Beisbol
    Beisbol (Baseball), Serie Juego 1999.  The baseball sculpture measures approximately 70cm in diameter.  Pellicer laughingly said, "I signed this huge baseball as if I were a sports star!"

    Ana Pellicer herself embodies the five themes of this magnificent retrospective exhibit.  A strong, intelligent woman, filled with light, with power, with humor, and with her own creative secrets, Pellicer's life work offers us a penetrating look into her world and our own.  Do not miss this opportunity to share her vision.

    Poemas Forjados de Ana Pellicer
    Palacio Clavijero
    Nigromante No. 79, between Av. Madero
    Poniente y Santiago Tapia

    Colonia Centro
    Morelia, Michoacán
    March 27-June 30, 2010
    Hours: 10AM to 6PM, Tuesday through Sunday (closed Mondays)

    Clavijero Map 

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  • Viernes Santo Procesión del Silencio 2010::Good Friday Procession of Silence, Morelia

    Dolores 1
    Nuestra
    Señora de Dolores
    (Our Lady of Sorrows) leads the procession.  Hooded members of various
    Catholic cofradías (confraternities, or religious organizations founded in Europe in
    the 15th Century) carry life-size statues on their wooden
    platforms approximately three kilometers through Morelia's Centro
    Histórico
    .

    Nuestra Señora de los Dolores
    Nuestra Señora de Dolores (detail).

    Procesión Tambores
    Drummers marked the beat of Morelia's penitential Procesión del
    Silencio
    : Good Friday's silent procession commemorating both the
    crucifixion of Christ and his Mother's grief.  Only the drumbeat broke
    the silence along the route.

    Rezando en la
Huerta
    Jesus
    during la Oración en el Huerto (praying in the Garden of
    Gethsemane), just prior to his arrest on Holy Thursday night.  Boy
    Scouts (the young man in red at the right of the photo) hold the
    protective rope all along the route of the procession.

    Procesión Cofradía de Blanco
    Hundreds of cofradía members marched in the still of this Good Friday night.  Foreigners, particularly those from the United States, are often shocked by the hoods, which to them are cultural reminders of the Ku Klux Klan.  In Mexico, there is no association between the two.  The procession is penitential and the hoods are a guarantee of anonymity and humility for the cofradía members.  They believe that humility and works of charity are best practiced anonymously.

    Soldados Romanos
    Roman
    soldiers.

    Procesión Veladora 1
    The
    majority of Morelia's Procesión del Silencio takes place after
    dark, by candlelight.  For the first time in 2009 and again in 2010, city street
    lamps were left on due to security issues.

    Legion de Jesús
    The
    Legion of Christ carry their banner and their lamps.  The Procesión
    del Silencio
    lasts about five hours.  During that time, all of
    Morelia's Centro Histórico is closed to vehicular traffic.

    La Cruz a Cuestas
    Jesus
    carries the cross a cuestas (on his back) to Calvary.  More than
    50,000 spectators stood along the entire route of Morelia's Procesión
    del Silencio
    .

    Procesión Veladora 3
    Candle holders are made of many materials, from crystal to styrofoam to metal.

    Cargando la Cruz 2
    Penitents
    from one of Morelia's confraternities carry their crosses the length of
    the procession.  Many march barefoot through the city streets.  The
    procession celebrated its thirty-fourth anniversary this year.

    Procesión Cristo Negro en la Cruz
    Robed
    and hooded members of another Catholic confraternity carry this
    image of the Cristo del Entierro (Christ of the Burial), nailed to the cross prior to his elevation.  Hoods cover the faces of those who march
    as a sign of penitence.

    Antorchas
    Clothed
    in gold and black, these marching penitents carry huge metal torches.

    Cristo Muerto
    Six
    men of all ages carry Cristo Muerto (the dead Christ), while six
    others follow as relief when the burden of the image, the platform, the
    lights, and the flowers becomes too heavy.  The man at the far right of
    the photo carries one of two saw horses used to support the platform
    during occasional pauses in the procession.

    Nuestra Señora de
Soledad
    At
    the end of the Procesión del Silencio, la Virgen de la Soledad
    (Our Lady of Solitude) follows the body of her crucified Son.  The
    platform bearing her image holds burning candles, a purple and gold
    velvet canopy, and banks of fresh flowers.

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  • Mexican Cooking: What Do YOU Call It?

    Tortita de Calabacita
    Tortita de calabacita en caldillo (home-made zucchini/cheese croquette in thin tomato sauce).

    More and more people who want to experience "real"Mexican food are asking about the availability of authentic Mexican meals outside Mexico. Bloggers and posters on food-oriented websites have vociferously definite opinions on what constitutes authenticity. Writers' claims range from the uninformed (the fajitas at such-and-such a restaurant are totally authentic, just like in Mexico) to the ridiculous (Mexican cooks in Mexico can't get good ingredients, so Mexican meals prepared in the United States are superior).

     

    Much of what I read about authentic Mexican cooking reminds me of that old story of the blind men and the elephant. "Oh," says the first, running his hands up and down the elephant's leg, "an elephant is exactly like a tree."  "Aha," says the second, stroking the elephant's trunk, "the elephant is precisely like a hose."  And so forth. If you haven't experienced what most posters persist in calling "authentic Mexican", then there's no way to compare any restaurant in the United States with anything that is prepared or served in Mexico. You're simply spinning your wheels.

    Pozole Pig Head
    Pig head for making pozole (pork and hominy stew) at home.

    It's my considered opinion that there is no such thing as one definition of authentic Mexican. Wait, before you start hopping up and down to refute that, consider that "authentic" is generally what you were raised to appreciate. Your mother's pot roast is authentic, but so is my mother's. Your aunt's tuna salad is the real deal, but so is my aunt's, and they're not the least bit similar.

    The descriptor I've come to use for many dishes is 'traditional'. We can even argue about  that adjective, but it serves to describe the traditional dish of–oh, say carne de puerco en chile verde–as served in the North of Mexico, in the Central Highlands, or in the Yucatán. There may be big variations among the preparations of this dish, but each preparation is traditional and each is authentic in its region.

    I think that in order to understand the cuisines of Mexico, we have to give up arguing about authenticity and concentrate on the reality of certain dishes.

    Chiles en Nogada
    Chiles en nogada (stuffed chiles in walnut sauce), a traditional dish for the fall season in Mexico.

    Traditional Mexican cooking is not a hit-or-miss let's-make-something-for-dinner proposition based on "let's see what we have in the despensa (pantry)." Traditional Mexican cooking is as complicated and precise as traditional French cooking, with just as many hide-bound conventions as French cuisine imposes. You can't just throw some chiles and a glob of chocolate into a sauce and call it mole. You can't simply decide to call something Mexican salsa when it's not. There are specific recipes to follow, specific flavors and textures to expect, and specific results to attain. Yes, some liberties are taken, particularly in Mexico's new alta cocina (haute cuisine) and fusion restaurants, but even those liberties are based on specific traditional recipes.

    In recent readings of food-oriented websites, I've noticed questions about what ingredients are available in Mexico. The posts have gone on to ask whether or not those ingredients are up to snuff when compared with what's available in what the writer surmises to be more sophisticated food sources such as the United States.

    Surprise, surprise: most readily available fresh foods in Mexico's markets are even better than similar ingredients you find outside Mexico. Foreign chefs who tour with me to visit Mexico's stunning produce markets are inevitably astonished to see that what is grown for the ordinary home-cook user is fresher, more flavorful, more attractive, and much less costly than similar ingredients available in the United States.

    Calabaza en Almíbar
    Calabaza en tacha, cooking at home with Mexico Cooks!.

    It's the same with most meats: pork and chicken are head and shoulders above what you find in North of the Border meat markets. Fish and seafood are from-the-sea fresh and distributed within just a few hours of any of Mexico's coasts.

    Nevertheless, Mexican restaurants in the United States make do with the less-than-superior ingredients found outside Mexico. In fact, some downright delicious traditional Mexican meals can be had in some North of the Border Mexican restaurants. Those restaurants are hard to find, though, because in the States, most of what has come to be known as Mexican cooking is actually Tex-Mex cooking. There's nothing wrong with Tex-Mex cooking, nothing at all. It's just not traditional Mexican cooking.  Tex-Mex is great food from a particular region of the United States. Some of it is adapted from Mexican cooking and some is the invention of early Texas settlers. Some innovations are adapted from both of those points of origin.  Fajitas, ubiquitous on Mexican restaurant menus all over the United States, are a typical Tex-Mex invention.  Now available in Mexico's restaurants, fajitas are offered to the tourist trade as proto-typically authentic. 

    Tazón de Caldo de Pollo
    Caldo de pollo (traditional Mexican chicken soup), straight from the Mexico Cooks! home kitchen.

    You need to know that the best of Mexico's cuisines is not found in restaurants. It comes straight from somebody's mama's kitchen. Clearly not all Mexicans are good cooks, just as not all Chinese are good cooks, not all Italians are good cooks, and so forth. But the most traditional, the most (if you will) authentic Mexican meals are home prepared.  For the most part, the traveler won't find them in fancy restaurants, homey comedores (small commercial dining rooms) or fondas (tiny working-class restaurants). You'll find the best meals as you stand next to the stove in a home kitchen, watching Doña Fulana prepare comida (the midday main meal of the day) for her family.  Take the time to educate your palate, understand the ingredients, taste what is offered to you, and learn, learn, learn.  You too can come to understand what traditional Mexican cooking can be. 

    In order to understand the cuisines of Mexico, we need to experience their riches. Until that time, we can argue till the cows come home and you'll still be just another blind guy patting the beast's side and exclaiming how the elephant is mighty like a wall.

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  • Comida Mexicana para La Cuaresma: Special Mexican Food for Lent

    Torta de Papa con Frijolitos Negros
    Tortitas de papa
    (potato croquettes, left) and frijoles negros (black beans, right) from the south of Mexico are ideal for a Lenten meal.

    Catholic Mexicans observe la Cuaresma (Lent), the 40-day (excluding Sundays) penitential season that precedes Easter, with special prayers, vigils, and with extraordinary meatless meals cooked only on Ash Wednesday and during Lent.  Many Mexican dishes–seafood, vegetable, and egg–are normally prepared without meat, but some other meatless dishes are particular to Lent. Known as comida cuaresmeña, many of these delicious Lenten foods are little-known outside Mexico and some other parts of Latin America.

    Many observant Catholics believe that the personal reflection and meditation demanded by Lenten practices are more fruitful if the individual refrains from heavy food indulgence and makes a promise to abstain from other common habits such as eating candy, smoking cigarettes, and drinking alcohol. 

    Atole de Grano
    Atole de grano, a Michoacán specialty made of tender corn and licorice-scented anís, is a perfect cena (supper) for Lenten Fridays.

    Lent began this year on Ash Wednesday, February 25.  Shortly before, certain food specialties began to appear in local markets. Vendors are currently offering very large dried shrimp for caldos (broths) and tortitas (croquettes), perfect heads of cauliflower for tortitas de coliflor (cauliflower croquettes), seasonal romeritos, and thick, dried slices of bolillo (small loaves of white bread) for capirotada (a kind of bread pudding).

    Romeritos en Mole
    This common Lenten preparation is romeritos en moleRomeritos, an acidic green vegetable, is in season at this time of year.  Although it looks a little like rosemary, its taste is relatively sour, more like verdolagas (purslane).

    Tortas de Camarón
    You'll usually see tortitas de camarón (dried shrimp croquettes) paired for a Friday comida (midday meal) with romeritos en mole, although they are sometimes bathed in a caldillo de jitomate (tomato broth) and served with sliced nopalitos (cactus paddles).

    Huachinango Mercado del Mar
    During Lent, the price of fish and seafood in Mexico goes through the roof due to the huge seasonal demand for meatless meals.  These beautiful huachinango (red snapper) come from Mexico's Pacific coast.

    Trucha Zitácuaro
    Chef Martín Rafael Mendizabal of La Trucha Alegre in Zitacuaro, Michoacán, prepared trucha deshuesada con agridulce de guayaba (boned trout with guava sweet and sour sauce) for the V Encuentro de Cocina Tradicional de Michoacán held in Morelia in December 2008.  The dish would be ideal for an elegant Lenten dinner.

    Plato Capirotada
    Capirotada (Lenten bread pudding) is almost unknown outside Mexico.  Simple to prepare and absolutely delicious, it's hard to eat it sparingly if you're trying to keep a Lenten abstinence! 

    Every family makes a slightly different version of capirotada: a pinch more of this, leave out that, add such-and-such.  Mexico Cooks! prefers to leave out the apricots and add dried pineapple.  Make it once and then tweak the recipe to your preference–but please do stick with traditional ingredients.

    CAPIROTADA

    Ingredients
    *4 bollilos, in 1" slices (small loaves of dense white bread)
    5 stale tortillas
    150 grams pecans
    50 grams prunes
    100 grams raisins
    200 grams peanuts
    100 grams dried apricots
    1 large apple, peeled and sliced thin
    100 grams grated Cotija cheese
    Peel of one orange, two uses
    *3 cones piloncillo (Mexican brown sugar)
    Four 3" pieces of Mexican stick cinnamon
    2 cloves
    Butter
    Salt

    *If you don't have bolillo, substitute slices of very dense French bread.  If you don't have piloncillo, substitute 1/2 cup tightly packed brown sugar.

    A large metal or clay baking dish.

    Preparation

    Preheat the oven to 300°F.

    Toast the bread and spread with butter.  Slightly overlap the tortillas in the bottom and along the sides of the baking dish to make a base for the capirotada.  Prepare a thin syrup by boiling the piloncillo in 2 1/2 cups of water with a few shreds of cinnamon sticks, 2/3 of the orange peel, the cloves, and a pinch of salt.

    Place the layers of bread rounds in the baking dish so as to allow for their expansion as the capirotada cooks.  Lay down a layer of bread, then a layer of nuts, prunes, raisins, peanuts and apricots.  Continue until all the bread is layered with the rest.  For the final layer, sprinkle the capirotada with the grated Cotija cheese and the remaining third of the orange peel (grated).  Add the syrup, moistening all the layers  little by little.  Reserve a portion of the syrup to add to the capirotada in case it becomes dry during baking.

    Bake uncovered until the capirotada is golden brown and the syrup is absorbed.  The bread will expand as it absorbs the syrup.  Remember to add the rest of the syrup if the top of the capirotada looks dry.

    Cool the capirotada at room temperature.  Do not cover until it is cool; even then, leave the top ajar.

    Platos Servidos Capirotada
    Try very hard not to eat the entire pan of capirotada at one sitting!

    A positive thought for the remainder of Lent: give up discouragement, be an optimist.

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  • Doña Yola’s Albóndigas de Pollo (Chicken Meatballs) en Salsa Verde

    Doña Yola la Chef
    Last week we met Doña Yolanda Rodríguez Orozco, the delightful cook at Morelia's Buffet Hacienda Valladolid.

    One of the most delicious items on the menu at Hacienda Valladolid is Albóndigas de Pollo en Salsa Verde (chicken meatballs in green sauce).  Because I promised that I would share the recipe with all of you, Doña Yola graciously shared her amazing recipe with Mexico Cooks!  Simple to prepare and marvelous to taste, these meatballs have already made it to star status on our dining table.

    Pechuga de Pollo Molida
    A chicken vendor grinds fresh chicken breast to order at the weekly tianguis (street market) in our neighborhood.  Ask the butcher at your supermarket to grind it for you.

    Espinacas
    Gorgeous dark green vitamin-rich spinach, ready to chop for the albóndigas.

    Hierbabuena con Huevos
    Fresh mint grown in a pot on our terrace, along with beautiful fresh local eggs.

    Albóndigas de Pollo en Salsa Verde Estilo Doña Yola
    Chicken Meatballs in Green Salsa, Doña Yola's Way

    Ingredients for the meatballs
    1 kilo (2.2 lbs) freshly ground chicken breast
    100 grams (1/4 lb) raw fresh spinach (stems removed), finely chopped
    1 small white onion, finely minced
    1 clove garlic, finely minced
    1 Tbsp fresh mint, finely minced
    1 chile serrano, finely minced
    1/2 cup cooked white rice
    3 eggs, lightly beaten
    1 Tbsp Worcestershire sauce
    Sea salt to taste
    Freshly ground pepper to taste
    1 tsp cornstarch or as needed

    Mezcla
    Ground chicken, spinach, onion, garlic, mint, and chile serrano, ready to mix with cooked rice.

    Procedure
    Lightly mix the first seven ingredients together.  Beat the eggs and Worcestershire sauce together and mix by hand into the mixture.  Add sea salt and ground black pepper to taste.  Add cornstarch until the mixture holds together well when you form a small amount into a ball.  Form the mixture into balls approximately 2" in diameter.  Makes 20 albóndigas.  Plate the meatballs in a single layer (Mexico Cooks! likes to re-use washed Styrofoam meat trays from the supermarket for the albóndigas), cover and refrigerate until ready to cook.

    Tomate y Chile
    Tomates verdes (tomatillos) and chiles serranos for preparing salsa verde.  Remove the tomatillos'  papery husks and wash the sticky tomatillos thoroughly.

    Ingredients for Salsa Verde
    10-12 tomatillos (known in Mexico as tomate verde), husks removed
    3 or 4 whole chiles serranos
    1 bunch fresh cilantro, largest stems removed
    Sea salt to taste

    Hervido

    Procedure
    In a large pot of water, bring the tomatillos and chiles to a full rolling boil.  Boil just until the tomatillos begin to crack; watch them closely or they will disintegrate in the water.

    Listo para Licuar
    Using a slotted spoon, scoop the cooked tomatillos and chiles into your blender jar.  There's no need to add liquid.  Cover, hold the blender cap on, and blend until smooth.  Be careful not to burn yourself, this is a hot mixture and tends to react like lava in the blender.

    Listo para Licuar 2
    While the blender is running, remove the center of its cap and, little by little, push the cilantro into the whizzing sauce.  Blend just un
    til smooth; you should still see big flecks of dark green cilantro in the lighter green sauce.  Add sea salt to taste and stir.

    Ya en la Salsa
    Pour the salsa into a 2-quart pot.  Add the meatballs and bring to a simmer.  Cover and allow to simmer for about 30 minutes.  Mexico Cooks! prepared six meatballs for our comida (main meal of the day), but two meatballs apiece were plenty for the two of us.  We ate the leftovers (and another two meatballs) the following day.  We froze twelve raw meatballs without salsa for subsequent meals.

    Para dar Hambre
    Albóndigas de pollo en salsa verde, plated with white rice cooked with carrots, Mexican style.

    Mexico Cooks! is so grateful to Doña Yola for sharing her recipe with us.  These albóndigas de pollo are not only easy to prepare and very healthy (with high vitamin K and beta carotene content and no added fat), but they are also absolutely delicious.

    Provecho!

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