Category: Art and Culture

  • Flaneur Part Three: In and Out and About in Mexico City

    Amble Datura Museo Frida Kahlo
    Floripondio (datura brugmansia) blooming in the garden at the Casa Museo Frida Kahlo in Coyoacán, in the south of Mexico City.  This lovely, easy-to-grow flowering plant, often called angel's trumpet in the English-speaking world, is a fragrant and hypnotic seductress with strong medicinal properties.  But be careful: every part of the plant is poisonous, especially the seeds and leaves.  It's also known as Jimson weed. Insomnia sufferers note: it's said that you can pluck one leaf, put it under your pillow at bedtime, and be assured of a good night's sleep. Just don't make a salad with it.

    Amble Mundo Chocolate al Atardecer
    MUCHO (Mundo Chocolate) is one of Mexico City's newest museums–and it's all about chocolate! Located in a 100-year-old house in central Colonia Juárez (at the corner of Calle Milán and Calle Roma), the museum offers a truly fascinating voyage through the history of chocolate in Mexico.  After all, chocolate originated here, and how wonderful to taste its glory throughout history.  The museum offers tours, workshops, and talks, all given surrounded by the heady scent of chocolate.  And don't miss the gift shop!

    Amble Huitlacoche y Tomate Verde
    Huitlacoche (foreground), sometimes known in English as corn smut, is revered and sought-after in Mexico but is barely recognized as food in other parts of the world.  The magnificent fresh fungus is available in Mexico City's indoor and outdoor markets.  

    Amble Agustín Yáñez abuelito desde 1940
    Meet Agustín Yáñez–not the noted writer and politician, but the noted merengue (meringue) maker and vendor.  Sr. Yáñez frequents Mexico City's Mercado de Jamaica, where he sells his home-made treats. His recipes have been handed down for decades in his family.  On the left are basic merengues, in the center are merengues con chochitos (colored sprinkles) in little cups, and on the right are duquesas, merengue wrapped in buñuelos.  The secret ingredient of Sr. Yáñez's merengues mexicanos?  A little pulque, added to the stiffly beaten egg white and sugar mixture before baking.  These are prepared fresh every day, and are simply delicious!

    Straight Ear Scottish Fold
    Just a week after we experienced EXPOCAN (the dog show from the October 12, 2013 Mexico Cooks! article), we had to go to EXPO-GATO, Mexico City's latest TICA cat show.  EXPOCAN was pure canine chaos, compared to the relative peace and quiet of the much smaller EXPO-GATO. This gorgeous kitty is a straight-ear Scottish Fold, exhibited by Avana.

    Judy's 65th Deviled Quail Eggs 1
    Mexico Cooks! prepared deviled eggs for a very special birthday party at home.  For a major celebration, no ordinary eggs would do: these are deviled quail eggs, each half measuring less than an inch long.   The 12" platter held about 36 halves.  Judy (my wife, the birthday girl) said, "You could have prepared an entire Thanksgiving dinner in the time it took to take the shells off those tiny eggs!"  Cue music–'what I did for love…'.

    Club 51 Otra Vista desde Club 51
    The view from the 51st floor of the Torre Mayor on Avenida Reforma.  The Torre Mayor is Mexico City's tallest building.  Mexico Cooks!, invited to a special event at Club 51, took advantage of the twilight to take this photo of rainy Mexico City. 

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours

  • 8° Encuentro de Cocina Tradicional de Michoacán: Eighth Annual Michoacán Traditional Food Festival

    On October 4, 5, and 6, 2013, the Encuentro de Cocina Tradicional de Michoacán
    will celebrate its 10th anniversary.  In honor of the coming festival,
    for the next three weeks, Mexico Cooks! will publishing its articles
    about the prior three years of the
    Encuentro.  In mid-October, you'll find the report of the 10th Anniversary Encuentro,
    right here on Mexico Cooks!.  And if you can possibly get to the 10th
    Anniversary event, we'll publish all the details just as soon as we have
    them.  Meantime, save the dates: October 4, 5, and 6, 2013 in Morelia,
    Michoacán. 

    Encuentro Benedicta Alejo Muele
    Maestra Benedicta Alejo Vargas grinds cilantro and mint to prepare tzirita, a deliciously spicy botana (appetizer or snack) based on metate-ground chile seeds and various herbs. 

    For me, the days leading to the Eighth Annual Encuentro de Cocina
    Tradicional de Michoacán moved almost as slowly as the days leading to a
    five-year-old's Christmas morning.  This event celebrating the
    traditional cuisines of regional Michoacán, held annually during the
    first weekend of December, is the high point of my personal and
    professional year.

    Encuentro Chiles en la Mano
    Essentials of the Michoacán kitchen: clay pots, wooden utensils, a ventilador (fan) to urge the wood fire hotter, and the skilled hands of a cook.

    The Encuentro started life in 2004, sponsored by the Secretaría de Turismo and the Secretaría de Cultura del Estado de Michoacán
    as well as by several generous corporate sponsors.  During its eight
    years, it has grown and changed, evolving into the unique event that so
    many of us enjoy.  Although there are many different food festivals in
    Mexico, no other has the impact of the annual Encuentro.

    Encuentro Dos Maestras de la Cocina
    Maestra Amparo Cervantes (left) of Tzurumútaro and Señora Paulita Alfaro of Nuevo San Juan Parangaricutiro are two of several elegant and vital grandes damas
    (great ladies) of the Michoacán kitchen.  They pass their recipes and
    secrets of the kitchen to their daughters and granddaughters.

    In November 2010, UNESCO
    (the United Nations Educational, Scientific, and Cultural
    Organization) announced that Mexico, and particularly the state of
    Michoacán, had been officially inscribed on the Representative List of
    the Intangible Cultural Heritage of Humanity.  Since then, Michoacán
    regional cooks have proudly carried the banner of what is called el paradigma michoacano–the
    Michoacán paradigm.  UNESCO included those words in its award based on
    miliennia-old indigenous Purhépecha way of food preparation that has
    been preserved, protected, and promoted up to the present day.  The
    Michoacán paradigm is a model for other regional Mexican cuisines.

    Encuentro Tortillas Infladitas
    Freshly hand-made corn tortillas toasting on a wood-fire heated clay comal
    (griddle).  Note that the tortilla in the foreground is puffed up; this
    is a key sign of a properly made tortilla.  The tortilla will flatten
    out again as it toasts.  There are no tortillas like those hand-made in
    Michoacán.

    Encuentro Mazorcas Hilo Rojo
    Much
    of Michoacán's regional cuisine is based on Mexico's native corn. 
    These dried ears, hung up to decorate a festive food stand at the 2010 Encuentro, show just a few of the several colors of corn native to this area.  The preservation of native corn varieties is crucial to the continuity of the Michoacán paradigm.

    Encuentro Antonina Smiles
    Maestra Antonina González Leandro of Tarerio, Michoacán, is radiant in her hand-embroidered blouse. 

    This year, the organizing committee gave special honors to a few of
    the consistent winners of the cooking competition at the heart of each
    annual Encuentro.  These great women of the regional kitchen, now retired from competition, are the soul of this festive event.  They are:

    • Benedicta Alejo Vargas, San Lorenzo.  Her specialities for 2010 were wild mushrooms, traditional churipo (a beef-based soup), rabbit mole, cheese mole, and tzirita.
    • Juana Bravo Lázaro, Angahuan.  Her specialities were atápakua de kuruchi kariri (dried fish stew), filled corundas with churipo, and two varieties of tortillas.
    • Antonina González Leandro, Tarerio.  She specialized in fried trout with traditional mole, tomato mole, or in a broth, pozole, and ponteduro (a kind of toasted and sweetened corn snack).
    • Esperanza Galván Hernández, Zacán.  Her specialties were mole tatemado con arroz (baked mole with rice), quesadillas, corundas filled with vegetables, and blue corn tortillas.
    • Amparo Cervantes, Tzurumútaro.  For this Encuentro, she specialized in mole con pollo y arroz (mole with chicken and rice), carne de puerco con rajas (pork meat with poblano chile strips), corundas, and uchepos.

    Encuentro Guisos Antonina
    A few of Maestra Antonina's special dishes, including (lower right) tortitas de charales, (center, in the molcajete) salsa de chile perón, (back left) nopalitos en salsa de jitomate, and (back right) caldo de trucha (freshly fried Michoacán-farmed rainbow trout in broth). 

    Encuentro Amparo Carne de Cerdo con Rajas
    Maestra Amparo's carne de cerdo con rajas, cooking over a wood fire.  She constantly tended and stirred the cazuela (clay cooking dish) so that the preparation would neither dry out nor stick.

    Encuentro Envolver Corunda
    Sra. Cayetana Nambo Rangel of Erongarícuaro prepared choricorundas, a type of pyramid-shaped corn tamal filled with cooked chorizo, a spicy pork sausage.  The corunda is wrapped in a long green corn leaf (not a corn husk) and then steamed.  Traditionally, corundas can be either blind (made without a filling) or filled.

    Encuentro Atápakua con Chile Verde
    Young cook Susana Servín Galván of Zacán entered the food competition with cuchiatápakua en chile verde con frijoles de la olla, a traditional dish from her small town.  The dish consists of pork meat cooked in a thick sauce made of highly spicy chile serrano
    and served with freshly cooked beans and blue corn tortillas.  This is
    my jealously guarded plateful; the dish was stunningly delicious and
    sold out quickly.  I was lucky to taste it.

    Encuentro Susana Servín Galván The Joy of Cooking
    Susana Servín Galván, the up-and-coming young cook who prepared the fabulous dish in the preceding photo.

    Encuentro Molcajete y Mano con Salsa
    Salsa de chile de árbol pounded into existence using this enormous molcajete y tejolote (volcanic stone mortar and pestle).

    Encuentro Esenciales de la Cocina
    More ingredients and utensils crucial to the regional Michoacán kitchen.

    Mexico Cooks! will keep you informed about the dates for the 2012 Ninth Annual Encuentro de Cocina Tradicional de Michoacán
    This unique event, a true look at Michoacán's regional cuisine, should
    be on everyone's calendar for early December.  Come with us and we will
    introduce you to all of these dishes and more!

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • 7º Encuentro de Cocina Tradicional de Michoacán: Michoacán’s Seventh Annual Festival of Traditional Cuisine

    On October 4, 5, and 6, 2013, the Encuentro de Cocina Tradicional de Michoacán will celebrate its 10th anniversary.  In honor of the coming festival, for the next three weeks, Mexico Cooks! will publishing its articles about the prior three years of the Encuentro.  In mid-October, you'll find the report of the 10th Anniversary Encuentro, right here on Mexico Cooks!.  And if you can possibly get to the 10th Anniversary event, we'll publish all the details just as soon as we have them.  Meantime, save the dates: October 4, 5, and 6, 2013 in Morelia, Michoacán. 

    Encuentro Papel Picado Uruapan
    In Uruapan, Michoacán, on December 3, 2010, multicolored papel picado (cut paper streamers) billowed in the evening breeze to announce our tremendous pride in the VII Encuentro de Cocina Tradicional de Michoacán (Seventh Annual Michoacán Traditional Food Festival).

    Encuentro Mole con Pollo
    A sumptuous and traditional mole con pollo (mole with chicken) as prepared by Antonina González Leandro of Tarerio, Michoacán.  Sra. González participated in the concurso de la Zona Lacustre (Lake Pátzcuaro region competition) that took place this year in Pátzcuaro.  In addition to this mole, she prepared pozole de elote con conejo (fresh-corn stew with rabbit), several other savory dishes, and a wonderful sweet dried-corn snack called ponteduro.

    Encuentro Antonina González Leandro con Cynthia Martínez
    In
    Pátzcuaro on December 4, 2010, Sra. Antonina González paused at her
    booth to pose with Cynthia Martínez, in charge of Morelia's Restaurante
    San Miguelito.

    Each of the last several years, Mexico Cooks!
    has been privileged to be included on the teams of speakers, judges,
    and hosts for Michoacán's annual traditional cuisine spectacular.  This
    year, our joyous cup of participation in the festival was filled to
    overflowing by the two-week-prior notice that Mexico's cuisine, and
    especially the cuisine of Michoacán, had been designated as a UNESCO
    Intangible Heritage of Humanity–the first cuisine in the world to be so
    honored.  Three cities in central Michoacán (Morelia, Uruapan, and
    Pátzcuaro) were named to host this year's food festival, and all three
    went completely overboard in welcoming every participant: host
    committees, notable chefs and food writers from all parts of Mexico and
    other countries, hundreds of proud and happy local and regional eaters,
    and the people without whom there would be no reason to have the party:
    the stupendous traditional cooks from the Purhépecha communities
    throughout this part of the state.

    Encuentro Gloria López Morales
    In Morelia on December 5, 2010, Dra. Gloria López Morales, president of the Conservatorio de la Cultura Gastronómica Mexicana, shares her views on topics related to Mexico's November 2010 triumph at UNESCO.

    Encuentro Christian and David conmigo
    In Pátzcuaro, Mexico Cooks!
    talks about Michoacán cuisine with (left) Christian Plotzcyk and
    (right) David Suárez of the New York restaurant group Rosa Mexicano.

    A
    number of internationally known chefs and food writers attended the
    festival this year.  Among them were Patricia Quintana, Alicia Gironella
    d'Angeli, Rubén Hernández, Roberto González Guzmán, Sol Rubín de
    Borbolla, Cristina Palacio, and Gabriel Gutiérrez García, all from
    Mexico City; Cynthia Martínez, Alma Cervantes, and Joaquín Bonilla of
    Morelia; and Susana Trilling of Oaxaca.  In addition, David Suárez and
    Christian Plotzcyk of the Rosa Mexicano restaurant group based in New
    York City and Iliana de la Vega of Restaurante El Naranjo, Austin, Texas, represented the interest of the United States.  The
    festival also counted on the participation of internationally renowned
    Michoacán chefs Rubí Silva Figueroa (Restaurante Los Mirasoles,
    Morelia), Lucero Soto Arriaga (Restaurante LU, Morelia), and Blanca
    Estela Vidales (Restaurante La Mesa de Blanca, Ziracuaretiro,
    Michoacán), who, along with teams of cooks and assistants, prepared
    several banquets for specially invited festival participants and guests.

    Encuentro Jahuakata 2
    In Uruapan, we tasted delicious jahuacatas (corundas created using layers of frijoles molidos (beans ground on the traditional metate) and fresh masa (corn dough), as prepared by Sra. Juanita Bravo Lázaro from Angahuan, Michoacán.  Sra. Bravo served these marvelous jahuacatas with an atápakua de calabaza
    (thick squash sauce).  This preparation won the prize for the best
    traditional dish.  Click on the photograph to enlarge the picture for a
    better view of the layers.

    Encuentro Yurucurindas
    None of the judges had previously heard of–much less tasted–these incredibly delicious yurucurindas.  Once we tasted them in Uruapan, we couldn't stop recommending them to everyone in earshot.  "Hurry, get one before they're gone!" we mumbled with our mouths full.  Similar in size to but a bit thicker than a standard corn tortilla, the yurucurindas are made from blue corn masa, piloncillo (Mexican raw sugar cones), and canela molida (ground cinnamon), and then baked on a traditional comal de barro (clay griddle).  Even this long after the festival, the photo still makes my mouth water at the memory!

    Benedicta Alejo by Gabriel Gutiérrez
    Señora Benedicta
    Alejo Vargas of San Lorenzo, Michoacán is one of the greatest
    traditional cooks in the Uruapan area.  The internationally known Sra.
    Alejo won the prize for best rescued dish with churipo de carne seca
    (dried beef soup in the Purhépecha style).  Rescued dishes include
    traditional preparations that are not usually prepared today and are on
    the verge of extinction. Photo courtesy Gabriel Gutiérrez García.

    Encuentro Benedicta Servilletas
    Mexico Cooks!
    noticed this basket of fresh green leaves on the table at Sra. Alejo's
    booth and asked what purpose they served.  Sra. Alejo smiled and said,
    "When I was a little girl, my grandmother always put a basket of leaves
    on the table to use as napkins.  It's part of my family's tradition." 
    In addition to her prize-winning traditional churipo, Sra. Alejo prepared mole de conejo (rabbit mole), mole de queso (cheese mole), and tzirita, a botana (appetizer) made of finely ground chile seeds and other savory ingredients.

    Encuentro Patricia Quintana Uruapan
    For
    the first time, acclaimed chef (she's the owner of Mexico City's
    restaurant Izote) and author Patricia Quintana attended the Encuentro de Cocina Tradicional.  She happily served as a judge.

    Encuentro Tortillas Dos Colores en Canasta
    Absolutely gorgeous: hot-off-the-comal tortillas, made with two colors of corn masa.

    Encuentro Atole de Chaketa
    Thick and delicious atole de chaqueta is a corn-based hot drink flavored, in this instance, with the toasted and ground outer shells of the cacao
    (chocolate) bean.  Nothing is wasted here in Michoacán's kitchens:
    imagine that such delicious things are made from what you might discard:
    chile seeds and the hulls of cocoa beans!

    Encuentro Bailable Uruapan 2
    In
    addition to the wonderful food competition, the festival organization
    treated the Uruapan public to a marvelous evening of traditional music
    and dance.

    Encuentro Closure Rubén
    At the December 5, 2010 Morelia closure of the VII Encuentro de Cocina Tradicional de Michoacán, the prize-winning cocineras
    (cooks) and other dignitaries posed with (left foreground) Sra. Alicia
    Gironella d'Angeli, First Lady of Mexico's food world and chef/owner at
    Restaurante El Tajín in Mexico City and Dr. Genovevo Figueroa, secretary
    of tourism for the state of Michoacán.  Both Sra. Gironella and Dr.
    Figueroa are long-time supporters of this annual Michoacán festival. 
    Photo courtesy Rubén Hernández.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Mercado 20 de noviembre, Oaxaca: Shop the 20 de noviembre Market with Mexico Cooks!

    For the next two or three weeks, Mexico Cooks! will take you on a virtual trip to Oaxaca.  Enjoy!

    Oaxaca Benito Juárez Mkt 5 Sal de Gusano
    Emblematic of Oaxaca and its mezcal culture, sal de gusano (worm salt) and a wedge of fresh orange are the truly Oaxacan accompaniments to a shot of what Mexicans call la bebida de los dioses (the drink of the gods).  And yes, sal de gusano is made with sea salt, ground chile, and dried, toasted and ground maguey worms.  I promise you that it is delicious.

    The last morning of Mexico Cooks!' recent stay in Oaxaca, I grabbed a friend and headed off to the city's famous Mercado Benito Juárez.  The market is in many ways similar to but in many ways different from  those that Mexico Cooks! knows best, the traditional markets of Mexico's Central Highlands.  Both my friend and I were fascinated by what we saw and learned while we were poking around among the stalls.

    Oaxaca Benito Juárez Mkt 10 Jícaras y Sonajas
    The large carved bowls at the top of the basket and several of the smaller carved bowls to the lower right–including the laquered red ones–are actually jícaras (dried gourds).  Jícaras are traditionally used for drinking mezcal.  Around the edge of the basket you see sonajas (rattles), in this case whole dried gourds on sticks.  The seeds dry inside the gourds to provide the sound effects when you shake the stick.

    Oaxaca Benito Juárez Mkt 6 Chilhuacle
    Rural Oaxaca grows chiles of all kinds, including some that are unique to the state.  These are dried chile chilhuacle negro, arguably the most expensive chile in Mexico.  Retail price?  Eight hundred pesos the kilo–about $75 USD for 2.2 pounds, at today's exchange rate.

    Oaxaca Benito Juárez Mkt 1 Bolsas 1
    Bags, bags, and more bags–all plastic–sell at two adjacent market stands.  The bolsas (bags) range from the little zipper change purses in the basket at lower right to the big woven market bags on the left and at the rear.  Mexico Cooks! came home with two of the big ones.

    Oaxaca Benito Juárez Mkt 8 Chiles Pasilla Oaxaca
    Mexican chile terminology is filled with contradictions.  These are chiles pasillas oaxaqueños (Oaxacan pasilla chiles).  Chiles pasillas are different sizes, shapes, colors, and flavors depending on where you are in Mexico, but these are unique to Oaxaca.

    Oaxaca Benito Juárez Mkt 16 Moronga
    Moronga is pork blood sausage.  The blood is heavily seasoned with ruda (rue), oregano, fresh  mint, onions and chile and then stuffed into pigs' intestines and boiled for as much as several hours. 

    Oaxaca Benito Juárez Mkt 11 Chiles de Agua
    Chile de agua (literally, water chile) is another specialty pepper from Oaxaca.  Some folks say its heat is medium, some folks swear it's hot as hell, and everyone agrees that it's very difficult to find outside Oaxaca.  Look back a few weeks on Mexico Cooks! to see a wonderful use for these small chiles.  I loved the flavor and the picor (heat factor).

    Oaxaca Benito Juárez Mkt 21 Tres Moles
    Three of Oaxaca's famous moles.  These are sold as pastes, by weight.  You simply reconstitute them with chicken broth at home and serve them with the meat of your choice.  Mexico Cooks! is crazy about carne de cerdo con mole negro (pork with black mole).

    We'll come back to Oaxaca, just to give you a sample of marvelous food and drink–next Saturday morning, right here at Mexico Cooks!.  Be ready for more regional Oaxacan specialties.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Flaneur Redux: Mexico City Places to Go, People to See, Things to Eat and Drink…

    Chocolate a la española, El Popular
    Chocolate a la española (Spanish-style hot chocolate), Café El Popular, 5 de Mayo #40, Centro Histórico.

    Posada San Antonio de Pádua
    San Antonio de Padua
    (St. Anthony of Padua), José Guadalupe Posada.  Collection Carlos
    Monsiváis, Museo del Estanquillo, Isabel la Católica #26, Centro
    Histórico.

    Bazar Sábado Pepitorias 2
    Pepitorias for sale at San Ángel's delightful Bazar Sábado.

    Colonia Roma Wreck
    Just a shell of its former self, a shadow of its former glory.  Remains of private home, Colonia Roma.

    DF Boleada Next...
    A bolero is not always a song.  Shoeshine stand, Centró Histórico, DF.

    DF Santuario San Charbel 1
    Santuario de San Charbel (Sanctuary of Saint Charbel), Calle Uruguay, Mexico City.

    La Lagunilla Metrobus Insurgentes
    MetroBús stop, Glorieta Insurgentes.  Another kind of shadow.

    La Lagunilla 1 MetroBus
    MetroBús, Glorieta Insurgentes.

    Stairway, Escuela de Gastronomía
    Gradas al Atardecer (Stairway at Dusk), Escuela de Gastronomía Mexicana, Col. Roma.

    La Lagunilla Lentes
    Cocktail hour sunglasses from the 1960s, modeled by the vendor.  La Lagunilla.

    Templo de la Profesa, Centro Histórico
    18th
    Century barroque Templo de la Profesa, Isabel la Católica esq.
    Francisco Madero, Centro Histórico.  From the rooftop, Museo del
    Estanquillo.

    Flor de Lis Champurrado
    Champurrado (atole, a thick, hot corn-based drink, in this instance made with chocolate), Restaurante Flor de Lis, Col. Condesa.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Passion and Metamorphosis: Travis Whitehead, Artisans of Michoacán

    Cuanajo Sillitas Pintadas
    Painted children's chairs from Quiroga, Michoacán.  All photographs by Mexico Cooks! unless otherwise noted.

    Today's Mexico Cooks! article celebrates the artisans, ancient traditions, and glorious representation of the state of Michoacán.  It also celebrates the recent publication of Artisans of Michoacán: By Their Hands, my friend Travis Whitehead's several-year-long project of interviews and photographs of Michoacán's artisans at work.  Rather than express my thoughts about Travis's passion and dedication to his work, Mexico Cooks! prefers to let him tell his own story.  He generously allows me to publish the text of the speech he gave earlier this year in Morelia, Michoacán.  I give you Travis Whitehead:
    _____________________________________________________________

    Sta Clara Working the Copper 2
    Working copper, Santa Clara del Cobre, Michoacán.

    Forty-five years ago, I saw something that grabbed my attention and never let go: a caterpiller evolving into an elegant monarch butterfly.  Witnessing this display of metamorphosis would leave a lasting impression on me, one that would eventually lead me on an odyssey of change, of release, and of the discovery of identity.

    Patamban Rolling Clay
    Rolling hand-ground clay for high-fired ceramics in Patamban, Michoacán.

    The journey toward that odyssey began the day my mother showed me how to remove a monarch caterpillar from the milkweed plant outside my Texas house, place it in a jar with plenty of leaves, and watch it grow.  Soon it would wrap itself into a green chrysalis, and I would wait anxiously for it to emerge into an entirely different form of life.  My curiosity was forever ignited by this process of change, and I kept a close eye on the milkweed plants so I could capture more caterpillers and observe this process again.

    Batea Pintada a Mano
    Hand-painted batea (wooden tray), state of Michoacán.

    When the butterflies finally emerged, I would take them outside and watch as they flew into the blue sky.  I didn't know then what we all know now: they were headed for Michoacán.  I wonder if perhaps the butterflies I released took a part of me with them, bringing a trace of myself into an enchanting place.  I wonder if perhaps that part of my soul born on the wings of the monarchs hibernated, even gestated, in the magical wonderland of Michoacán, awaiting my arrival when I would regain part of myself, taking full possession of my poetic voice.

    Pine Needle Hot Pad
    Weaving a huinumo (pine needle) hot pad, Paracho, Michoacán.

    I found the place I'd been seeking my whole life quite by accident, stumbling across it while working on another project.  That project failed to materialize, but by then I had become intoxicated by the state's metamorphic personality.  That metamorphosis was everywhere, in the food, the language of the Purépecha indians, the crafts, and even the very landscape.  The state, I learned, even has two local varieties of the tamal–the corunda and the uchepo–and I discovered that in the Meseta Purépecha, even these and other regional recipes vary from one village to the next, and that the language has slight changes in communities only a short distance from each other: a metamorphosis taking place in food and words.  The very landscape itself is a metamorphic experience, ranging from pine-covered hills to stark deserts, from winding rocky shoreline to tropical jungles.

    Spoon Rack on Red Door
    Spoon rack on red door, Pátzcuaro, Michoacán.

    So strong was Michoacán's power over me that I felt compelled to spend an extended amount of time with her, so I moved there in 2008 and spent eight months visiting artisans in their homes and workshops.  I was quickly charmed by the way they welcomed me into their lives.  I was a stranger who came knocking on their doors, and they quickly extended their friendship to me.  They allowed me to observe them practicing their crafts and take as many pictures as I wanted.  They patiently answered my endless questions.  I was intrigued to discover that even their crafts were continuously evolving into innovative forms, revealing still another experience of metamorphosis.  With every Michoacán experience, my artistic life constantly split and then coalesced into an ever-evolving consciousness.  It was a revolving kaleidoscopic experience of dissonance and resolution, crescendo and diminuendo, soaring to enormous heights and then crashing miserably so that I would have to hibernate for a while until my previous perspective acquiesced to the new insights I had achieved.

    Loza Varios Capula
    Several types of hand-made, hand-painted clay tableware, Capula, Michoacán.

    However, as my poetic voice matured, so did my perspective about culture.  Initially, my experiences with the artisans were conduits through which I could communicate my ever-changing poetic voice.  The artisans, though, offered me genuine friendship and even a chance to participate in their daily lives.  I sat with them around their hearth fires; they shared their meals with me.  I took them to a cornfield so they could pick loads of corn; then I helped shuck that corn to make uchepos.  I watched with delight as their children laughed and played together, sneaking up behind me with their toy pistols–BOOM!  BOOM!  BOOM!–before giggling and running away.  I participated in one of their festivals, and soon 'my' project became less about me and more about giving them a voice to the rest of the world, sharing the story behind the crafts for which they are so famous.

    Paracho Contando Hilos
    Counting threads while weaving a fine rebozo (shawl) from Aranza, Michoacán.

    As I observed the pace of their daily lives and the way they related to one another, I began to wonder if the crafts, the festivals, and dances are really what define a culture.  Are those the things that really define culture, or are they merely details?  I'm not so sure.  Perhaps the real cultural experience is the way a group of people relates to one another and interacts with each other.  It's a question I still ask myself.

    Cristo Pasta de Caña 17th century
    Seventeenth century Michoacán Cristo (Christ) made of pasta de caña.

    The crafts and artisans and the metamorphic life of Michoacán still have a hold on me.  But I think that Michoacán has taught me a much greater lesson: the value of life and the way people experience that life, and the warmth and friendship people extend toward one another–and even to strangers who come knocking on their doors.  This was truly the greatest of my metamorphic experiences in Michoacán.

    Pichátaro Blusa 1
    Hand cross-stitched guayanga (blouse), Pichátaro, Michoacán.
    ____________________________________________________________

    Pelota en Llamas, Jesús Alejandre
    Juego de Huarukua (ancient Purépecha fireball game), Tzintzuntzan, Michoacán.  Photo courtesy Jesús Alejandre G., Uruapan.

    On June 27, 2013, Travis Whitehead will present Artisans of Michoacán: By Their Hands at Pátzcuaro's Museo Regional de Artes Populares, in conjunction with an important exhibit of new photographs of Michoacán by Uruapan native Jesús Alejandre.  The opening of photographer Alejandre's exhibition and the presentation of Whitehead's book will be June 27, 2013 at 5:00PM.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Witness to Life: The Rebozo in Mexico :: El Rebozo en México, Testigo de la Vida


    Agustina en la Calle

    Lovely young Agustina in her pink silk rebozo (long rectangular shawl).

    A friend recently gave me a copy of an old and anonymous Mexican poem, written in Spanish, in homage to the rebozo.  The rebozo's importance to Mexican women cannot be exaggerated: from swaddled infancy to shrouded death, a rebozo
    accompanies our women throughout their days.  It is at once warmth,
    shade, infant's cradle, cargo-bearer, fancy dress, screen for delicious
    flirtation, and a sanctuary from prying eyes.

    I hope you enjoy my translation.

    Rebozo con Guitarra
    Michoacán-made rebozos and guitar, on exhibit in Morelia.  Note the elaborate fringes on both rebozos.

    My Rebozo

    Rummaging through my closet one fine day
    I found this garment—my old rebozo!
    How long had it been resting there?
    Even I can’t say exactly.
    But seeing it brought back so many memories
    Tears clouded my eyes and fell one by one as I held
    My beloved rebozo!

    Mamá e Hija, 12 de diciembre
    Mother and infant daughter wear matching rebozos, Fiesta de Nuestra Señora de Guadalupe 2010.

    What a faithful friend you have been.
    Shall we relive just an instant of that far-distant past?
    When I first showed you off, you were so beautiful, so new,
    With your lively color and flowing fringe
    Your reflection gleamed in the mirror like the morning star!

    Paracho Tejedores Aranza
    Fine lace rebozo still on the loom, from the Reboceros de Aranza (Aranza Rebozo Weavers Cooperative).

    Come on, come on, let me fling you over my heart
    The way I did in bygone years,
    Next to this heart that disappointment has turned to ash!
    Don’t you remember that beautiful blouse I wore,
    Embroidered with poppies and carnations?
    Don’t you remember all my triumphs and successes,
    And my flounced skirt, so full of its pretty sequins, beads, and glitter?

    Rebozo con Fleca Lavanda
    Lavender and white rebozo with elaborate fringe.

    See, tightened to the span of my narrow waist and
    Crossed just so over my straight young back
    Showing off my fresh round breasts,
    With two vertical parallel lines.
    We stepped out to the beat of those long-ago songs,
    That dance that determined my life.
    Your fringes hung down just so!
    And the two of us formed one soul.

    Rebozo Negro y Rojo
    Finely woven black and red rebozo.

    How was it that I wanted him?  You know!
    Rebozo, you heard first how I loved him!
    Your fringes were hopeful prisoners of my teeth
    While I heard the soft slow songs of love
    Oh perverse rebozo, unfaithful friend!
    You were my confidante and my hiding place
    You pushed me, burning, into romance
    Wrapped in your fringes as if they were cherished arms.

    Rebozo Rojo Rojo
    Intricately patterned deep red rebozo.

    But what’s this I see!
    An ugly hole
    That looks like a toothless mouth
    Bursting out into furious laughter.
    You laugh at my romantic memories?
    You make fun of my long gone triumphs?
    You know that the one who loved me has forgotten me
    And that my soul, just like my love, is sacked and plundered?

    Comadres  Patzcuaro
    Two elderly women share a secret joke in Pátzcuaro.

    And you—you aren’t even a shadow of what you were
    And because we don’t remember what we have been
    We are betrayed!  Old!  Faded!
    I’ll throw you in a box with other trash—
    You, who are a traitor and so worn out!
    How strange and how complicated
    Just like you, I also betrayed—sometimes–in little ways!
    Those sweet lies and silly nonsense
    That made so many of my yesterdays happy.

    Rebozo con Plumas
    White and black rebozo fringed with feathers.

    Laugh, rebozo!  Don’t you see that I’m laughing–not angry?
    The tears that spring from these eyes
    Are just laughter, nothing more.  I’m not crying, I’m laughing!
    But how can I be laughing, when I hate you so?
    Let your mantel cover my head
    The way it did in days long past, when I was possessed
    By a kiss so strong, so violent.

    Rebozo Oro y Salmón
    Gold and salmon rebozo de gala (fancy dress).

    No!  I will not throw you away, old rebozo!
    You have a soul like mine
    A Mexican woman's soul, wild, unmanageable
    That will not bend even when faced with death itself!
    I will fold you up and keep you in the closet
    And there, like a holy relic,
    My heart will once again put on
    Your flowing fringe.

    Viejita con Flores
    Elderly flower seller, Pátzcuaro, Michoacán.

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  • A Flaneur in Mexico City: Out and About in the Distrito Federal

    DF Grafito Calle 5 de febrero 25
    Wall art stencil in the Centro Histórico. "México is no country for cowards."

    DF Xochimilco Trajinera Vihuela Player
    Vihuela player, mariachis along the canals in Xochimilco.  One dictionary defines the vihuela as "an obsolete stringed instrument".  Tell that to Mexico's mariachis–every group has one!

    DF Xochimilco Jacarandas Gray Sky
    Mexico City's iconic purple glory: jacaranda in full springtime bloom.

    DF San Ramón Nonato Catedral Locks
    Padlocks and ribbons, prayer reminders left at the feet of San Ramón Nonato inside the Catedral Metropolitano (the Metropolitan Cathedral).  San Ramón Nonato is the patron saint of locksmiths and pregnant women.

    DF Mangos Paraíso Mercado Coyoacán
    Mango season is here, sound the trumpets!  In Mexico, this variety is known as Paraíso (Paradise).  It absolutely lives up to its name.

    DF Xochimilco Trajinera Seat Colors
    Painted chair, Xochimilco.

    Organ Grinder, San Ángel 2013
    Organ grinder, San Ángel 2013. 

    Jamaica Piloncillo
    Piloncillo (cones of raw brown sugar), large and small, light and dark, for sale at the Mercado de Jamaica.

    Bola Suriana en Coyoacán nov 3 2012
    Concert in the rain, Coyoacán.  With Bola Suriana.

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  • Paletas La Michoacana: Big Business, Sweet and Icy in Tocumbo

    Popsicle Eater
    When I was a little girl, a Popsicle was a big deal. Summertime meant that the ice cream truck, bell tinkling, would trundle through the neighborhood where I lived. After a frantic plea to Mom for money, she counted out coins and I raced to the corner where the rest of the kids were already gathered, waiting for the vendor to dig through his icy case for cherry, lime, or the reviled banana. The odor of amyl acetate (the chemical used for artificial banana flavoring) remains cloyingly in my memory.  Photo courtesy ChezBeeper.

    Remember? Hot summer days made those frozen snacks melt quickly, down childish fingers and the side of the hand, down the wrist and almost to the elbow in sticky trails of blood red and pale green. Nips of the cold treat slid in a chilly track from tongue to stomach, giving a few moments relief from childhood summers' heat and humidity. We didn't care that they were artificially flavored; Popsicles were a summer joy. Once I was an adult, I left them behind in favor of more sophisticated gelatos and sorbets.

    Long before I dreamed of venturing to Mexico, Ignacio Alcázar of Tocumbo, Michoacán had a vision. Paletas—frozen treats similar to Popsicles—were on his mind. Tocumbo was a tiny village in the 1940s.  Life there was harsh and subsistence was difficult. Eking a hardscrabble living from the sugar cane fields of the region around Tocumbo depended as much on Mother Nature's vagaries as on a farmer's backbreaking work. In those days, the pay for peeling 2,000 pounds of sugar cane was two pesos. Campesinos (field workers) could expect to earn a maximum of three pesos a week.

    But making a living selling paletas depended solely on creating a desire for something delicious and refreshing to satisfy someone's antojo (whim). In the mid-1940s, Ignacio Alcázar, his brother Luis, and their friend Agustín Andrade left the misty mountains and pine forests of Michoacán and headed for Mexico City, the country's burgeoning hustle-bustle capital. The men had made paletas in Tocumbo for several years, but it was time to try their hand in the big city.

    In 1946, the three men, illiterate native sons of Tocumbo, established an ice cream shop in downtown Mexico City. The new paletería (paleta shop) wasn't elegant, but it worked. People clamored for more and more paletas. The Alcázar brothers and Andrade expanded, and expanded again. They sold franchise after franchise of their paleta brainchild to their relatives, friends, and neighbors from Tocumbo. The single shop that the two men started became the most successful small-business idea in Mexico in the last half century, known across the country as La Michoacana. More than 15,000 La Michoacana outlets currently exist around Mexico, most of them owned by people from the town of Tocumbo.

    Plaza_sign
    Mexico City alone has more than 1,000 La Michoacana outlets. Usually the paleterías are called La Michoacana, La Flor de Michoacán or La Flor de Tocumbo.  Every Mexican town with more than 1,000 residents is without one. Only Pemex, the nationalized petroleum company, has blanketed Mexico so completely.

    When I moved to Mexico in 1981, a Mexican friend insisted that she was going to buy me a paleta. "A Popsicle?" I scoffed. She took me by the scruff of the neck and all but shoved me into the nearest La Michoacana. I peered into the freezer case and was amazed to see hundreds and hundreds of rectangular paletas, organized flavor by flavor, lined up in stacks in their protective plastic bags.

    And what flavors! Mango (plain or with chile), blackberry, cantaloupe, coconut, guava, and guanábana (soursop) were arranged side by side with strawberry, vanilla, and—no, that brown one wasn't chocolate, it was tamarindo. Some were made with a water base and some with a milk base. Every single paleta was loaded top to bottom with fresh fruit. There was nothing artificial about these. I was hard pressed to decide on just one flavor, but I finally bit into a paleta de mango and was an instant addict.

    The story of the paleteros (paleta makers) from Tocumbo piqued my curiosity. For many years I've been determined to visit this out-of-the-way town. I finally made the trip to the place where it all started. Getting to Tocumbo isn't simple, but driving the two-lane back roads winding along green mountains is lovely.

    The names of the towns I passed through (Tarácuato, Tlazazalca, Chucuandirán, Tinguindín) roll off the tongue in the ancient rhythmic language of the Purhépecha (Michoacán's indigenous people). Women, teenage girls, and children wear beautiful ropa típica (native dress) as they walk to market or gather wood in the hills. Fragrant wood smoke mixes in the air with the crisp scent of pine. Wildflowers dot the roadsides and mountains with purple, orange, yellow and blue.

    The well-manicured entrance to the town of Tocumbo lets you know immediately that you have arrived. No statues of Miguel Hidalgo or Benito Juárez grace the junction, nor is there a proud plaque commemorating a favorite local hero. Instead, the townspeople have erected a two-story statue of (what else?) a paleta. I'd seen photos of the monument, but the actual sight of the huge frozen delight made me laugh out loud.

    Plaza_paletas_2
    Strawberry cream paletas.

    Carefully trimmed trees, flowers, and lawns edge both sides of the road into town. Large, well-appointed homes line the streets and the local trucks and cars are recent models and very well maintained. Tocumbo has one of the highest per capita incomes of any town in Mexico.

    Tocumbo_templo
    My first stop was at the Tocumbo parroquia (parish church). Named in honor of the Sacred Heart of Jesus, the church is modern and beautifully adorned with stained glass. The architect who designed the church is Pedro Ramírez Vázquez.  Arquitecto Ramirez also designed some of Mexico's most famous buildings, including the Basílica of our Lady of Guadalupe, the 1968 Olympic Games installations, Aztec Stadium, the National Anthropology Museum and the National Medical School buildings, all in Mexico City.  Arquitecto Ramírez, born on April 16, 1919, died on April 16, 2013.  His passing is a huge loss to the world's architectural community.

    Ramírez was one of the most outstanding building designers in Mexico, a man who enjoyed international fame for his creations. It's particularly telling of the economic power of the town that the people of Tocumbo contracted with him to design their parish church.

    As I sat for a bit in the town plaza, two local women strolled across the square eating paletas. After we greeted one another, I asked who the best person in town would be to give me local history. They directed me to the mayor's office on the other side of the plaza.

    I spent several hours at the Tocumbo mayor's office talking with town official German Espinoza Barragán, who told me long stories of life and times in Tocumbo, and the history of the paleta.

    Sr. Espinoza mentioned that many people erroneously believe that all La Michoacana stores throughout Mexico are owned by one family. "You already know that the founders were Ignacio Alcázar, his brother Luis, and their friend Agustín Andrade, and that they sold the first La Michoacana franchises to their relatives and friends. After that, the relatives and friends sold franchises to their relatives and friends, and the business just continued to spread. With a simple formula of handmade products produced every day and sold inexpensively, the business has produced hundreds of jobs as well as a high standard of living that's different from any other town in the region."

    Sr. Espinoza commented, "All of our streets are paved, and all have street lights. People live very well here, although it's difficult to say how many actually do live here year round."

    I looked up from my notes. "Why is that?"

    "A lot of tourists from all over Mexico and many other countries pass through this town," he began. "Many see that our life here is peaceful, our climate perfect, and our town beautiful, so they ask about renting or buying a house here. Once they see Tocumbo, everyone wants to stay."

    I nodded in agreement. The thought had occurred to me.

    Sr. Espinoza nodded too. "People say, 'Find me a house to rent.' I just tell them to forget it, it's hopeless. Then they tell me, 'But so many of the houses here in town are vacant! Surely the owners would like to rent their houses.' I shake my head, even though up to 75 per cent of the houses here in Tocumbo are vacant for eleven months of the year.

    "The thing is, everyone comes home at Christmas. No matter whether so-and-so's family lives all year round in Chiapas or Tijuana working in their La Michoacana store, in December everyone is here. Where would they stay, if their houses were rented?

    Plaza_paletas_1
    "During the 1990 census, INEGI (the Mexican census bureau) tried to count the number of people in town. They counted about 2,400 people. But truly, triple that number call Tocumbo 'home'. No one misses the holiday season here. They come home to tell their stories, to find out the last word in the business, to look for a girlfriend, to get married, to have quinceañeras (a girl's15th birthday celebration), to baptize their babies. They put off all of these festivities for months, until the winter low season for selling paletas arrives and they can come home.

    "This year, the Feria del Paletero (Fair of the Paleta Maker) starts on December 22 and ends on December 30. There will be sports events, free paletas, rides for kids and adults, and other things for everyone to do. You should come."

    "The success of the Tocumbo paleta business must inspire people all over Mexico," I commented.

    Once again Sr. Espinoza nodded. "It's a kind of work that offers even the person with the least schooling a way to make a good living, without going to work in the United States and without getting involved in selling illegal drugs."

    Plaza_fachada
    He returned to the history of the business. "Of course, word of the success of the new paleta business in Mexico City reached Tocumbo really fast. All Tocumbo packed its suitcases and went to get in on the gold mine. Everybody was buying paleta stores. And the best is, all the contracts were made on the solid word of the parties, without any paperwork, and all the loans to start the businesses were made between the buyers and the sellers. No banks were involved.

    "This first generation of paleteros (paleta makers) felt the obligation to let everyone have a part of the success. Remember that Tocumbo is a very small town. Almost everyone is related to everyone else. Everyone of that generation had grown up together, and everyone shared just a few last names. The belief was 'today it's your turn, tomorrow it's mine'. And everyone lived by that.

    "Today, things are a little different, but only a little. There's still room for all the paleterías in Mexico, and the majority belong to Tocumbans. Even though other ice cream stores like Bing and Dolphy have opened and there are even new brands coming in from the United States, there's no other big success like we have had. To start with, the paleta is the people's business, not corporate business. Other businesses might spend huge amounts of money on advertising and special wrappings, but we Tocumbans don't run our businesses that way. We're flexible, we save our money, and we work very hard. The paleterías are open from early in the morning till late at night, every day of the year. Even when the owners are home for the holidays, their employees are working in the stores. We make only as many paletas as we can sell each day. We don't use chemicals in our paletas, and we adapt the flavors to the regions where our stores are."

    Plaza_paletas
    The orange paletas are mango.  Click to enlarge the photo and you'll easily see the chunks of fresh-frozenfruit.

    Sr. Espinoza went on to tell me that the most popular flavor paleta is mango, because it's the fruit that everyone in Mexico loves. He continued, "In the south of Mexico, we have to offer mamey, zapote, and plátano. Where people have more income, we can sell a paleta for seven pesos. Where income is lower, such as in the states of Chiapas and Oaxaca, we sell a paleta for five pesos. We keep our stores very simple, so everyone can feel comfortable to come inside. And we try to open our stores in places where lots of people congregate: near schools, near hospitals, and near sports facilities."

    The story of this business amazed me. I shook my head and said, "What was the next step for the paleteros?"

    "When we saw that so many Mexicans were living in the United States, the next logical move was to start stores there. We started moving there too, and opened the first shops in California, Texas, Arizona, and Florida. And now—now there are La Michoacana stores in Pennsylvania, in Chicago, and in New York. Next will be Central and South America, you'll see.

    Tocumbo_entrada_2
    "Did you look at the monument at the entrance to town?" Sr. Espinoza asked me.  "Of course! It's wonderful," I exclaimed.

    "On the way out of town, look at it again," he said. "Look, a little drawing of it is on my business card." He handed me the card. "See the blue ball of ice cream in the paleta? And see the paletas all over the ball?" I did see them. "The blue ball represents the earth, and the bright colored paletas cover it." He smiled at me. "And someday, paletas from Tocumbo, Michoacán will truly cover the globe."

    I have absolute faith that he's right.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Food Fair in Uruapan, Michoacán: Una Muestra de Gastronomía

    Dos_mujeres_con_masa_copy
    The Purhépecha woman in the foreground pats out tortillas while her companion sorts through a plate of golden, freshly cut flor de calabaza (squash blossoms).

    The first two mornings of the huge annual artisans' crafts fair in Michoacán begin with a food fair: la Muestra de Gastronomía. 
     Fifteen or so outdoor kitchens, set up around a charming plaza just a
    block from the crafts booths, offer cooking demonstrations and
    inexpensive meals of representative Purhépecha dishes.  The food, rustic
    and rarely seen outside a Purhépecha home kitchen, is, in a word,
    heavenly.  The Mexico Cooks! group trooped
    into the food fair just in time for Saturday breakfast.  The crowd could have
    known who we were by the way our mouths were watering with
    anticipation.

    Making_tortillas_copy

    Corn is the basis for the indigenous Mexican kitchen, and the
    tortilla is the lowest common denominator.  On the table in front of
    this woman, you can see the metate (three-legged rectangular grinding stone) and the metapil (similar to a rolling pin) resting on it, along with the prepared masa from which tortillas are made.  Both the metate and the metapil are hand-carved from volcanic rock.

    Making_tortillas_2_copy

    To the left of the table is the clay comal (similar to a
    griddle) that in this instance rests loosely on top of a metal drum in
    which the wood cook fire is built.  Prior to use, the comal is cured with cal (builders' lime).  The cal serves two purposes: it gives the comal a non-stick surface and it adds nutrients to the masa as it toasts.

    In the past, all of Mexico's women prepared dried corn for masa by soaking and simmering it in a solution of water and cal.  The name of the prepared corn is nixtamal.  Once it's processed, it's ready to be ground into masa for tortillas, tamales, and other corn-dough preparations.  Some rural women still grind nixtamal-ized corn by hand using the metate and metapil.  Some take the prepared corn to their neighborhood tortillería (tortilla vendor's shop) for grinding, and some prepare their masa
    using commercial dried corn flour.  In urban areas, the majority of
    Mexican families buy tortillas hot off the tortilla baker at the tortillería and carry them home, wrapped in a special towel, just in time for a meal.

    Cal_y_comal_copy

    This woman prepares her stove, made of part of a metal drum with an
    opening cut away for firewood.  She's spreading a paste made of wood
    ash and cal on and around the top of the the drum to hold the comal in place.  The white streaks on the red clay comal are cal.  The volcanic rock metate and mano are on the bench in the background.  Her well-used clay cooking pot is visible to your left.

    Tortillera_1_copy

    This joyous woman is patting out blue corn tortillas.  The masa and metapil are on the metate in front of her.  She's toasting the tortillas and roasting tomatoes and chiles on her clay comal.  The comal is set into a clay stove fired by wood.  The haze that you see is woodsmoke.

    Atpakua_de_flor_de_calabaza_copy

    The Purhépecha kitchen repertoire includes numerous atápakuas (literally, a type of thick, soup-like salsa served plentifully over prepared food).  The Purhépecha word atápakua has meaning deeper than its simple definition.  Its connotation is food that is picante (spicy), nutritious, and life-sustaining in a spiritual sense.  Mexican culinary historians agree that the preparation of atápakuas
    dates from as long as 400 years before the Spanish Conquest, around
    1100 AD, when the Purhépecha were strong rulers in the area of Mexico
    that is now Michoacán. 

    An atápakua can be made from the ingredients that are easily
    found in the region.  The specialty of one tiny village of the Meseta
    Purhépecha is atápakua del talpanal (wasp larvae).  Another town's specialty is xururi atápakua, the principal ingredient of which is cotton seeds.  More commonly, indigenous cooks prepare their atápakuas of seasonal and readily available vegetables along with a bit of meat, poultry, or fish.

    We of Mexico Cooks! didn't eat wasp larvae or cotton seeds.  We inhaled bowls of atápakua de flor de calabaza (thick, soupy salsa served over squash flowers, fresh corn kernels, and chunks of corundas de ceniza (unfilled tamales made with masa and wood ash).

    Atapakua_close_up_copy_2

    In the closeup of the atápakua you can clearly see the corn kernels (closest to the bowl of the spoon), small pieces of calabacita (similar to zucchini), orange squash flowers, and a piece of white corunda.   For flavor and color, chiles serrano and cilantro are blended into the cooking liquid.  The thin, soupy salsa is then thickened by blending a small ball of masa into the hot liquidThis atápakua is deliciously spicy and tastes as fresh as the garden.  I finished my portion and wanted another bowl.

     Churipo_big

    Photo by Steve Sando, www.ranchogordo.com

    Churipo, shown above, is one of my favorite Purhépecha specialties.  Churipo is a hearty soup, the delicious broth flavored by long cooking with beef, cabbage, calabacitas, xoconostle (the sour fruit of a specific nopal cactus), onion, chile, and other ingredients.  Served with a squeeze of limón (Mexican lime), a sprinkle of coarse sea salt, tortillas hot off the comal and corundas de ceniza broken up in the bowl, it's a wonderful meal in one dish.  If your palate will take the heat, eat some raw chiles serrano along with your bowl of churipo.  Remember that the tip of any chile is less picante than the stem end, where most of the seeds are.

    Late in the afternoon, after we'd investigated as many of the crafts
    booths as we could, we were all in need of something very light and
    fresh for our comida (middday meal).  We ordered a fruit plate and a plate of guacamole with totopos (triangular fried tortilla chips) at a local restaurant.
    Fruit_plate_with_guacamole_copy

    For dessert we found limones, with the pulp scraped away, candied and stuffed with cocada (coconut candy).  Half of one of these is plenty!
    Cocadas_en_limones_copy

    This was such a sweet finish to a fascinating day in Michoacán.  If
    you'd like to travel to this event in 2014, be sure to email Mexico Cooks! in time to save your place for adventure.

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