Author: typepadtowordpress

  • Art and Beauty in Erongarícuaro, Michoacán: A Riot of Color at UNEAMICH mfa/eronga

    UNEAMICH
    The unprepossessing doorway to UNEAMICH mfa/eronga, the Erongarícuaro, Michoacán artists' cooperative originally founded in 1981 by Steven and Marina Rosenthal.  "Go to the corner where the primary school is, turn right, and go halfway down," read Marina's directions.  'Halfway down to what,' wondered Mexico Cooks!, but the building was easy to find.  All photos by Mexico Cooks! except as noted.

    Pátzcuaro, the original capital of Michoacán, is a well-known destination for tourists, whether they are interested in pre-Hispanic religious sites, centuries-old architecture, modern working artisans, or regional Purhépecha cuisine.   Just a few minutes' drive away, another side of Michoacán exists: small-town, little-visited, and still very much oriented toward Mexico's traditional way of life.  In Erongarícuaro, the day bustles gently around the small plaza.  The pace is slower even than that of Pátzcuaro.

    La Primavera
    In the Erongarícuaro, Michoacán taller (workshop) of Muebles Finos Artesanales Erongarícuaro–the UNEAMICH wholesale entity branded as mfa/eronga–Marina Rosenthal stands before a custom-painted panorama of canvas nudes.  You can put your own face in one of the vacant spots.

    Erongarícuaro, attractive in a well-worn, frayed-cuff style, is home to about 13,000 people, including a few souls from 'away'.  Europe, Canada, and the United States are equally represented.  Long a bohemian outpost (according to local legend, Frida Kahlo and Diego Rivera and their international cohorts were frequent visitors), Erongarícuaro still attracts the slightly eccentric foreigner: a handful of people setting up a sustainable community, another handful interested in communal housing, and one or two long-time residents working in town.

    Where We Talked
    The sales and reception room at UNEAMICH mfa/eronga, where we talked with Marina.  Photo courtesy Bernie Frankl, Tucson, AZ.

    Steve and Maureen Rosenthal, originally from Arizona, have lived and worked in Erongarícuaro for nearly 40 years.  Their commitment to the town and its people runs deep; they've put their lifework into training artists, producing incredibly beautiful furniture and home decoration over the course of the years.  Their business, UNEAMICH mfa/eronga, has evolved from its 1980s-era origins as an Escuela Taller (Workshop School) to the worker-owned cooperative that it is today.  Along the way, the Rosenthals and the artist owners have created a living heritage for Erongarícuaro.

    Artist Cubicle 1
    One of the artists' workrooms at UNEAMICH mfa/eronga.  Most of the 40-plus artist members of the cooperative were attending a community funeral on the day that Mexico Cooks! visited the UNEAMICH/mfa/eronga taller.

    Mfa/eronga (the name of the UNEAMICH store that Steve runs in Tucson) has talleres (workshops) on both sides of its quiet Erongarícuaro street.  One is the carpentry workshop for building and carving the wooden furniture; the other is filled with artists' cubicles where the fine decoration work takes place.  Mexico Cooks! greeted Marina (Maureen's name loosely translated into Spanish) Rosenthal with a happy, "Finally!  We've wanted to visit you for years!"  We hugged and laughed that our meeting had been delayed for so long.

    Chair Back Sun 1
    The painted backrest of a UNEAMICH mfa/eronga chair.  Click on any photo for a larger view.

    While giving us a running history of the business, Marina took us on a tour of the two talleres.  "Steve and I came here in 1970 to finish writing a screenplay, but the option to make the movie just never panned out.  By then, we were so in love with this part of Michoacán that we didn't want to leave.  We started making painted furniture, and little by little, customers started seeking us out.

    Dry Bar Outside Dry Bar Inside
    The exterior and interior of one of mfa/eronga's fabulous painted pieces. Photo courtesy mfa/eronga.

    "When Cuahutémoc Cárdenas was governor of Michoacán (1980-86), he was a huge supporter of the state's regional arts.  You know that he was the son of Lázaro Cárdenas del Rio, Mexico's forward-thinking president from 1934-1940, and he had a lot of his father's sensibilities.  One of his projects was to open Escuelas Talleres–workshop schools–where artisans could receive training that would enhance the quality of their work and make it more easily sold.  That's where we came in: our workshop began to receive state support for training artists.  Literally dozens of artists have trained with us; some continue to work with us now, and some of our current workers are the children of those men and women who initially trained here.

    Ariel
    Work facilities at UNEAMICH mfa/eronga are primitive, but the cooperative of artists creates glorious work in spite of the harsh conditions.

    "Most of the artists we've trained knew some carving or painting techniques before they came to us.  Their level of general knowledge of art was practically nil, though: none knew of the great European classical or modern painters and none had heard of any artists north of the Mexican border.  Few knew of Mexico's great artists: Rivera, Kahlo, Tamayo, the Coronel brothers, and Juan O'Gorman, just to name several.  One of my greatest joys has been taking our extremely talented artists to Morelia, to Guadalajara, and to Mexico City to show them art's possibilities outside their limited frame of reference.  

    Bateas
    UNEAMICH mfa/eronga artists hand-paint and hand-finish bateas (hand-carved shallow wooden bowls) from their own designs–or from your special-order design.

    "We've made furniture using classic Michoacán designs, in bohemian designs, in our own designs, and with every painted decoration you can imagine.  You'll find anything from a still life of hybrid roses to a caricatured cat on our furniture and home decor.  Our artists, wonderfully inventive talents, can take the simplest thing and bring it to a level of beauty that attracts the most discriminating client.

    Artist Cubicle 2
    Another artist's workspace at UNEAMICH mfa/eronga.

    "The work that comes from our talleres has spread all over the world.  Right now, we're working on furnishing a hotel–not the first one, and we surely hope not the last!  Disney commissioned pieces for a restaurant, we have other long-time restaurant clients who decked out their restaurant with our pieces and need frequent replacements, and we have years of background making custom pieces for private customers.

    Orange Clamp
    The man carving intricate hand-drawn orchids into this chair back said, "Solo soy carpintero."  ('I'm just a carpenter.')

    "Our stories range from the sublime to the truly ridiculous.  We've gone through times of terrible famine, when we couldn't make our payroll–think of the horrors of the 1994 devaluation of the peso!  But our artist workers stayed with us, even when we couldn't pay regularly.  Really, it's the workers who have always made our business a success.  You don't measure success just by looking at your bank balance.  Loyalty to one another: that's a huge measure of success, in my mind.

    Cine Seats artists
    For your home, mfa/eronga sells cinema seating made in the old-fashioned style,  but of new materials–and in this case, painted with artists' stylized portraits.  Other styles are available.  Photo courtesy mfa/eronga.

    "Right now, because economic times are really challenging, Steve is staying across the border in Tucson, running our retail operation.  I'm here with our youngest daughter, running the talleres.  Our staff here in Erongarícuaro currently numbers about 43, down from a high of 160 working artists.  But we keep on going; our loyalty is to our cooperative artists, and their loyalty is to the cooperative and to us.

    Controlled Chaos
    Nothing is wasted, everything is recycled.  Out of this chaos of wood trimmings come works of art.

    Wall Flowers
    Flowers in a vase, hand-painted on an artist's workspace wall.  Making art is more than a job; art is a way of life.

    You can see more mfa/eronga furniture and home decor on their website, mfa/eronga.  The website includes an online store as well as a catalog, a price list, and a newsletter.  If you're planning to be in the Morelia/Pátzcuaro region, please contact Mexico Cooks! for a guided tour of Erongarícuaro, the mfa/eronga workshop, and more entrancingly beautiful villages in Michoacán.

    Chair Back Cactus 2
    Cactus in bloom on mfa/eronga chair backrests.

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Templo de la Inmaculada Concepción: Friends’ Big Night Out in Morelia, 2010

    La Inmaculada
    The Templo de la Inmaculada Concepción (Church of the
    Immaculate Conception) is located on Calle Tejedores de Aranza in
    Morelia, Michoacán.  The Immaculate Conception, a dogma of the Roman
    Catholic Church, means, "conceived without stain of original sin" and
    refers to the Virgin Mary.

    This past Wednesday (May 12, 2010), thirteen friends, some of whom are long-time Morelia residents who had never experienced this local tradition, got together for a Big Night Out at Morelia's Templo de La Inmaculada Concepción.  It seemed timely to publish this 2008 article again, with a few photos just taken this week.

    Shortly after Mexico Cooks!
    moved to Morelia, a friend here insisted that we go to supper with her
    at a local institution.  She wouldn't tell us exactly where we
    were going, just settled herself in our car and told us, "Turn here. 
    Now here, and left at the next corner.  Then right…
    "  In a few
    minutes we were parking at the curb in a well-kept working class
    neighborhood, a huge church looming on the corner.  Imagine our surprise
    when she told us that we were going to supper at the church!

    Just
    a few steps down from the sidewalk, we were astonished to see a huge
    room filled with tables, chairs, and the hustle and bustle of a horde of
    people.

    La Concha
    Bring enough people so that some can stand in one line, some in
    another, and some can save a place for your group to eat supper.

    This
    was no run-of-the-mill church supper, with covered casseroles and your
    Aunt Joan's coconut cake.  Morelia's Templo de la Inmaculada
    Concepción
    (Church of the Immaculate Conception) started its nightly
    food fair as a kermés, way back in the 1960s.  A kermés
    is a street fair devoted to the sale of food, soft drinks, and sweets
    for the purpose of raising money for a cause.  More than 30 cooks in the
    neighborhood of La Concha (that's the affectionate nickname for
    any woman named Concepción, and it's the nickname for the church
    as well) prepared enchiladas, pozole, tamales, buñuelos, atole
    and an infinity of other typical Mexican dishes, all for sale in front
    of the original adobe church.  Every night of each kermés,
    thousands of people ate their fill of delicious food.  Before long, the
    funds from kermés La Concha made the new church a
    reality.

    Boletos
    Pay for everything from drinks to dessert with tickets you buy at the
    booth pictured below.  Ticket denominations range from two to six pesos.

    Cubiertos y Canje
    When you finish your meal, you can exchange any leftover tickets for
    money.  You can rent silverware, too, and turn it in for a refund when
    you're finished eating.

    The nightly kermés–it opens at about 7:00PM and closes at about 10:00PM–has changed a
    lot over the course of more than forty years.  When the neighborhood
    built the new church, the lower level became a permanent cenaduría
    (supper spot) that continues to raise funds for the parish.  Nearly 30
    booths range around the perimeter of the huge space, serving everything
    from soup (pozole, a thick, rich pork, chile, and corn
    stew) to desserts (tamales dulces (sweet tamales) and
    crispy, crunchy, syrupy buñuelos).  Current prices for food range from thirty
    pesos for a plate of chicken with enchiladas and vegetables down to nine
    pesos for a soft drink. 

    Lucille's Pambazo
    Lucille Arneson had never tasted a pambazo and was about to dig into this one when Mexico Cooks! all but grabbed the fork out of her hand.  "Wait!  Let me take its picture first!". 

    To make a pambazo,
    start with a really good bolillo, split almost in half. 
    Dip the whole thing
    in rich enchilada sauce and deep fry it till it's smooshy and
    crunchy and totally decadent. 
    Stuff
    the roll with as much picadillo as you can.   Plate it with fried diced carrots and
    potatoes and top with freshly diced tomatoes, shredded lettuce, and
    crumbled cheese.

    Alice and a Pambazo
    Alice Katz, who celebrates her 13th birthday in July, said that her pambazo was great–"almost as good as the ones I get in Mexico City."  Alice liked her first visit to La Inmaculada and said she'd go back any time.

    Me
    traes un refresco…a mi unas servilletas…me falta un salero, por
    favor…
    "  "Bring me a soft drink…some napkins for me…I need a
    salt shaker, please…"  When you're finished with your supper, the
    children take your plates, clear the rest of the table, and make it
    spotless for the next round of guests.  A tip is nice for the kids, even
    if they've only cleaned your table.  Give them a couple of your
    leftover food tickets–your waitstaff will exchange them for cash. 

    Pambazo y
enchiladas
    Ready for the customer who ordered them: four orders of enchiladas
    with chicken and a pambazo, Michoacán style.  

    Rodger, Linda and Pozole
    Rodger García enjoyed his quesadillas and pozole blanco while he mugged for the camera.  Linda Pierce egged him on.

    Bunny
    Bunny Richards devoured a bowl of pozole blanco, a juicebox of
    Boing! mango drink, and then ordered a buñuelo, which she shared
    with the table.
     
    Buñuelos
    Bunny's buñuelo.

    Buñuelos are similar to very large
    flour tortillas.  Form the dough into a big disk, deep fry it, and then cover it with a rich
    syrup of made from piloncillo (cones of brown sugar)and anís
    (anise).  The buñuelo in the picture above was broken into three
    or four pieces so that it would fit on the eight-inch plate.

    Refrescos
    The choice of drinks is almost endless.  In addition to soft drinks,
    you can also choose from several house-made aguas frescas
    Alcohol is not permitted.

    So, you might ask yourself, if the
    biggest bill comes out to thirty
    pesos for a big plate of food and nine pesos for a drink to go with it, how
    profitable could this neighborhood charity be?  Naturally most people
    order other foods as well, raising the cost of their supper by a
    little.  When Mexico Cooks! eats at La Inmaculada, we
    usually spend about 120 pesos per couple.  It's almost impossible to
    resist eating too much.

    Cindy, Lucille, and Pambazo
    Cyndie Katz (Alice's mother) and Lucille Arneson enjoyed everything about our Big Night Out at La Inmaculada.

    Okay, how much money does the parish take
    in?  Are you sitting down?  Every night, the profits are approximately
    40,000 pesos (about $4,000 USD).  The parish priest administers the
    funds, which are used, among other things, to provide school breakfasts
    and food baskets for the needy.  The parish also provides a free
    doctor's office and a variety of other services.

    Guitarrón
    Once in a while, roving mariachis sing at La Concha.

    At the Templo
    de la Inmaculada–La Concha
    , when we're feeling tender-hearted–we
    eat well and we know we're contributing to a variety of good causes. 
    Next time you're in Morelia, come along with us!

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Ay, Qué Chulo (Oh, How Cute…): Animal Photos from Mexico

    Ardillita 1
    Ardillita
    (baby squirrel), one of twins, on the roof of Mexico Cooks!' bodega (outdoor storage closet).  January 2008.

    It occurred to Mexico Cooks! today that we rarely (make that never) play the 'cute animal' card, but there are certainly a lot of cute critters to enjoy in Mexico.  Call them bonito, lindo, or chulo, the result is the same: a long sigh of awww.

    Hat and Dog in the DF
    This extremely cosmopolitan cocker spaniel, out for a stroll in Coyocacán, Distrito Federal.  November 2009.

    Foal and Mare
    Mother and daughter, on the road to Erongarícuaro, Michoacán.  May 2008.

    Chepo in his Sweater January 2010
    Our very own Chepo, looking piratical in his sweater.  January 2010.

    Burrito
    Qué burrito más bonito! (What a cute little burro!) Zirahuén, Michoacán.  July 2008.

    Tigres Sentados
    Tigers at the Circo Atayde Hermanos, Morelia, Michoacán.  August 2008.

    Cargados
    Find the burro…  Ajijic, Jalisco.  March 2007.

    Conejito de Flores
    Conejito de flores (little bunny made of flowers), Festival Internacional de Música de Morelia.  November 2009.

    Xolo pup 1
    All together now: awwwwww.  It's a xoloitzcuintle puppy from Pátzcuaro, eight weeks old.  September 2008.

    Next week Mexico Cooks! promises to bring you something from the kitchen.

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • State Support for the Artisan Community in Michoacán, Mexico

    Muchacha con Olla
    At Morelia's Casa de Artesanía: a Purhépecha girl with traditional clothing, jewelry, and clay jug, all part of Michoacán's folk art heritage.

    The Morelia Casa de Artesanía (its acronym is CASART), has provided government support to the artesanos (artisans) of Michoacán for 40 years.  Earlier this year, more than 400 artesanos participated in a lively and beautiful exhibition, competition, and sale at the Casa de Artesanía.  More than 700 pieces were entered into competition, representing more than 40 communities in Michoacán.  Fifty-seven Michoacán artisans won prizes for their traditional and/or innovative work.

    Conjunto Pirekua
    A conjunto de pirekuas–traditional Michoacán musicians singing Purhépecha songs–participated in the opening reception at the Casa de Artesanías.

    The competition included four artisan categories: pottery (including low- and high-fired pieces, pieces that are lead-free, and pottery in general); wood (furniture and miscellaneous decorated pieces); textiles (wool and cotton, including clothing, embroideries, tablecloths, wall hangings, rugs, and blankets); and fibers and vegetable matter (palm fibers, bamboo, reed, and other fibers).

    Metates Minaturas
    Three miniature decorative metates (grinding stones) on a tray.  Each individual metate, made in Zinapécuaro, Michoacán, is no bigger than three inches long.

    In spite of mid-winter unseasonably heavy rain, the CASART exulted in a very large and exuberant turnout for its 40th anniversary celebration.  Mexico Cooks! was delighted to be among the guests for the opening exhibition and sale.

    Tócuaro
    Traditional dancers from Tócuaro, Michoacán, wearing their masks, capes and be-ribboned straw hats.

    Cenaduría Ocumicho
    Made in Ocumicho, Michoacán, this is a representation in clay of an outdoor cenaduría (supper spot).  The largest figures are no more than four inches high; the hand-modeled and painted clay food is tiny.  Click on the photo for a bigger and better view.

    Cenaduría Menú Ocumicho
    Detail of the cenaduría menu–written on a clay tablet.  The offerings: an order of fried tacos with beef, an order of enchiladas with chicken, an order of buñuelos (foot-wide disk of fried dough) with white atole (sweetened corn drink, served hot), pozole (pork and hominy stew), and a list of drinks. 

    Calabazas Miniaturas
    Miniature calabazas (squash similar to pumpkins) on a tray.

    Emilia Reyes Oseguera, president of the Unión Estatal de Artesanos (State Artisans' Union), said that the various artisan communities are developing new designs to meet the needs of today's market.  Sergio Herrera, director of the Casa de Artesanía, acknowledged that commercialization of their work is the Achilles heel for the artisans.  He added that this is a global problem and is not unique to Michoacán or to Mexico.

    Bordado Fino
    Embroidery from the Lake Pátzcuaro region, sewn with a fine, fine hand, shows numerous daily activities of la vida campestre (country life).  Stitched along the top of the piece are "Los Viejitos", representing one of Mexico's best-loved folk dances.

    Leonel Godoy Rangel y Magdalena Ojeda Arana
    Michoacán's Governor Leonel Godoy Rangel and his wife, Magdalena Ojeda Arana, support their state's arts and crafts.  Governor Godoy presided over the opening ceremonies for CASART's recent anniversary.  He and his wife are wearing ribbon necklaces festooned with miniature hand woven baskets made in Michoacán.

    CASART manages several state-run folk art stores located across Michoacán.  Through its program of acquisitions, the government offers financial support either to community artisans' cooperatives or to individual artisans.  CASART's beautiful flagship store is located next to Templo San Francisco on Plaza Valladolid in downtown Morelia. 

    Tops
    Hand-made wooden tops on display (and for sale) at Morelia's Casa de Artesanía.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Pulque: Pre-Hispanic Drink, Gift of the Gods from the Maguey Cactus

    Agave atrovirens
    The agave atrovirens cactus.  This enormous blue-gray plant, native to the ancient land which became Mexico, continues to provide us with pulque (POOL-keh), a naturally fermented alcoholic beverage.  The maguey, with pencas (thick, succulent leaves) which can grow to a height of seven to eight feet, matures in ten to twelve years.  At maturity, the plant can begin to produce liquor.

    Pulque, native to Mexico, is suddenly all the rage in countries far from its origin.  Folks who have never seen a maguey cactus 'on the hoof' argue the relative merits of natural versus flavored pulques, canned versus straight from the barrel, and so forth.  Mayahuel, the goddess of the maguey, is laughing up her sleeve at this current rash of pulque aficionados: pulque has been well-loved in what is now Mexico for longer than humankind can remember. 

    Legend has it that a thousand years ago and more, Sr. Tlacuache (Mr. Opossum) scraped his sharp claws through the heart of the maguey and slurped down the world's first taste of pulque–and then another, and another, until he had a snoot full.  His meandering drunken ramble allegedly traced the path of Mexico's rivers.

    Codice Borbonico
    A drawing from the Codice Borbónico (1530s Spanish calendar and outline of life in the New World) shows Mayahuel, goddess of the maguey, with a mature cactus and a pot of fermented pulque.  The first liquid that pours into the heart of the maguey is called aguamiel (literally, honey water); legend says that aguamiel is Mayahuel's blood.

    Aguamiel actually comes from the pencas (leaves) of the cactus.  In order to start the flow of liquid into the heart of the plant, the yema (yolk) of the plant is removed from the heart and the heart's walls, connected to the leaves, are scraped until only a cavity remains.  Within a few days, the aguamiel begins to flow into the cavity in the heart of the plant.  The flow of aguamiel can last anywhere from three to six months.  Today, the men who work the maguey to produce pulque are still called tlaquicheros.  The word is derived from the same Nahuatl origin as the name for the original tlaquichero: Sr. Tlacuache, Mr. Opossum.

    Pulque y maguey
    An early tlaquichero removes aguamiel from the heart of the maguey by sucking it out with a long gourd.  Today, workers use a steel scoop to remove up to six liters of aguamiel per day from a single plant.  Aguamiel is not an alcoholic beverage.  Rather, it is a soft drink, sweet, transparent, and refreshing.  Once it ferments, however, it becomes the alcoholic drink pulque, also known as octli.

    The fermentation of pulque can start in the plant itself.  Aguamiel, left in the plant's heart to 'ripen' for a few days, begins to ferment.  For the commercial production which began in the 19th century, tlaquicheros remove aguamiel from the maguey and transfer it to huge steel tanks, where it ferments.

    Pulque dentro de maguey con popote
    The heart of the maguey, full of aguamiel.  The tool balanced in the liquid is the same type gourd that is pictured in the early drawing seen above.  Between extractions of aguamiel, the leaves of the maguey are folded over the cavity where the liquid collects to prevent insects and plant debris from falling into the heart.

    Pulque Postcard
    Mexican photographic postcard dating to the 1940s or 1950s.  The women and children pose in front of huge maguey plants.

    By the end of the 19th century, pulque was enormously popular among Mexico's very rich and very poor.  Weary travelers in the early 20th century could find stands selling pulque–just for a pickmeup–alongside rural byways.  Travelers riding Mexico's railroads bought pulque at booths along the tracks.  Pulquerías (bars specializing in pulque) were in every town, however small or large.  In Puebla and Mexico City, legendary pulquerías abounded.    

    La Palanca Tina Modotti 1926 Gelatin Silver Print
    Italian expatriate Tina Modotti, a member of the Diego Rivera/Frida Kahlo artists' circle, photographed Mexico City's pulquería La Palanca in 1926.

    Medidas de Pulque
    This common image hung in pulquerías all over Mexico.  Clients could order the amount of pulque they wanted according to the drawings–and be reminded of what they had ordered when the pulque had laid them low.  Image courtesy of La Voz de Michoacán.

    PulqueGlasswareMAPDF
    In the foreground are the actual pitchers and glasses used in Mexico's pulquerías.  Compare them with the vessels in the drawing.  Image courtesy of Museo del Arte Popular (DF).

    Pulque lovers spent long evenings in their favorite pulquerías in an alcoholic haze of music, dancing, laughter and delight.  Far less expensive than other hard liquors, pulque carries with it the romance of ancient legend, the tradition of a nation, and the approbation of the gods.

    Pulquería Charrito Edward Weston 1926
    Edward Weston, American photographer, immortalized Mexico City's pulquería El Charrito, also in 1926.

    Natural pulque is a pale white, semi-viscous, liquid with a slick, thick feel in the mouth; many people are put off by that feel, as well as by its slightly sour taste.  Even for those who dislike natural pulque, another kind of pulque–called curado (in this instance, flavored)–is delicious.  Natural pulque, combined with blended fresh fruit, vegetables, or ground nuts, becomes a completely different drink.   Bananas, guavas, strawberries, and the tuna (fruit of the nopal cactus) are particular favorites.  

    1.- Inicia la Expo-Feria del Pulque y la Salsa en La Magdalena Contreras
    Feria de Pulque
    (Pulque Fair) in the State of Mexico.  Each of the jars holds pulque curado, each flavored with a different fresh fruit, vegetable, or type of nut.

    Mexico Cooks!
    first tasted pulque about 30 years ago, in Huixquilucan, in the State of Mexico.  Huixquilucan, known to its inhabitants as Huixqui (pronounced whiskey), used to be a small town, and Mexican friends took me to its small-town fair where home-made pulque was for sale in what seemed like every booth offering food and drink.  "Try it, you'll like it a lot!" my friends giggled.  "Just a little taste!  C'mon!"  I was nervous: I'd heard about pulque and its slippery slimy-ness and its inebriating qualities.  Finally we stood in front of a booth offering pulque curado con fresas: pulque flavored with fresh strawberries.  "Okay, okay, I can try this."  And I liked it!  The first small cupful was a delicious, refreshing, slightly bubbly surprise.  The second small cupful went down even more easily than the first.  And then–well, let it be said that I had to sit down on the sidewalk for a bit.  I truly understood about pulque

    Try it, you'll like it a lot…c'mon, just a little taste!

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Epiphyllum Crenatum, Pride of the Mexico Cooks! Home Garden, Spring 2010

    Epiphyllum 7 BEST
    Meet our epiphyllum crenatum, the crenate orchid cactus native to Mexico.  Crenate refers to the scalloped shape of the cactus's long, thick leaves.  The open flower measures approximately seven to eight inches in diameter. 

    Sometime during the very early spring of 2009, Mexico Cooks! and several friends took a Sunday drive to Pátzcuaro and beyond.  On the return trip, we passed through Tzintzuntzan.  As we drove slowly past the market square in town, I suddenly screeched the car to the curb–a display of plants, for sale on the corner, had grabbed my attention.  Among her other plants, the vendor's big epiphyllum cactus, potted in a La Morena chile can, made my heart go pitter-patter.  Eighty pesos later, we loaded the big cactus into the back of the car and headed home to Morelia.

    La Morena chiles 2
    This tiny can of La Morena chiles chilpotles* adobados is a wee cousin of the six pound chile can that originally held the epiphyllum.  La Morena produces canned chiles jalapeños en escabeche (pickled) as well as chiles chilpotles* in adobo.  The canned chiles are excellent, the best we've tried.

    *Chilpotle is a variant spelling of chipotle.

    Epiphyllum 3 botones
    This group of buds is still relatively closed, although the bud on the right is beginning to show signs of opening.  The cactus, growing in a pot on Mexico Cooks!' sunny terrace, has more than 30 buds.

    This species was shown at an exhibition at the London Horticultural Society's
    Garden in 1844 and won highest medal for a new introduction. It had been
    collected in Honduras 5 years earlier by Georges Ule Skinner, who sent the plant
    to Sir Charles Lemon.  Sir Charles brought the epiphyllum to flower for the first time in 1843.

    Epiphyllum 6 boton grande mejor
    Barely opened on Saturday evening, this bud opened fully by Sunday morning.  Temperatures in Morelia have ranged between 50°and 85° Fahrenheit during this week (April 10-17, 2010).

    The thick, fleshy leaves of this cactus can grow as much as two feet high.  The leaf skin is smooth and green and the leaves have definite scallops, visible in the photographs.

    Epiphyllum 1
    The fully-opened flower lasts approximately 36 hours before the petals close and the flower droops.  Mexico Cooks! expects that the season for this year's buds and flowers will be finished in about two weeks.

    Epiphyllum crenatum is easy to cultivate and highly rewarding.  After a few months in its new pot, our cactus began to grow new leaves.  Late in the winter, we were thrilled to see that buds were beginning to form.  According to horticulturalists, the plant will need to be re-potted after it flowers in 2011.

    Epiphyllum 2 de cercas
    Close-up of the petals, pistils, and stamens.  Epiphyllum crenatum belongs to the plant division Magnoliophyta, which has this type reproductive organs.

    Epiphyllum 4 maceta
    Epiphyllum crenatum in her pot on the terrace.  Our employees water the epiphyllum three or four times a week during
    the dry season.  During the rainy season (mid-May through early
    November), Mother Nature keeps the pot plentifully watered.

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Ana Pellicer Forty Year Retrospective at Palacio Clavijero, Morelia

    Ana La Tehuana 3
    La Tehuana (1996).  Silver-plated copper, resin, and electroformed lace fabric.  Click on all of the photographs for a larger view of each sculpture.

    In September 2009, Mexico Cooks! met and interviewed James Metcalf and Ana Pellicer, internationally acclaimed artists who are long-time residents of Santa Clara del Cobre, Michoacán.  Privileged to photograph a number of their sculptures at their home in September, I was nevertheless unprepared for the visual and emotional impact of Poemas Forjados (Hand-wrought Poems), a lifetime retrospective of Ana Pellicer's work that opened on March 27, 2010 at the Palacio Clavijero in Morelia. 

    Ana Libertad Purhépecha
    La Libertad Purépecha (1987).  Mixed media: fiberglass, wood, plaster of Paris, textiles, copper, and brass.  In honor of Frederic Auguste Bartholdi, the French sculptor who created the original Statue of Liberty, the pleated skirt which represents the traditional guari (Purhépecha woman) garment is the colors of the French flag.  I asked Ana Pellicer why she chose to create the body of the sculpture in purple.  The simple answer: "She is in mourning."

    The 75-sculpture exhibit, which fills several huge rooms at the Clavijero, is divided into themes: Secretos, Mujer, Luz, Poder, Libertad, and Juego (Secrets, Woman, Light, Power, and Sport).

    Ana Caja Los Secretos
    Caja, Jugadores de Pelota (Box, Ball Players), Serie Secretos 2003.  Hammered copper, repoussé and silver plate, approximately 20cm long, 12cm wide, and 3cm deep.  The sculptured box top represents the pre-Hispanic Purhépecha ball game that may have been the forerunner of both baseball and basketball.  The 'Secrets' portion of the exhibit includes boxes, books, clouds, and other sculptures.

    Ana Pellicer sculpts predominately in copper, hand-forging and
    hammering every piece.  She works directly on the metal in the
    traditional pre-Hispanic "technique of fire" that is still practiced by
    Santa Clara del Cobre's artisans.  She begins her labor directly on the tejo (round ingot) of copper.  Her sculptures also may include bronce (bronze), hule
    (hand-harvested rubber), chuspata (lake reed), resina (resin), latón (brass),
    and plata (silver).

    Ana Libro 1
    Libro 1 (Book 1), 1970.  Hammered repoussé brass, plastic, and paper, approximately 20cm square.  Ana Pellicer produced this and other mixed-media sculptured books to record her creative process.

    Ana Medusa
    La Medusa, Serie Mujeres, 2010.  Cast bronze, repoussé copper, marble and wood.  Ana Pellicer points out details of the sculpture; the Medusa's head opens on a hinge, revealing her brain.

    For more than two years, Ana Pellicer worked to gather the pieces in this current exhibit.  Dispersed in public and private collections around the world, the owners have loaned the sculptures to Michoacán, where they were originally made.  "It gives me so much pride to exhibit my sculptures in the enormous rooms of the Palacio Clavijero, where the proportions of the building suit the proportions of the work," said Pellicer.

    Ana Querubines
    Querubines, Serie Luz, 1998. Repoussé copper, resin, and iron.  Many of the pieces in the series Light include resin, which collects and concentrates the light in each of the sculptures.

    The recurrent themes of Pellicer's work–light, power, women, secrets, sport–develop in strength and beauty as the viewer passes from gallery room to gallery room in the Palacio Clavijero.  Quotations from philosophers as diverse as Greece's 700 BC poet Sappho and Mexico's 15th century AD poet Netzahuacóyotl dot the exhibit's walls, both taking from and giving depth and comprehension to the works.  From Netzahuacóyotl, for example:

        "Percibo lo secreto, lo oculto:
        Así somos,
        somos mortales.
        de cuatro en cuatro nosotros los hombres,
        Todos habremos de irnos,
        todos habremos de morir en la tierra…"

        "I perceive the secret, this hidden thing:
        we are this way,
        we are mortals. 
        Four at a time we men,
        All of us must leave,
        All of us must die to this earth…"

    Ana Arete Purhepecha Monumental Libertad
    Arracada Monumental de la Libertad (Monumental Earring for the Statue of Liberty), 1986.  The hand-forged hollow copper earring weighs approximately  45 pounds.  Ana Pellicer sculpted the single earring and several other pieces of jewelry to fit the Statue of Liberty on the occasion of her 100th birthday.

    Ana Anillo
    Anillo de la Libertad (Ring for the Statue of Liberty), 1986.  The repoussé copper and resin ring, made to the same scale as the earring above, fits the ring finger of the Statue of Liberty.  The statue measures 305 feet from its base to the tip of her torch.

    Ana El Hacha Santificada
    Objeto Encontrado en la Tumba de una Reina (Object Found in the Tomb of a Queen), Serie Poder, 1996.  Hammered copper, glass, and tempered mica.  The axe is the pre-Hispanic Purhépecha power symbol.  Ana Pellicer described this piece as el hacha santificada (the sanctified ax) because of its halo.

    Ana Beisbol
    Beisbol (Baseball), Serie Juego 1999.  The baseball sculpture measures approximately 70cm in diameter.  Pellicer laughingly said, "I signed this huge baseball as if I were a sports star!"

    Ana Pellicer herself embodies the five themes of this magnificent retrospective exhibit.  A strong, intelligent woman, filled with light, with power, with humor, and with her own creative secrets, Pellicer's life work offers us a penetrating look into her world and our own.  Do not miss this opportunity to share her vision.

    Poemas Forjados de Ana Pellicer
    Palacio Clavijero
    Nigromante No. 79, between Av. Madero
    Poniente y Santiago Tapia

    Colonia Centro
    Morelia, Michoacán
    March 27-June 30, 2010
    Hours: 10AM to 6PM, Tuesday through Sunday (closed Mondays)

    Clavijero Map 

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Viernes Santo Procesión del Silencio 2010::Good Friday Procession of Silence, Morelia

    Dolores 1
    Nuestra
    Señora de Dolores
    (Our Lady of Sorrows) leads the procession.  Hooded members of various
    Catholic cofradías (confraternities, or religious organizations founded in Europe in
    the 15th Century) carry life-size statues on their wooden
    platforms approximately three kilometers through Morelia's Centro
    Histórico
    .

    Nuestra Señora de los Dolores
    Nuestra Señora de Dolores (detail).

    Procesión Tambores
    Drummers marked the beat of Morelia's penitential Procesión del
    Silencio
    : Good Friday's silent procession commemorating both the
    crucifixion of Christ and his Mother's grief.  Only the drumbeat broke
    the silence along the route.

    Rezando en la
Huerta
    Jesus
    during la Oración en el Huerto (praying in the Garden of
    Gethsemane), just prior to his arrest on Holy Thursday night.  Boy
    Scouts (the young man in red at the right of the photo) hold the
    protective rope all along the route of the procession.

    Procesión Cofradía de Blanco
    Hundreds of cofradía members marched in the still of this Good Friday night.  Foreigners, particularly those from the United States, are often shocked by the hoods, which to them are cultural reminders of the Ku Klux Klan.  In Mexico, there is no association between the two.  The procession is penitential and the hoods are a guarantee of anonymity and humility for the cofradía members.  They believe that humility and works of charity are best practiced anonymously.

    Soldados Romanos
    Roman
    soldiers.

    Procesión Veladora 1
    The
    majority of Morelia's Procesión del Silencio takes place after
    dark, by candlelight.  For the first time in 2009 and again in 2010, city street
    lamps were left on due to security issues.

    Legion de Jesús
    The
    Legion of Christ carry their banner and their lamps.  The Procesión
    del Silencio
    lasts about five hours.  During that time, all of
    Morelia's Centro Histórico is closed to vehicular traffic.

    La Cruz a Cuestas
    Jesus
    carries the cross a cuestas (on his back) to Calvary.  More than
    50,000 spectators stood along the entire route of Morelia's Procesión
    del Silencio
    .

    Procesión Veladora 3
    Candle holders are made of many materials, from crystal to styrofoam to metal.

    Cargando la Cruz 2
    Penitents
    from one of Morelia's confraternities carry their crosses the length of
    the procession.  Many march barefoot through the city streets.  The
    procession celebrated its thirty-fourth anniversary this year.

    Procesión Cristo Negro en la Cruz
    Robed
    and hooded members of another Catholic confraternity carry this
    image of the Cristo del Entierro (Christ of the Burial), nailed to the cross prior to his elevation.  Hoods cover the faces of those who march
    as a sign of penitence.

    Antorchas
    Clothed
    in gold and black, these marching penitents carry huge metal torches.

    Cristo Muerto
    Six
    men of all ages carry Cristo Muerto (the dead Christ), while six
    others follow as relief when the burden of the image, the platform, the
    lights, and the flowers becomes too heavy.  The man at the far right of
    the photo carries one of two saw horses used to support the platform
    during occasional pauses in the procession.

    Nuestra Señora de
Soledad
    At
    the end of the Procesión del Silencio, la Virgen de la Soledad
    (Our Lady of Solitude) follows the body of her crucified Son.  The
    platform bearing her image holds burning candles, a purple and gold
    velvet canopy, and banks of fresh flowers.

    Looking
    for a tailored-to-your-interests specialized tour in Mexico? Click
    here:
    Tours.

  • Mexican Cooking: What Do YOU Call It?

    Tortita de Calabacita
    Tortita de calabacita en caldillo (home-made zucchini/cheese croquette in thin tomato sauce).

    More and more people who want to experience "real"Mexican food are asking about the availability of authentic Mexican meals outside Mexico. Bloggers and posters on food-oriented websites have vociferously definite opinions on what constitutes authenticity. Writers' claims range from the uninformed (the fajitas at such-and-such a restaurant are totally authentic, just like in Mexico) to the ridiculous (Mexican cooks in Mexico can't get good ingredients, so Mexican meals prepared in the United States are superior).

     

    Much of what I read about authentic Mexican cooking reminds me of that old story of the blind men and the elephant. "Oh," says the first, running his hands up and down the elephant's leg, "an elephant is exactly like a tree."  "Aha," says the second, stroking the elephant's trunk, "the elephant is precisely like a hose."  And so forth. If you haven't experienced what most posters persist in calling "authentic Mexican", then there's no way to compare any restaurant in the United States with anything that is prepared or served in Mexico. You're simply spinning your wheels.

    Pozole Pig Head
    Pig head for making pozole (pork and hominy stew) at home.

    It's my considered opinion that there is no such thing as one definition of authentic Mexican. Wait, before you start hopping up and down to refute that, consider that "authentic" is generally what you were raised to appreciate. Your mother's pot roast is authentic, but so is my mother's. Your aunt's tuna salad is the real deal, but so is my aunt's, and they're not the least bit similar.

    The descriptor I've come to use for many dishes is 'traditional'. We can even argue about  that adjective, but it serves to describe the traditional dish of–oh, say carne de puerco en chile verde–as served in the North of Mexico, in the Central Highlands, or in the Yucatán. There may be big variations among the preparations of this dish, but each preparation is traditional and each is authentic in its region.

    I think that in order to understand the cuisines of Mexico, we have to give up arguing about authenticity and concentrate on the reality of certain dishes.

    Chiles en Nogada
    Chiles en nogada (stuffed chiles in walnut sauce), a traditional dish for the fall season in Mexico.

    Traditional Mexican cooking is not a hit-or-miss let's-make-something-for-dinner proposition based on "let's see what we have in the despensa (pantry)." Traditional Mexican cooking is as complicated and precise as traditional French cooking, with just as many hide-bound conventions as French cuisine imposes. You can't just throw some chiles and a glob of chocolate into a sauce and call it mole. You can't simply decide to call something Mexican salsa when it's not. There are specific recipes to follow, specific flavors and textures to expect, and specific results to attain. Yes, some liberties are taken, particularly in Mexico's new alta cocina (haute cuisine) and fusion restaurants, but even those liberties are based on specific traditional recipes.

    In recent readings of food-oriented websites, I've noticed questions about what ingredients are available in Mexico. The posts have gone on to ask whether or not those ingredients are up to snuff when compared with what's available in what the writer surmises to be more sophisticated food sources such as the United States.

    Surprise, surprise: most readily available fresh foods in Mexico's markets are even better than similar ingredients you find outside Mexico. Foreign chefs who tour with me to visit Mexico's stunning produce markets are inevitably astonished to see that what is grown for the ordinary home-cook user is fresher, more flavorful, more attractive, and much less costly than similar ingredients available in the United States.

    Calabaza en Almíbar
    Calabaza en tacha, cooking at home with Mexico Cooks!.

    It's the same with most meats: pork and chicken are head and shoulders above what you find in North of the Border meat markets. Fish and seafood are from-the-sea fresh and distributed within just a few hours of any of Mexico's coasts.

    Nevertheless, Mexican restaurants in the United States make do with the less-than-superior ingredients found outside Mexico. In fact, some downright delicious traditional Mexican meals can be had in some North of the Border Mexican restaurants. Those restaurants are hard to find, though, because in the States, most of what has come to be known as Mexican cooking is actually Tex-Mex cooking. There's nothing wrong with Tex-Mex cooking, nothing at all. It's just not traditional Mexican cooking.  Tex-Mex is great food from a particular region of the United States. Some of it is adapted from Mexican cooking and some is the invention of early Texas settlers. Some innovations are adapted from both of those points of origin.  Fajitas, ubiquitous on Mexican restaurant menus all over the United States, are a typical Tex-Mex invention.  Now available in Mexico's restaurants, fajitas are offered to the tourist trade as proto-typically authentic. 

    Tazón de Caldo de Pollo
    Caldo de pollo (traditional Mexican chicken soup), straight from the Mexico Cooks! home kitchen.

    You need to know that the best of Mexico's cuisines is not found in restaurants. It comes straight from somebody's mama's kitchen. Clearly not all Mexicans are good cooks, just as not all Chinese are good cooks, not all Italians are good cooks, and so forth. But the most traditional, the most (if you will) authentic Mexican meals are home prepared.  For the most part, the traveler won't find them in fancy restaurants, homey comedores (small commercial dining rooms) or fondas (tiny working-class restaurants). You'll find the best meals as you stand next to the stove in a home kitchen, watching Doña Fulana prepare comida (the midday main meal of the day) for her family.  Take the time to educate your palate, understand the ingredients, taste what is offered to you, and learn, learn, learn.  You too can come to understand what traditional Mexican cooking can be. 

    In order to understand the cuisines of Mexico, we need to experience their riches. Until that time, we can argue till the cows come home and you'll still be just another blind guy patting the beast's side and exclaiming how the elephant is mighty like a wall.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.

  • Comida Mexicana para La Cuaresma: Special Mexican Food for Lent

    Torta de Papa con Frijolitos Negros
    Tortitas de papa
    (potato croquettes, left) and frijoles negros (black beans, right) from the south of Mexico are ideal for a Lenten meal.

    Catholic Mexicans observe la Cuaresma (Lent), the 40-day (excluding Sundays) penitential season that precedes Easter, with special prayers, vigils, and with extraordinary meatless meals cooked only on Ash Wednesday and during Lent.  Many Mexican dishes–seafood, vegetable, and egg–are normally prepared without meat, but some other meatless dishes are particular to Lent. Known as comida cuaresmeña, many of these delicious Lenten foods are little-known outside Mexico and some other parts of Latin America.

    Many observant Catholics believe that the personal reflection and meditation demanded by Lenten practices are more fruitful if the individual refrains from heavy food indulgence and makes a promise to abstain from other common habits such as eating candy, smoking cigarettes, and drinking alcohol. 

    Atole de Grano
    Atole de grano, a Michoacán specialty made of tender corn and licorice-scented anís, is a perfect cena (supper) for Lenten Fridays.

    Lent began this year on Ash Wednesday, February 25.  Shortly before, certain food specialties began to appear in local markets. Vendors are currently offering very large dried shrimp for caldos (broths) and tortitas (croquettes), perfect heads of cauliflower for tortitas de coliflor (cauliflower croquettes), seasonal romeritos, and thick, dried slices of bolillo (small loaves of white bread) for capirotada (a kind of bread pudding).

    Romeritos en Mole
    This common Lenten preparation is romeritos en moleRomeritos, an acidic green vegetable, is in season at this time of year.  Although it looks a little like rosemary, its taste is relatively sour, more like verdolagas (purslane).

    Tortas de Camarón
    You'll usually see tortitas de camarón (dried shrimp croquettes) paired for a Friday comida (midday meal) with romeritos en mole, although they are sometimes bathed in a caldillo de jitomate (tomato broth) and served with sliced nopalitos (cactus paddles).

    Huachinango Mercado del Mar
    During Lent, the price of fish and seafood in Mexico goes through the roof due to the huge seasonal demand for meatless meals.  These beautiful huachinango (red snapper) come from Mexico's Pacific coast.

    Trucha Zitácuaro
    Chef Martín Rafael Mendizabal of La Trucha Alegre in Zitacuaro, Michoacán, prepared trucha deshuesada con agridulce de guayaba (boned trout with guava sweet and sour sauce) for the V Encuentro de Cocina Tradicional de Michoacán held in Morelia in December 2008.  The dish would be ideal for an elegant Lenten dinner.

    Plato Capirotada
    Capirotada (Lenten bread pudding) is almost unknown outside Mexico.  Simple to prepare and absolutely delicious, it's hard to eat it sparingly if you're trying to keep a Lenten abstinence! 

    Every family makes a slightly different version of capirotada: a pinch more of this, leave out that, add such-and-such.  Mexico Cooks! prefers to leave out the apricots and add dried pineapple.  Make it once and then tweak the recipe to your preference–but please do stick with traditional ingredients.

    CAPIROTADA

    Ingredients
    *4 bollilos, in 1" slices (small loaves of dense white bread)
    5 stale tortillas
    150 grams pecans
    50 grams prunes
    100 grams raisins
    200 grams peanuts
    100 grams dried apricots
    1 large apple, peeled and sliced thin
    100 grams grated Cotija cheese
    Peel of one orange, two uses
    *3 cones piloncillo (Mexican brown sugar)
    Four 3" pieces of Mexican stick cinnamon
    2 cloves
    Butter
    Salt

    *If you don't have bolillo, substitute slices of very dense French bread.  If you don't have piloncillo, substitute 1/2 cup tightly packed brown sugar.

    A large metal or clay baking dish.

    Preparation

    Preheat the oven to 300°F.

    Toast the bread and spread with butter.  Slightly overlap the tortillas in the bottom and along the sides of the baking dish to make a base for the capirotada.  Prepare a thin syrup by boiling the piloncillo in 2 1/2 cups of water with a few shreds of cinnamon sticks, 2/3 of the orange peel, the cloves, and a pinch of salt.

    Place the layers of bread rounds in the baking dish so as to allow for their expansion as the capirotada cooks.  Lay down a layer of bread, then a layer of nuts, prunes, raisins, peanuts and apricots.  Continue until all the bread is layered with the rest.  For the final layer, sprinkle the capirotada with the grated Cotija cheese and the remaining third of the orange peel (grated).  Add the syrup, moistening all the layers  little by little.  Reserve a portion of the syrup to add to the capirotada in case it becomes dry during baking.

    Bake uncovered until the capirotada is golden brown and the syrup is absorbed.  The bread will expand as it absorbs the syrup.  Remember to add the rest of the syrup if the top of the capirotada looks dry.

    Cool the capirotada at room temperature.  Do not cover until it is cool; even then, leave the top ajar.

    Platos Servidos Capirotada
    Try very hard not to eat the entire pan of capirotada at one sitting!

    A positive thought for the remainder of Lent: give up discouragement, be an optimist.

    Looking for a tailored-to-your-interests specialized tour in Mexico? Click here: Tours.